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Posts tagged with "music"

Doppler for Mac Offers an Excellent Album and Artist-Focused Listening Experience for Your Owned Music Collection

I haven’t purchased much music in the past six years or so, but there was a time when it was a big part of my entertainment spending. I still have a huge collection of albums ripped from CDs I bought and later purchased online from the iTunes Store. That changed with the advent of streaming services like Spotify, Rdio, Beats Music, and later Apple Music. I still have those files frozen in time on the 2015 Mac mini I use as a Plex server. So, when Ed Wellbrook told me he was bringing Doppler, his excellent iPhone music player to the Mac, I figured it was time to dust of my old music collection and give it a try.

Doppler, which we’ve covered before here and in MacStories Weekly, including, most recently, Issues 252, 261, and 275, is a music player for people who buy their music. Apple’s Music app continues to maintain backward compatibility for users who own their music libraries, but Apple’s focus these days is squarely on streaming, not purchasing. That’s left apps like Doppler to fill the void offering features like the ability to add new music to your library from an iPhone, something that isn’t possible with Apple Music.

The minute you try Doppler, you can tell it’s made by someone who cares deeply about music and the experience of listening to it. The interface puts albums and artists front and center, focusing on album art and simple, intuitive controls to make listening to music on-the-go a pleasure.

Wellbrook has brought the same sensibility to a native Mac version of the app, which was released today. Doppler for Mac is a lot like what I’d imagine Apple’s Music app would be like if Music were split into separate apps for streaming and owned music. That’s not likely to ever happen, but fortunately, Doppler has you covered if you own your music.

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Sofa 3.0 Adds New Ways to Manage Your Media Lists Along With a New Business Model

Sofa 3.0, an app that I last reviewed in March, is out with loads of new ways to track, organize, and browse the media lists you create. The app also has a new subscription business model for its pro features.

Media recommendations come at us all from every angle, whether it’s friends and family or sources like reviews. You can save lists of books, movies, videogames, and other media you want to try in lots of ways. You could use an app like Apple’s Notes or Reminders, but they’re general-purpose apps that don’t address the specific needs related to media consumption. Plus, trying to track media in something like a task manager gets out of control and messy fast.

Another option is to turn to an app designed for a specific type of media, and there are many good options available on the App Store. The advantage Sofa has, is that it makes it just as easy to pick a book as a movie or something else when you’re deciding what media to try next. It’s a subtle but important distinction. With single-purpose apps, you need to decide what kind of media you want to consume and then turn to an app to pick something. Sofa dispenses with the first step allowing you to answer a broader question: “How do I want to spend my free time?” That a one-stop approach is one of Sofa’s greatest strengths and one that the app leans into hard with the latest excellent update.

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Shazam Passes 1 Billion Monthly Songs Recognized for a Lifetime Total of More Than 50 Billion

WWDC saw the introduction of ShazamKit, a new framework that will allow third-party developers to incorporate the song recognition service into their own apps. Less than a week later, Apple has said that the service has surpassed 1 billion songs recognized per month for a total of over 50 billion Shazams since the service launched.

“Shazam is synonymous with magic,” said Oliver Schusser, Apple’s vice president of Apple Music and Beats, “both for the fans getting a song recognition almost instantly, and for the artists being discovered. With 1 billion recognitions a month, Shazam is one of the most popular music apps in the world. Today’s milestones show not only people’s love for Shazam, but also the ever-growing appetite for music discovery around the world.”

To put the 1 billion per month figure into context, Shazam, which was founded as a text messaging service in 2002, took 10 years to reach its first billion songs recognized. The recognition rate has been steadily increasing since then for a lifetime total of over 50 billion songs matched.

This fall, when Apple’s updated OSes are released, the monthly rate of Shazam matches is poised to accelerate further as developers begin adding ShazamKit to their apps. The new song matching framework was announced last week at WWDC and will allow developers to add functionality to their apps to recognize songs and report information to users like the song’s name, the artist, genre, and other details.

I’ve used Shazam since it debuted when the App Store launched, and I’m intrigued to see what developers will do with it. For example, I could see it becoming a convenient way to add artists I’m following in Marcos Tanaka’s app MusicHarbor. With a wealth of third-party music apps already available on the App Store, I expect we’ll see many innovative uses of the new framework soon.


Apple Announces Spatial Audio and Lossless Playback for Apple Music Subscribers Coming in June

Source: Apple.

Source: Apple.

Today, Apple announced that beginning in June, it will offer Spatial Audio with support for Dolby Atmos to its Apple Music collection. The company also announced that it is bringing Lossless Audio to the entire Music catalog. Both features are being added to Apple Music at no additional cost to subscribers.

According to Apple’s press release:

“Apple Music is making its biggest advancement ever in sound quality,” said Oliver Schusser, Apple’s vice president of Apple Music and Beats. “Listening to a song in Dolby Atmos is like magic. The music comes from all around you and sounds incredible. Now we are bringing this truly innovative and immersive experience to our listeners with music from their favorite artists like J Balvin, Gustavo Dudamel, Ariana Grande, Maroon 5, Kacey Musgraves, The Weeknd, and so many more. Subscribers will also be able to listen to their music in the highest audio quality with Lossless Audio. Apple Music as we know it is about to change forever.”

