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Posts tagged with "iPad Pro"

Using the iPad Pro as a Portable Monitor for My Nintendo Switch with Orion, a Capture Card, and a Battery Pack

Tears of the Kingdom on my iPad Pro.

Tears of the Kingdom on my iPad Pro.

Those who have been reading MacStories for a while know that I have a peculiar obsession for portable setups free of the constraints typically involved with working at a desk or playing games in front of a TV.

It’s not that I don’t want to have a desk or dislike my 65” OLED TV: it’s that I don’t want those contexts to be my only options when it comes to getting work done or playing videogames. This is why I’ve spent the better part of my career fine-tuning my iPad-first lifestyle and why I’m so excited at the prospect of a giant screen that can always be with me. Modularity, portability, and freedom from a desk or TV are the driving factors in everything I use or buy these days.

For these reasons, it shouldn’t come as a surprise that I embraced the ability to use the iPad Pro as a portable monitor for videogame consoles thanks to UVC support. As I covered in my iPadOS 17 review, this feature was primarily conceived to let iPad users connect external webcams to their computers, but that hasn’t stopped developers from re-using the same underlying technology to create apps that allow you to display a video feed from any accessory connected via USB.

It’s a very intriguing proposition: the 12.9” iPad Pro has a gorgeous mini-LED display; what if you could use that to give yourself a little extra screen real estate when playing Super Mario Bros. Wonder or Tears of the Kingdom without having to pack a separate portable monitor with you?

In my review, I mentioned the Genki Studio app, which I used to play games with my Nintendo Switch and ROG Ally and output their video feeds to the iPad Pro’s display. Today, I want to explain how I took my setup a step further by enhancing the picture quality of the Nintendo Switch when viewed on the iPad Pro and, most importantly, how I created a fully-portable setup that allows me to play Switch games on the iPad Pro anywhere I am.

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MacStories Hands-On: Podcast Editing with Logic Pro for iPad

I was as surprised as anyone when Apple announced that Logic Pro was coming to the iPad. I was excited too. Logic Pro is an app I use every week to produce MacStories’ podcasts, and I’d wanted the freedom to do that work on the iPad for a very long time.

However, my excitement was tempered by skepticism about whether the kind of work I do would be supported. Logic Pro for the Mac is designed for music production. It’s a very capable podcast production tool, too, but editing podcasts uses only a tiny fraction of Logic Pro’s tools. With the focus on music production in Apple’s press release announcing the iPad version, I wondered whether the subset of production tools I use would find their way onto the iPad or not.

Music production projects are typically much more complex than podcast edits.

Music production projects are typically much more complex than podcast edits.

So, when Apple offered to send me a 12.9” M2 iPad Pro with a Magic Keyboard and Apple Pencil last week to test Logic Pro for iPad, I jumped at the chance to see what it could do. Since last week, I’ve played with Logic Pro’s music-making tools, which I’ll cover below. They’re impressive, but I’ve spent most of my time putting the app through a more personal, real-world test: podcast editing. After some initial exploration of Logic Pro’s UI to get my bearings, I created a project, dropped in the audio tracks from last week’s episode of MacStories Unwind, and started editing.

Logic Pro for iPad includes a collection of lessons to help you learn the app, along with a catalog of sound packs and loops.

Logic Pro for iPad includes a collection of lessons to help you learn the app, along with a catalog of sound packs and loops.

What I found is that Logic Pro for iPad is a remarkably capable alternative to the Mac version. The app comes with limitations and frustrations, like any first version of a complex new app, but it’s also the real deal. Logic Pro for iPad isn’t a companion app to the Mac version. The iPad version doesn’t match the Mac app feature-for-feature, but it’s not a watered-down version of the desktop version either. Instead, Logic Pro for iPad delivers on the promise of the iPad’s hardware in a reimagined way that we haven’t seen enough of with so-called ‘pro’ apps.

There’s a lot of ground to cover between my podcasting experiments and the music production features of Logic, so let’s dive in.

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Final Cut Pro and Logic Pro Are Coming to the iPad on May 23rd

Source: Apple.

