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Posts tagged with "iPad"

Front-End Web Development on an iPad Pro in 2018→

Fascinating deep dive by Craig Morey on whether it’s possible for a front-end web developer to get their work on an iPad Pro in 2018.

It’s a highly technical read, and ultimately Morey doesn’t believe an iPad Pro is ready for this task yet, but it’s worth pointing out that many of the issues outlined by Morey are applicable to anyone who uses an iPad as their primary computer today. For instance, the problem with Files APIs, introduced in iOS 11 and still not widely adopted by third-party document-based apps:

I’ve already posted about the messy landscape of options for moving and accessing files in iOS. The only way apps should be doing it currently is with iOS 11 style file APIs, but many apps have either legacy file solutions, bespoke (ie, confusingly different — and differently-abled) file pickers or would rather pull you into their own cloud platform.
[…]
Apple need to evangelise the right way to do this before basic file management turns off the potential users before they get to the inspiring parts of iPad usage. But to really make it work, app developers need assistance to update older apps to the latest APIs. Many app devs spent huge amounts of time building custom solutions before any good options existed, only to see little in terms of revenue to encourage them to rewrite their app as new APIs came along. The iPad Pro marketplace needs to be turning a corner in terms of viability to bring these apps back into the modern iOS world.

Make sure to watch the videos in Morey’s piece – I love how he detailed every single step of the workflows he tried to build on his iPad Pro.

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Broadway Ditches Age-Old Processes To Run Shows with iPads→

On last week’s episode of Connected, I mentioned having heard from a couple of MacStories readers who work at different Broadway production companies, who told me they’re increasingly switching their workflows to be portable and iPad-only. Here’s Samantha Murphy Kelly, writing for CNN (via David L. Jones):

Several shows, including Kinky Boots and Pretty Woman: The Musical, are shifting to a paperless system that packs the script, lyrics, videos, and costume and prop notes, into one spot for the director, crew and cast members.

The productions are leaning on an app from startup ProductionPro, which is already used at companies such as Walt Disney Studios to help produce film and TV shows.

During a recent rehearsal of Pretty Woman: The Musical attended by a handful of reporters, production stage manager Thomas Recktenwald ran lines with three cast members subbing in for an evening performance. Swiping through the ProductionPro app on an iPad Pro, Recktenwald showed off recent changes made to the script. It had notes scribbled into the margins via an Apple Pencil, and he tapped his way through videos that highlight blocking, broken down scene by scene.

Also interesting: ProductionPro can be tried for free, but unlocking the complete feature set (which includes collaboration and bigger file sizes) requires a $19.99/month subscription.

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Getting the iPad to Pro→

Thoughtful essay by Craig Mod on the limitations and virtues of working from an iPad Pro. This point about breaking the flow of getting work done while moving across apps is extremely relatable:

Switching contexts is also cumbersome. If you’re researching in a browser and frequently jumping back and forth between, say, (the actually quite wonderful) Notes.app and Safari, you’ll sometimes find your cursor position lost. The Notes.app document you were just editing fully occasionally resetting to the top of itself. For a long document, this is infuriating and makes every CMD-Tab feel dangerous. It doesn’t always happen, the behavior is unpredictable, making things worse. This interface “brittleness” makes you feel like you’re using an OS in the wrong way.

In other writing apps, the page position might remain after a CMD-Tab, but cursor position is lost. Leading to a frustrating circus of: CMD-Tab, start typing, realize nothing is happening, tap on screen, cursor inserts to wrong position, long-press on screen to get more precise input, move cursor to where it needs to be, start typing. This murders flow. It creates a cost to switching contexts that simply doesn’t exist on the macOS, and shouldn’t exist on any modern computing device.

This stuff has been broken on iPad for years (essentially since 2015, when Split View was introduced in iOS 9). Don’t even get me started on figuring out which app in a Split View pair is the “active” one receiving keyboard input (and therefore listening for keyboard shortcuts). These small interaction annoyances might have been okay three years ago as we all sort of imagined Apple was just getting started with bringing serious multitasking to iPad; now that we’ve reached this generation of iPad Pros, they’re just downright inexcusable.