Spatial Audio will be the default playback option for AirPods and Beats headphones with an H1 or W1 chip, including AirPods, AirPods Pro, AirPods Max, BeatsX, Beats Solo3 Wireless, Beats Studio3, Powerbeats3 Wireless, Beats Flex, Powerbeats Pro, and Beats Solo Pro. The feature will be available with other headphones, too, by going to Settings → Music → Audio and setting Dolby Atmos to ‘Always On.’ The playback feature is also supported by the latest models of iPhones, iPads, Macs, and Apple TVs. At launch, Apple says there will be thousands of tracks available with Spatial Audio and Dolby Atmos support and that new ones will be added continuously. Music that supports the feature will be badged in the Music app so subscribers can find it more easily.

Source: Apple.

Source: Apple.

In addition to Spatial Audio, Apple is offering lossless audio versions of the entire Apple Music catalog beginning in June, which Apple confirmed to The Verge, is an Apple Music exclusive. In other words, you won’t be able to purchase lossless versions of music from the iTunes Store. The 75 million songs in the catalog will use the ALAC (Apple Lossless Audio Codec) format and start with CD-quality 16-bit audio at 44.1 kHz and go up to 24 bit at 48 kHz. Apple will also offer Hi-Resolution Lossless up to 24 bit at 192 kHz, for which subscribers will need an external USB DAC. Lossless playback is also opt-in due to the large file sizes involved. After iOS, iPadOS 14.6, macOS 11.4, and tvOS 14.6 are released, you’ll go to Settings → Music → Audio Quality to pick between Lossless and Hi-Res Lossless. From the details released today, it is not clear whether AirPods and Beats wireless headphones will support Apple’s lossless formats.

As someone who owns good quality headphones, I’m glad to see Apple adding lossless options to Apple Music. Spatial Audio is intriguing too. It remains to be seen how widely adopted it will be, but I’ve enjoyed it with video via the TV app, so I’m eager to try it with Apple Music too.


Deezer’s New HomePod Integration Supports Hi-Res Audio Playback

Source: Deezer.

Source: Deezer.

Late last year, music fans gained the ability to switch their default music service on the HomePod. Pandora was the first to offer the option last November and has now been joined by Deezer in Australia, Canada, France, Germany, Japan, Mexico, Spain, the UK, and the US.

Similar to other services, Deezer’s HomePod voice control functionality lets subscribers play albums, specific tracks and artists, as well as playlists using Siri. However, the most notable feature of Deezer’s HomePod integration announced by the company today is that its HiFi subscribers will be able to listen to hi-res audio using Apple’s smart speaker. Deezer’s Flow feature, which plays an endless playlist of subscribers’ favorite music, is also available.

The HomePod mini isn’t the best choice for hi-res audio playback, but this integration is an excellent option for Deezer users who have the original HomePod. As the only major streaming service without a hi-res alternative and with the original HomePod discontinued and rumors of a ‘new HiFi tier’ of Apple Music circulating, it will be interesting to see what Apple does in this area.


Spotify Announces Car Thing: Dedicated Audio Streaming Hardware for Drivers

Source: Spotify.

Source: Spotify.

Spotify has announced Car Thing, a dedicated Bluetooth-enabled audio controller for your car. Car Thing, which is Spotify’s first foray into hardware, is currently available by invitation only to Premium subscribers in the US.

Spotify’s new device is unique in that it isn’t a standalone product; it requires a mobile phone to work. The device itself is a touch screen with a handful of physical buttons and a big knob for navigating the service’s offerings. Data for streaming music or podcasts is provided by your mobile phone, which connects to Car Thing over Bluetooth. Car Thing doesn’t have a rechargeable battery or built-in speakers either. Power is provided by a USB-C to USB-A cable that must be plugged into a power source, and sound can be routed to your car’s audio system with a dedicated cable or over Bluetooth.

Source: Spotify.

Source: Spotify.

Car Thing, which also comes with dashboard mounting hardware, is controlled using its touch screen, programmable buttons along the top edge of the device, the knob, which allows drivers to scroll through the service’s content, and Spotify’s new ‘Hey Spotify’ digital assistant feature. Ashley Carman of The Verge had an opportunity to try Car Thing for a couple of days and had this to say about the device:

The voice controls mostly worked — for some reason it only got tripped up on a Kid Cudi request — but I grew frustrated with the steps it took to control music. When a song that I didn’t like played, it took longer to say, “Hey Spotify, skip” than it would have to just tap the skip button on my phone. I generally felt like I could more efficiently navigate Spotify just by using my phone at stop lights. The device does shine, however, when you ask the voice assistant to start a playlist, and it registered those commands easily.

Carman also notes that currently, Car Thing requires a data connection because it can only stream audio, although Spotify did not rule out a future update for accessing any downloaded content.

Source: Spotify.

Source: Spotify.