Source: Apple.

At long last, Apple has announced Final Cut Pro and Logic Pro for the iPad. Ever since the introduction of the iPad Pro, iPad power users have wondered where the ‘pro’ apps were. Third parties released pro-level creative tools, but Apple’s lineup of apps was conspicuously absent. That looks like it’s changing with today’s announcement that Final Cut Pro and Logic Pro are coming as subscription-based apps on Tuesday, May 23rd.

According to Apple’s press release:

Final Cut Pro for iPad introduces an all-new touch interface and intuitive tools — unlocking new workflows for video creators. A new jog wheel makes the editing process easier than ever and enables users to interact with content in completely new ways. They can navigate the Magnetic Timeline, move clips, and make fast frame-accurate edits with just the tap of a finger, and with the immediacy and intuitiveness of Multi-Touch gestures, push their creativity to new heights.

Source: Apple.

Source: Apple.

Apple says users with an M2 iPad Pro will be able to skim and preview footage using the Apple Pencil’s hover functionality. The app will also support keyboard shortcuts when connected to a Magic Keyboard.

According to Apple’s press release, Final Cut Pro will support single-device field recording, with the M2 iPad Pro supporting ProRes video. The app will also support multicam editing, which can be automatically synced together.

Auto-cropping of the subject of a video will be possible thanks to machine learning. The app will also use machine learning to assist users with cropping to common video sizes and isolating recorded voices.

Source: Apple.

Source: Apple.

Apple also says the app will come with a “vast library” of professional graphics, effects, audio, and animation that can be automatically adjusted to the length of a video. Finally, Final Cut Pro will be able to import from the Files and Photos app and supports iMovie projects. Plus, it will be able to export to Final Cut Projects that are compatible with the Mac version of the app.

Source: Apple.

Source: Apple.

Apple says that Logic Pro will take advantage of Multi-Touch gestures for manipulating a project as well as Plug-in Tiles that will provide convenient access to certain controls. The iPad’s microphones will also be available as an audio source.

Source: Apple.

Source: Apple.

The app will also debut a sound browser:

The sound browser displays all available instrument patches, audio patches, plug‑in presets, samples, and loops in a single location, and users can tap to audition any sound before loading it into a project to save time and stay in their creative flow.

Also included in the app are over 100 instruments and effects, synths, including one called Sample Alchemy for manipulating audio samples, and an extensive set of tools for creating beats. Logic Pro for iPad will work with compatible third-party hardware like microphones, instruments, and MIDI controllers too.

Source: Apple.

Source: Apple.

When it’s time to mix your creation, Apple says:

Multi-Touch enables creators to mix intuitively and move multiple faders at once, and the mixer meter bridge lets them quickly navigate an overview of track levels, all from iPad.

Finally, Logic Pro will support round-tripping to the Mac version of the app, GarageBand for iOS projects, and exporting in a variety of compressed and lossless formats or as individual track stems.

According to Apple:

Final Cut Pro is compatible with M1 chip iPad models or later, and Logic Pro will be available on A12 Bionic chip iPad models or later. Final Cut Pro for iPad and Logic Pro for iPad require iPadOS 16.4.

I’m glad to see Final Cut Pro and Logic Pro finally coming to the iPad. It remains to be seen how each stands up in comparison to their Mac siblings, but from Apple’s press release alone, these will clearly be more powerful and capable apps than either iMovie or GarageBand.

Final Cut Pro and Logic Pro for iPad will be available on the App Store beginning on Tuesday, May 23rd as subscriptions for $4.99/month or $49/year after a one-month free trial.

The Mac and iPad Pro Are on a Collision Course→

Jason Snell, in an excellent column for Macworld:

Sometimes I look back at all the effort Apple has made with the iPad Pro and wonder if it was worth it. All the additions of Mac-ish features have added complexity that’s probably lost on most users of iPadOS, and the power users for whom they were intended are probably well aware of all the ways they don’t really match up the Mac features they’re duplicating.

