There's something about the screen of the new 10.5” iPad Pro that feels immediately novel but quickly becomes normal, and something that seems obvious at first but reveals itself as a deeper change after a few days. As a heavy user of the 12.9” iPad Pro, I've been pleasantly deceived by this new iPad, and the more I think about it, the more I keep coming back to the display and the story behind its new form factor.
Posts tagged with "iPad Pro"
Earlier this week, The Iconfactory released version 1.1 of its iPad sketching app, Linea. The highlight of the release is iCloud syncing for all drawings stored in the app. This is a welcome addition for the sake of having safe backup files in the cloud, but it is also important because of a related app debut from this week.
This new app is the easiest way to get sketches drawn on your iPad onto your Mac. Using iCloud sync, your work is instantly available for use in your favorite macOS applications.
Start a new Photoshop document using Linea’s layers. Reference a quick design idea while working in Xcode. Transcribe meeting notes into a Pages document. Or just tap the spacebar to preview Linea documents using Quick Look. Linea on iOS works great to get an idea started, and Linea Link on macOS lets you take the next step toward making it a reality.
Linea Link is a perfect bridge between the iPad and Mac for those who use both devices to get their work done. Third-party app support includes Sketch, Acorn, Pixelmator, Affinity Designer & Photo, and the above-mentioned Adobe Photoshop.
It is still the early days of Linea's life, but it's comforting to see continued investment being made to the app by The Iconfactory. As John shared in his initial review, Linea is an excellent example of an app that blends elegance and usability with just the right amount of tools and power needed to get creative work done.
Pixure is Louis D'hauwe's excellent pixel art studio app for iOS that lets you create retro-styled illustrations. Pixure was already best suited for the iPad's bigger display, but the latest version 2.2 adds PanelKit – a UI framework created by D'hauwe himself to turn traditional iPad popovers into floating panels.
Popovers are a staple of the iPad's interface, and I was skeptical when I saw the first details of PanelKit in February. After testing Pixure on my 12.9" iPad Pro, though, I think D'hauwe is onto something – when the app is in full-screen, it's nice to be able to re-arrange a palette of tools so it doesn't hide your content. The best part, in my opinion, is that panels can be converted back to sidebars by snapping them to the edge of the display, which is a fantastic use of the iPad Pro's large screen. There's an argument to be made about PanelKit bringing the cognitive load of desktop window management to the iPad, but I believe that, for some apps (such as graphic editors like Pixure), floating controls that you can re-arrange around the canvas are necessary.
I'm testing a few iPad apps that try to optimize for the iPad Pro's screen with additional popovers and sidebars, and none of them feel as flexible or as intuitive as D'hauwe's app. If you're an iPad user, you should check out Pixure.
John Gruber on what may be coming next in terms of iPad refreshes:
What doesn’t make sense to me is a new 10.5-inch model. The idea makes sense — keeping the physical footprint of the current 9.7-inch models but reducing the bezels and putting in a bigger display. The ideal form factor for iPads and iPhones is just a screen, like the phones in Rian Johnson’s Looper — reducing the size of bezels and moving toward edge-to-edge displays is inevitable. Even the pixel density math works out for a 10.5-inch display.
What doesn’t make sense to me is the timing. I don’t see how an iPad with an exciting new design could debut alongside updated versions of the existing 9.7-inch and 12.9-inch iPads. Who would buy the updated 9.7-inch iPad Pro with the traditional bezels if there’s a 10.5-inch model without bezels? No one.
If Apple is going to position both the second-gen 12.9" and 9.7" iPad Pros as the high-end models, I don't see where a simultaneous release of a drastically different 10.5" iPad Pro would fit. But if the second-gen iPad Pros (with the current form factors) move to the low end of the lineup, that means the 10.5" iPad Pro could introduce an edge-to-edge design with no Home button before the iPhone gets such treatment (supposedly) later this year.
That idea always seemed odd to me. Traditionally, the iPad doesn't get major hardware changes before the iPhone. The iPad hardware tends to follow the iPhone. True Tone and the four-speaker system were iPad Pro-first features, but they weren't fundamental platform changes such as Touch ID or Retina. Both of those came to the iPhone first. (I won't even count the Smart Connector here.) An edge-to-edge design with no Home button is a major platform shift – particularly if it includes new developer APIs, which would have to launch in the Spring before iOS 11 if the rumor of an imminent iPad Pro 10.5" is to be believed. At this point, I find that somewhat hard to believe.