Car Thing is a fascinating product. Many users who already rely on features like Apple’s CarPlay and Android Auto will probably be content to continue to use those options, which offer other apps and services too. However, for drivers with older vehicles that don’t have built-in entertainment systems or ones that integrate with Spotify already and heavy Spotify users who like the idea of a dedicated Spotify interface, Car Thing is an intriguing option. I’m very curious to hear more about what it’s like to use in practice and get my hands on one myself.

If you live in the US and are a Spotify Premium subscriber, you can sign up to join the waitlist to receive the Car Thing. If you’re chosen, Spotify will send you a free Car Thing and only charge you $6.99 for shipping.


Albums 4.0: A Must-Have App for Music Lovers

Albums 4.0 is a beautifully designed, feature-rich app with more filtering and discovery tools than any other music app I’ve tried. The app is also opinionated, favoring album playback over individual songs or playlists. It’s the sort of focused, deep approach to music that Apple’s Music app doesn’t offer because it’s designed to appeal to a wider audience.

If you’re an albums-first music fan, you’ll love Albums. However, even if you prefer singles, playlists, and jumping around the Apple Music catalog as I do, Albums is worth checking out. The app’s powerful filtering opens up brand new ways to enjoy your music collection that any music fan can appreciate.

It just so happens that Federico and I are in the midst of an AppStories miniseries on music. This week we discussed how we listen to music and how it influences the services we use. Next week, we’ll cover third-party apps including Albums and many more. You can check out this week’s episode here:

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Spotify Launches New ‘Spotify Mixes’ with Personalized Playlists Based on Artists, Genres, and Decades

Spotify Mixes in the Made for You hub.

Spotify Mixes in the Made for You hub.

Earlier today, Spotify announced their latest feature rollout for both free and premium users: Spotify Mixes. Inspired by the Daily Mix, which the company introduced in 2016, Spotify Mixes are a collection of personalized playlists tailored specifically to each user and available in three main “flavors”: in the updated Made for You hub (which you can find in the Search page), you’ll find Artist Mixes, Genre Mixes, and Decade Mixes.

Here’s how Spotify says these new playlists will work:

Each mix is created with you at the core, based on your listening habits and the artists, genres, and decades you listen to most. They’re rooted in familiarity, meaning that you won’t just hear your favorite artists, but your favorite songs from those artists.

Then, we supplement by adding in songs we think you’ll love, meaning they’ll be filled with the music you have on repeat alongside some fresh picks. So whether you want to jam out to a specific artist or hear more music from another decade, there’s a mix just for you.

According to Spotify, these new mixes will update over time to reflect your listening habits and will present a dynamic collection of playlists from different artists, genres, and decades, including both songs you already know and new ones the service thinks you might like.

I received the new Spotify Mixes this morning and, as you can see in the image above, they provide an eerily accurate representation of my diverse music preferences – from late 90s Placebo and mid 2000s emo punk to modern artists such as Pale Waves and Taylor Swift.

As I’m writing almost on a weekly basis now, I’m impressed with Spotify’s ongoing streak of product launches and understanding of what their users seek in the service. With genre filters, the ability to shuffle liked songs based on mood, and now mixes for decades and artists, Spotify helps me enjoy and rediscover music in any moment of the day; so far, I’m glad I decided to switch from Apple Music for a year.


Apple and Others Invest $50 million into Music Distributor UnitedMasters

Apple quietly acquires companies with products and teams that complement its own offerings all the time, but it’s not often an investor, which makes the company’s recent investment in UnitedMasters notable. As reported by Matthew Panzarino at TechCrunch, Apple is joined by Alphabet, Google’s parent company, and A16z as leads in UnitedMasters’ $50 million Series B round.

Historically, artists’ relationships with music distribution companies have prevented artists from connecting directly with fans. UnitedMasters’ goal is to change that providing artists with access to data and allowing them to retain control of master recordings and sell merchandise, tickets, and more directly to fans.

As Panzarino notes, the investment comes as the music industry is changing:

We are currently at an inflection point in the way that artists and fans connect with one another. Though there have been seemingly endless ways for artists to get their messages out or speak to fans using social media and other platforms, the actual business of distributing work to a community and making money from that work has been out of their hands completely since the beginning of the recording industry.

UnitedMasters’ mission is to assist artists in making the transition to music’s future. If UnitedMaters’ objective sounds familiar, it’s likely because, as Panzarino explains, it bears a lot of similarity to what Apple Music Connect could have been:

In music, Apple is at the center of this maelstrom along with a few other major players like Spotify. One of the big misses in recent years for Apple Music, in my opinion, was Apple’s failure to turn Apple Music Connect into an industry-standard portal that allowed artists to connect broadly with fans, distribute directly, sell tickets and merchandise but — most importantly — to foster and own their community.

The streaming music industry is moving fast. Over the past several weeks, Spotify has introduced a long list of features to attract new listeners to the service. Apple Music seems to be evolving slowly compared to Spotify, but Apple’s investment in UnitedMasters shows that the company has its eye on the industry’s future too. Which new features stick with music fans remains to be seen, but judging from the first three months of the year, 2021 will be another interesting one for music streaming services.

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