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MacStories Unwind: The Last of Us, Game and TV Show

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This week on MacStories Unwind, Federico and John are joined by Jonathan Reed for our monthly Club MacStories+ AV Club selection. This month, Club MacStories + and Premier members chose videogame and TV show, The Last of Us, which we discussed for a live audience in the Club MacStories Discord community.

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The Last of Us, Videogame and TV Show

MacStories Unwind+

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AppStories, Episode 330 – Our macOS Wishes→

This week on AppStories, we share our wishes for macOS 14.

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On AppStories+, my corrupt Mac user account and changes to our workflows that we’re considering in advance of WWDC.

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Mimestream: The Perfect Email App for Gmail Users on the Mac

I’m going to straight-up spoil this review for you at the top. If you primarily use Gmail and work on a Mac, you should try Mimestream now. It offers the core Gmail experience wrapped in a thoughtfully designed native Mac app. If you spend a lot of time on other devices or have non-Gmail accounts, the call is tougher, but that’s exactly my situation, and I think Mimestream is still the best Mac email choice for most people. Here’s why.

I have four primary email accounts. Two are work-related, and two are personal. All but my iCloud email are connected to Gmail, which makes me a pretty strong candidate for Mimestream, which launched this week after a couple years in beta.

I’ve been using Mimestream on and off for over a year, returning to it in late January after briefly trying Missive. What drew me back to Mimestream was the app’s native design, tight integration with Gmail, and open roadmap. The app doesn’t have everything I want from an email client. However, because I handle most of my email on the Mac and most of what I’d like to see Mimestream incorporate is planned or under consideration for future updates, it’s become how I manage most of my email.

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Last Week, on Club MacStories: Task Manager Overload, a Things Web Clipper, and the Need for Migration Assistant for Apps

Because Club MacStories now encompasses more than just newsletters, we’ve created a guide to the past week’s happenings:

MacStories Weekly: Issue 369

2023 ADA Finalists Announced

As has been the case the past couple of years, Apple has announced the finalists in the running for its annual Apple Design Awards. The awards ceremony revealing the winners will be held during WWDC at 6:30 pm Pacific on June 6th.

The finalists have been divided into six categories that include six finalists each:

Inclusivity

Delight and Fun

Interaction

Social Impact

Visuals and Graphics

Innovation

The selections include a broad selection of games and apps, including some apps from smaller developers like Knotwords, Afterplace, and Gentler Streak, as well as titles from bigger publishers.

This is the third year in a row that Apple has announced the finalists in advance, which I like a lot. Winning an ADA is a big achievement for any developer, but it’s also nice to know who the finalists are because it’s quite an honor among the many apps that could have been chosen too.

First Impressions: Final Cut Pro for iPad

Today, Apple released Final Cut Pro for iPad alongside Logic Pro. I’ve been testing the app for about a week with sample projects from Apple and some drone footage I shot with one of my kids during the winter holidays. Like Logic Pro for iPad, Apple has packed a lot of sophisticated features into Final Cut Pro for iPad, but with one crucial difference. Whereas Logic Pro projects can be sent back and forth between the iPad and Mac versions of the app, Final Cut Pro projects cannot.

Managing Final Cut Pro for iPad projects.

Managing Final Cut Pro for iPad projects.

Final Cut for iPad projects can be opened in Final Cut for Mac, but once they’re on the Mac, they can no longer be opened on the iPad. Nor can projects started in Final Cut Pro for Mac be opened on the iPad. That will be a significant downside for people who already work in Final Cut Pro for Mac, but for creators with a mobile-first workflow or who want to try Final Cut Pro for the first time without paying the Mac version’s steep price, compatibility will be a non-issue.

My early experiments with Final Cut Pro for iPad with some drone footage I took in December.

My early experiments with Final Cut Pro for iPad with some drone footage I took in December.

That’s the camp I fall into. I don’t edit a lot of video, and except for testing Final Cut Pro for iPad, I would probably have dropped my drone clips into iMovie, added a few transitions, and called it a day. That sort of editing is absolutely possible in Final Cut Pro, too. However, the app allows you to do far more, as the two sample projects I’ve been studying make clear.

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MacStories Hands-On: Podcast Editing with Logic Pro for iPad

I was as surprised as anyone when Apple announced that Logic Pro was coming to the iPad. I was excited too. Logic Pro is an app I use every week to produce MacStories’ podcasts, and I’d wanted the freedom to do that work on the iPad for a very long time.

However, my excitement was tempered by skepticism about whether the kind of work I do would be supported. Logic Pro for the Mac is designed for music production. It’s a very capable podcast production tool, too, but editing podcasts uses only a tiny fraction of Logic Pro’s tools. With the focus on music production in Apple’s press release announcing the iPad version, I wondered whether the subset of production tools I use would find their way onto the iPad or not.

Music production projects are typically much more complex than podcast edits.

Music production projects are typically much more complex than podcast edits.

So, when Apple offered to send me a 12.9” M2 iPad Pro with a Magic Keyboard and Apple Pencil last week to test Logic Pro for iPad, I jumped at the chance to see what it could do. Since last week, I’ve played with Logic Pro’s music-making tools, which I’ll cover below. They’re impressive, but I’ve spent most of my time putting the app through a more personal, real-world test: podcast editing. After some initial exploration of Logic Pro’s UI to get my bearings, I created a project, dropped in the audio tracks from last week’s episode of MacStories Unwind, and started editing.

Logic Pro for iPad includes a collection of lessons to help you learn the app, along with a catalog of sound packs and loops.

Logic Pro for iPad includes a collection of lessons to help you learn the app, along with a catalog of sound packs and loops.

What I found is that Logic Pro for iPad is a remarkably capable alternative to the Mac version. The app comes with limitations and frustrations, like any first version of a complex new app, but it’s also the real deal. Logic Pro for iPad isn’t a companion app to the Mac version. The iPad version doesn’t match the Mac app feature-for-feature, but it’s not a watered-down version of the desktop version either. Instead, Logic Pro for iPad delivers on the promise of the iPad’s hardware in a reimagined way that we haven’t seen enough of with so-called ‘pro’ apps.

There’s a lot of ground to cover between my podcasting experiments and the music production features of Logic, so let’s dive in.

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Ivory for Mac Review: Tapbots’ Superb Mastodon Client Comes to Apple Desktops and Laptops

Ivory, Tapbots’ Mastodon client, is now available on the Mac, and like its iOS and iPadOS counterparts that Federico reviewed in January, Ivory for Mac is every bit as polished.

A lot has changed since Ivory was released on the iPhone and iPad. At the time, there were hardly any native Mastodon apps for the Mac, so I was using Elk in a pinned Safari tab. That’s changed. There are several excellent native apps now, including Mona, which I reviewed earlier this month. What Ivory brings to the growing field of native apps is what we saw with iOS and iPadOS: impeccable taste and snappy performance that few other apps can match.

By now, most MacStories readers are probably familiar with the table stakes features for Mastodon clients. Ivory ticks all of those boxes. Also, if you’ve already tried Ivory for iOS or iPadOS, you’ve got a big head start on the Mac app because they’re very similar. However, if you’re new to Ivory, I encourage you to check out Federico’s review of Ivory for the iPhone and iPad because I’m not going to cover that same ground again. Instead, I want to focus on the Mac version’s unique features and the details that make it such a compelling choice for Mac users.

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Our thanks to SaneBox for sponsoring MacStories this week.