Instead, I think spec-bumps across the entire iPad lineup would make more sense in the short term. I can see Apple bringing consistency to the product line (True Tone, USB 3 speeds, and fast charging for every iPad Pro model) and adding faster CPUs/more RAM for powerful iPad-only features coming with iOS 11. I'm curious to see if Apple will revive the iPad mini by making a 7.9" iPad Pro and if iPad accessories will receive substantial improvements at all (it'd be nice to get an upgraded Smart Cover or a Pencil with superior battery life).
Ever since I first got the 12.9-inch iPad Pro, I've wanted to use the Apple Pencil more. However, every time I tried to fit the Pencil into my workflow, I stumbled upon the realization that, no matter the excellence of the tool at hand, I'm no artist.
I spend most of my time typing with a keyboard (either a Bluetooth one or the iPad's software one) and, while it's fun to pretend I know what I'm doing in Linea or Paper, the sad reality is that I'm downright terrible at sketching or drawing. Moreover, unlike others, my background doesn't involve a passionate appreciation of pen and paper. Therefore, I'm attracted by the Pencil's concept and technology, but I don't need it for my main line of work; plus, handwriting stopped being a daily habit after I graduated high school in 2007.
I was inspired by a story Ryan wrote, though, to reconsider if my work routine could still benefit from a different note-taking perspective. Testing fresh approaches and new ideas has always been the underlying theme of my switch to the iPad, after all. So when Ryan shared his thoughts on using the Pencil for non-artistic purposes, I took it as an opportunity to try out the Pencil as a complement to my writing needs rather than a futile diversion.
As I wrote in my story on one year of iPad Pro, I consider cloud services a necessity for managing files on iOS. Dropbox and iCloud Drive make it possible to keep the same sets of documents and app libraries synced across devices, but, more importantly, they help overcome iOS' file management woes through centralized storage spaces. In the article, I espoused the flexibility of Documents and its tight integration with Dropbox, noting how Readdle had built the missing iPad file manager with features Apple omitted from their iCloud Drive app.
Since early January, I've been thinking about my larger writing projects scheduled for 2017 and whether Documents can scale as a reference and research tool. Looking back at 2016 and the time I poured into organizing and referencing files for my iOS 10 review draft in Scrivener (which I covered here), I realized that neither Scrivener's built-in file manager nor Documents could meet the basic requirements I have set for this year's review. These include the ability to search different file types with advanced operators as well as a system to reference individual files and folders throughout iOS with local URLs. It was during this meta-research phase1 that I decided to try DEVONthink To Go again.
Ole Zorn's Editorial was the text editor that completely reimagined how I could work from iOS. While I have since moved to Ulysses as my primary text editor, I still use Editorial almost daily for its unique Markdown automation. Editorial's combination of Python scripting and visual workflows for plain text editing is unparalleled and there's nothing else like it on the App Store.
After a couple of years without updates and a long TestFlight beta period, Editorial has been updated for iOS Split View and the 12.9-inch iPad Pro. There are other changes (the workflow editor has been moved to the accessory panel and the Python editor now opens in a separate tab), but, overall, it's still the same Editorial you know and love, updated for the latest iOS devices. I've been using the beta version of Editorial 1.3 for several months now – being able to keep Editorial next to another app is great for editing and research, and moving back and forth between a document and a workflow is easier.
As for everything else, my coverage of Editorial 1.0, 1.1, and 1.2 still stands; Editorial is the text editor for iOS power users thanks to its excellent automation features, advanced Markdown editing, and TaskPaper integration. As I wrote in November, I still edit all my longform stories in Editorial. Despite the paucity of updates, I love the app as it's a shining example of pro software for iOS.
If you haven't played with Editorial in a while, now's a good time to check it out again (the app is also available at a discounted price of $4.99).
Rumors have been swirling about Apple working on an iPad that falls inbetween the 9.7" and 12.9" sizes they currently offer in the Pro lineup. John Gruber and Jim Dalrymple briefly discussed this on the latest episode of The Talk Show, with Gruber saying: “It doesn’t make any sense to me.” (discussion at 1 hour 41 minute mark). There is, I believe, one explanation that makes too much sense not to be true.
His numbers check out. An iPad with the same footprint of the 9.7" iPad Pro but a bigger display with the same pixel density of the iPad mini sounds like a very compelling iPad to me.
To celebrate the launch of Super Mario Run on the App Store today, Shigeru Miyamoto drew a quick sketch of Mario on an iPad Pro using the Apple Pencil. Below are video of Miyamoto drawing Mario and the final sketch.