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iPad Diaries: My First 48 Hours with the New 12.9” iPad Pro

Two days ago, I walked into my local Apple Store and bought the new 12.9” iPad Pro along with a Smart Keyboard Folio, second-generation Apple Pencil, and LG’s UltraFine 4K display (plus, of course, AppleCare+ because these iPads don’t come cheap). As I shared on Twitter and the Connected podcast on Wednesday, I went for a 1 TB configuration (with cellular) in Space Gray, and the display is the monitor I’ll primarily use with a new Mac mini I also plan on buying very soon. It’s been a busy couple of weeks in our apartment: we’ve been doing some renovations and buying new furniture, including a larger desk for my “office” (read: a section of our bedroom). As I’ve shared on my various podcasts for the past few months, getting a bigger desk with a Mac mini and 4K display that would support both macOS and iOS was always part of the plan.

While in previous years I was able to offer reviews for the new iPad Pros before launch day, that wasn’t possible this year. For this reason, I decided I didn’t want to wait several weeks to prepare an in-depth review of the new iPad Pro and avoid questions from MacStories readers until the story was finished. So in a break with tradition, I’m trying something different this time: as part of my semi-regular iPad Diaries column here on MacStories, I’m going to share a collection of shorter and more topical articles about the new iPad Pro over the next few weeks.

I believe this generation of iPad Pros is one the most exciting changes to the iPad line in years, and I want to jump straight into the discussion by detailing, step by step, my ongoing experience with the new iPad Pro from the perspective of someone who’s been using an iPad as his main computer for the past five years. I plan to write about iOS, apps, and my iPad Pro workflow soon, but today I’d like to start by explaining my purchase decision and sharing some initial impressions about the iPad’s hardware. Let’s dive in.

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Pixelmator Photo Is Coming to the iPad Later This Year

I use Pixelmator Pro almost every day on my Mac. A lot of the time, that’s for simple edits to screenshots, but I also use it for more complex layered images and editing photos. I’ve enjoyed the iOS version a lot too, but with the introduction of Pixelmator Pro on the Mac, development of the iOS version slowed. I still use the iOS app, but it’s in need of an update, which is why I was so pleased to see Pixelmator Photo teased at today’s Apple event in New York.

Pixelmator Photo will be out later this year. The app, which was first mentioned when Pixelmator Pro launched almost a year ago, is an iPad-only photo editing app that appears to closely follow the design of the Mac app and include much of its functionality too. In addition to being highlighted during Apple’s keynote today, Pixelmator Photo was on the iPads in the hands-on area after the event where Federico had a chance to try the app for a short time and was impressed.

Pixelmator Photo's image editing UI (right) is very similar to Pixelmator Pro's on the Mac (left).

Pixelmator Photo’s image editing UI (right) is very similar to Pixelmator Pro’s on the Mac (left).

According to the Pixelmator team’s preview webpage, the app:

features a collection of nondestructive, desktop-class photo editing tools, a set of stunning, machine learning-enhanced film emulation presets, a magical Repair tool to remove unwanted objects from your photos, support for editing RAW images, and more.

Pixelmator says the app will include non-destructive color adjustments including Levels, Curves, Hue & Saturation, Selective Color, and Black & White as well as Repair and Cropping tools. The app will also support RAW image editing and the ML Fix feature recently introduced in the Mac app. Machine learning will also be used to simulate analog film with a set of presets and power cropping suggestions.

Apple showed that it’s committed to offering pro-level hardware in the iPad line with the new 11 and 12.9-inch iPad Pros today. Apps are the other half of the equation, and it’s encouraging to see Pixelmator Photos announced along with Adobe’s Photoshop, and other apps that will take advantage of Apple’s new hardware.

You can also follow all of our Apple event coverage through our October 30, 2018 hub, or subscribe to the dedicated October 30, 2018 RSS feed.

Why Photoshop on iOS Is A Huge Win for the iPad Pro→

Jason Snell, writing for Macworld on the announcement of Photoshop coming to iPad next year:

Adobe’s move to iPad instantly makes everyone who knows, loves, or relies on Photoshop a possible candidate for an iPad Pro. And make no mistake, the iPad Pro is already plenty powerful enough to run Photoshop, and with the Apple Pencil it’s got an input method that will satisfy most graphics pros. Even better, Adobe has said that it will be building in cloud syncing for Photoshop files, so that you’ll be able to seamlessly hand off projects directly from one device to another.

A lot of the criticism of the iPad Pro as a flawed tool for doing real work comes down to software. The hardware is capable—but where’s the software? These arguments have been weak for a while now—I think Microsoft Office for iPad is aces, and Apple’s iWork apps are remarkably capable, too—but with every major app that arrives on the platform, the quieter that criticism has to get. Adobe’s also bringing a simplified version of Premiere, called Premiere Rush, to the iPad. I wonder if Apple’s considering just how Final Cut and Logic might work on the iPad?