I want to see what happens when the walls come down. Today’s iPad Pro is powered by the same chip that’s in the MacBook Air. Would it be such a cataclysm if I could simply reboot that iPad into macOS or run macOS inside a virtual machine?

Likewise, what if the Mac had a touchscreen and Apple Pencil support and came in shapes that weren’t the traditional laptop? What if the Mac began to offer the ergonomic flexibility that iPadOS is so good at? What if I ripped the keyboard off a MacBook and had the option to switch to a touch-based mode that was essentially iPadOS?

I love this story, which I recommend reading in its entirety, because it feels as if Jason stared directly into my soul and wrote about something I’ve been feeling for the past several months.

From my perspective, Stage Manager’s failure to reinvent multitasking and iPadOS’ perennial lack of pro features (Jason mentions a proper audio subsystem in his story, and I agree; I wrote this four years ago, and nothing has improved) were the final straw that convinced me to start looking elsewhere for a convertible computer in my life. I could buy a MacBook Air, but I don’t want to be stuck with a laptop that doesn’t have a touchscreen and whose keyboard you can’t detach.

I fear that I’m going to have to wait a couple of years for the Apple computer I want to exist, and I’m not sure anymore that iPadOS can evolve in meaningful ways in the meantime.

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The New iPad and iPad Pro Review: Mixed Signals

The new iPad Pro and iPad.

The new iPad Pro and iPad.

Last week on Thursday, I received review units of the new 10th generation iPad and 6th generation iPad Pro. I’ve spent the past few days testing and getting work done with both of them – including finishing a big story about Stage Manager I’m going to publish in a few hours on MacStories.

These are relatively easy iPads to review with a fairly straightforward narrative around them. The new iPad Pro is an iterative update that shows us Apple has seemingly hit a plateau in terms of innovation with this particular design – save for one feature that truly surprised me. The new base model iPad is a massive update compared to its predecessor, adding an all-new, iPad Pro-inspired design and a brand new accessory – the Magic Keyboard Folio – that has turned out to be one of my favorite accessories Apple has launched in recent years. I’ve had a ton of fun playing around and working with the new iPad over the weekend; if you’re in the market for an 11” tablet, you shouldn’t sleep on this one.

When considered individually, these new iPads are solid options in their respective categories – each delivering on the different goals Apple set out to accomplish for these product lines in 2022.

It’s when you zoom out and take a broader look at the new state of the iPad lineup that things become…a bit more confusing.

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Apple Announces Strange New iPad and iPad Pro Lineup

This morning Apple announced their all-new iPad and iPad Pro lineups via press release and a short announcement video. The new iPad (non-Pro) features new colors and an updated square-edge design that brings it in line with the rest of Apple’s modern iPads and iPhones. The iPad Pro has been upgraded to Apple’s M2 chip, and supports a new “hover” mode on the Apple Pencil. Apple also unveiled a new Magic Keyboard Folio accessory, which includes a detachable keyboard with a trackpad and function keys.

There’s a lot to like about each of these new products, but the details reveal some very strange decisions on Apple’s part.

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Austin Mann on the M1 iPad Pro for Pro Photographers→

Source: Austin Mann

Source: Austin Mann

I always look forward to Austin Mann’s unique perspective on Apple hardware. His latest review is from Flagstaff, Arizona where he takes Apple’s new M1-based iPad Pro through its paces as he processes photos taken at Great Sand Dunes National Park.

Mann cuts right to the chase:

As any photographer knows, one of the most time-consuming parts of the photo creation process is culling through thousands of images, making selects, and editing the images. Thanks to the M1 chip, faster internal storage, and a few other improvements, the new iPad Pro with M1 is the fastest image sorting tool I’ve ever used.

A great demonstration of the power of the new iPad Pro is the video in Mann’s post in which he moves rapidly through a large set of 60+ MB RAW photos. There’s absolutely no lag, making the iPad Pro a terrific tool for culling large collections of imported shots.