As I’ve been arguing for a while now, I believe we’re witnessing a shift in how tech companies – both platform owners and development studios – approach desktop and tablet software. Multiple factors – from better-looking displays and more powerful GPUs to cloud-based file management and subscriptions – are converging to make it possible to have a consistent app experience on every device you have without compromise. In this transition, iPad versions of desktop apps will be treated less like “companion” apps to a “real” desktop one and more like the same app, with the same features, optimized for touch and capable of adapting to the kind of computer it is running on (and adaptivity becomes especially important when you start considering external display output, for instance).

Photoshop, as Snell writes, is a first step. If Apple is truly pushing this vision forward, perhaps it’s time they also start treating the iPad as a place for real pro apps, not just companion utilities of macOS apps.

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Logitech Crayon Availability Is Expanding on September 12th

The Logitech Crayon stylus that was announced at Apple’s spring education event was available originally to education customers only. Logitech has announced however, that beginning on September 12th the Crayon will be available to anyone who wants one.

The Crayon has many of the same features as Apple’s Pencil but lacks pressure sensitivity. The device is also designed with kids in mind. The rubberized cap that hides a Lightning charging port is tethered to the device, and the replaceable tips can only be removed with a special tool. The barrel of the Crayon is also squared off so it won’t roll off a table.

Logitech says the Crayon will be available initially at Apple retail stores, Apple.com, and Logitech.com. However, beginning in October, availability will expand to other retailers.

The Crayon will continue to be available to education customers for $49.99. Everyone else can purchase the Crayon for $69.99, which is $30 less than the Apple Pencil.

It’s interesting that the Crayon goes on sale to the general public the same day as Apple’s fall event. Perhaps this indicates that new iPads will debut during the event, despite the lack of iPad rumors and leaks compared to the iPhone and Apple Watch.

Creative Selection Delves into Apple Software Design with Stories about Safari, the iPhone, and the iPad

Today, former Apple engineer Ken Kocienda’s book Creative Selection, which covers his career at Apple and insights about the company’s software design process, was released. As an engineer at Apple, Kocienda worked on several high-profile projects including Safari on the Mac and the touch keyboards on the iPhone and iPad. Much of the publicity surrounding the book focuses on Kocienda’s work on the iPhone. However, there is a treasure trove of interesting anecdotes about other products and people that make Creative Selection an absorbing read for anyone interested in the creative process and Apple.

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FiftyThree Apps Paper and Paste Acquired by WeTransfer Along with Its Other Assets

FiftyThree, the maker of the iOS apps Paper and Paste, has been acquired by WeTransfer, a file transfer company based in Los Angeles and Amsterdam. Paper, FiftyThree’s iPad drawing app, was named iPad App of The Year in 2012. Paste, which is FiftyThree’s iOS presentation app, allows users to create slides collaboratively.

In addition to its apps, FiftyThree is well-known for its creation the Pencil, a BlueTooth stylus that debuted before Apple’s identically-named Pencil. Although the Pencil is not mentioned by name in WeTransfer’s press release, the company is acquiring all of FiftyThree’s assets including intellectual property, which presumably covers hardware too.

WeTransfer provides web and app-based tools for transferring files among its users. In addition to offering a free version of its service, WeTransfer includes a premium paid version of its service and sells ads that appear in its web app. WeTransfer’s CEO Gordon Willoughby stated in the company’s press release that it had acquired FiftyThree to expand its ‘family of obvious creative tools, both on mobile and the web.’

FiftyThree has sought to reassure customers saying that:

For the millions using Paper and Paste, we want to assure you that we are dedicated now more than ever to building and growing both tools. This doesn’t change our path, it only accelerates it — the same great team will continue working on both tools. If you’re a paying Paste or Paper customer, nothing is changing around pricing or functionality in the near term, and we’ll keep you well-informed of any upcoming changes that may impact you. We’ve got a few big ideas cooking that we think you’ll be thrilled about.

I imagine the introduction of Apple’s Pencil took its toll on FiftyThree’s attempt to use hardware to build a sustainable business model. Hopefully, joining forces with WeTranfer will allow Paper and Paste, which are both excellent apps, to continue to be developed long into the future.