Unsurprisingly, Mann also concludes that the iPad Pro’s big, bright display and mobile data connection make it an ideal tool for previewing images on a sunny day and staying connected to research photo shoots. However, Mann’s wishes for the iPad Pro, like background importing of photos and the ability to connect multiple external storage devices, are precisely the sort of thing that is holding the iPad Pro back from being a more complete solution for photographers and other pro users. Despite the limitations, though, the new iPad Pro looks like a big step up for photographers, which I can’t wait to try with my own camera soon.

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iPad Pro 2021 Review: Future on Standby

The new iPad Pro.

The new iPad Pro.

In recent years, the narrative surrounding the iPad platform, and particularly its more advanced Pro line, has largely focused on the great divide between the iPad’s hardware and software. It’s a story we’ve had to grapple with for a while now: it was clear with the original iPad Pro in 2015 that its software – still called iOS at the time – needed to take better advantage of the 12.9” display, but we had to wait until 2017’s iOS 11 to receive drag and drop between apps; similarly, the iPad Pro was redesigned in late 2018 with the Liquid Retina Display and a gesture-based interaction system, but it was only in 2019 that Apple relaunched the iPad’s software as a standalone platform parallel to iOS but optimized for iPad.

The perception since the iPad Pro’s introduction is that its hardware has consistently leapfrogged its software, leaving many to wonder about the untapped potential of iPadOS and a third-party app ecosystem that could have been vastly richer and more powerful if only iPadOS allowed developers to write more complex apps. Effectively, “too good for its software” has long been the iPad Pro’s hardware mantra.

The 2021 iPad Pro, launching publicly this Friday, doesn’t alter that public perception at all. If anything, this new iPad Pro, which I’ve been testing in the high-end 12.9” flavor with 2 TB of storage for the past week, only widens the chasm between its hardware and software: it’s an absolute marvel of engineering featuring the Apple-designed M1 chip, a brand new Liquid Retina XDR display, and 16 GB of RAM1 that hints at a powerful, exciting future for its software that just isn’t here yet.

I say this as someone who’s been using the iPad as his main computer for nearly a decade at this point: from a mere hardware standpoint, the new iPad Pro is everything I could have possibly dreamed of this year, but it leaves me wanting for so many other iPadOS features I’d love to see Apple address at its developer conference next month.

The new 12.9” iPad Pro hits all the right notes as a modular computer that can be a tablet with an amazing display, a powerful laptop, and an extensible workstation; its hardware is a remarkable blend of tablet-first features and technologies first seen on Apple’s line of desktop computers. It’s hard to believe the company was able to deliver all of it in a device that is only 6.4mm thin. However, the new iPad Pro’s more powerful nature doesn’t fundamentally change my daily workflow. At least not with its current version of iPadOS that will (likely) be obsolete in two weeks.

Let’s dive in.

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‘The iPad Pro Is a Killer Machine but its Software Is Killing Me’→

Jason Snell, writing for Macworld about the new iPad Pro’s software limitations compared to its powerful hardware:

With the announcement of USB 4/Thunderbolt support on these new iPad Pro models, I’m thrown back to the past. In 2018, when Apple released the first iPad Pro with a USB-C port on the bottom, it didn’t update the software to read the entire contents of a thumb drive when you plugged it in. The hardware was willing, but the software was weak.

And here we are again. Thunderbolt adds even speedier connectivity, but for what? Faster photo and video imports? Okay, though once again, I’m reminded that Apple’s bread-and-butter pro media apps won’t run on these iPads.

Thunderbolt is great, but it’s difficult to take full advantage of it.

How about external display support? The new iPad Pros can drive even larger external displays, including Apple’s Pro Display XDR. Third-party video apps can take advantage of this to display high-resolution video and even some analytical displays. Which is great, but if you want to display the iPad interface itself, it’ll just be a pillarboxed mirror of what’s on the iPad’s own screen.

The last time a new iPad Pro’s hardware was so obviously more capable than its software demanded, we saw the debut of iPadOS seven months later. The 2021 iPad Pro’s hardware has created new low-hanging fruit for its software; I’d be really surprised if the second half of this story isn’t dropping in six weeks.

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