Photo of Clipless Next-Gen iPod Nano with 1.3 MP Camera Surfaces

MacRumors points to a photo posted by Taiwanese website Apple.pro [Google Translation] of what they claim to be a seventh generation iPod nano featuring a 1.3 megapixel rear camera. The website, often a reliable source of Apple rumors and product leaks, posted a similar picture of the iPod nano’s case back in early April, but the photo detailed the internals of the device showing a hole for the alleged camera, failing to explain,however, how the camera would be placed externally considering the clip Apple places on the iPod nano’s back. Today’s photo seems to confirm previous speculation that, in order to make room for the camera, Apple would have to ditch the clip entirely, although it doesn’t make much sense considering Apple has been heavily touting the iPod nano as a sport accessory that can easily clip to your shirt or trousers – it’d be a curious choice for the company to revert to a clipless design to make room for a camera on such a small screen.

It’s unclear whether this new photo belongs to an iPod nano prototype Apple has been testing, or the final version of the next-generation model as Apple.pro claims. A 1.3MP lens would make for some decent photography on the nano’s screen, and indeed previous generation models featured a camera for shooting flicks and applying effects – although on a bigger screen and different case design. Since its introduction last year the 6th generation iPod nano has become an incredibly popular accessory thanks to the inclusion of a clip by default, and it’ll be interesting to see if Apple is really going to change the design for a rear camera. An announcement will likely be made in September at Apple’s usual music event, leaving plenty of room to speculation and rumors in the next months.

Carousel Is A Beautiful Instagram Client for Mac

Back in April we covered Instadesk, the first Instagram client for Mac that, through an interface design similar to iTunes and iPhoto, allowed you to browse Instagram photos, users, likes and comments directly from your desktop. The app was one of the thousands of results coming from the launch of the Instagram API, a set of tools that enable third-party developers to plug into your Instagram feed to retrieve photos uploaded by you or relevant to you. Of all the Instagram-connected apps we’ve covered, Instadesk saw a huge success as it was the first one to land on the Mac App Store.

Carousel, however, wants to step the game up by offering a beautiful and slick way to access Instagram from your Mac with a design that’s heavily inspired by iOS, yet runs natively on OS X. I don’t know if the developers are using the Iconfactory’s Chameleon framework for this, but it certainly looks like Carousel has some similarities with Twitterrific – the Twitter client from the Iconfactory that shares it codebase across the Mac, iPhone and iPad. So what’s this all about? First off, Carousel presents a minimal, vertical-oriented interface as if you were looking at your iPhone’s screen in portrait mode while browsing Instagram. The photo stream is embedded directly into the app’s window, with beautiful Instagram photos to flick through as they load. At the bottom, three tabs allow you to switch between your feed, popular photos and your profile. Every photo can be enlarged via Quick Look, saved locally on your Mac, or commented / liked thanks to a wide selection of keyboard shortcuts to choose from.

In Carousel, you can open every user’s profile to check out their photos. You can comment and like pictures, too, with interaction happening inside an iOS-like popover that resembles Twitterrific’s implementation of conversation views and profiles. You can even view if a user’s following you, or if you’re following him. Last, the app can be themed. Carousel’s default theme is already gorgeous in my opinion, but you can switch to a classic Mac or red one from the Settings.

Carousel can be downloaded for free, or you can purchase a license at $4.99 (introductory price) from the developer’s website. More screenshots below. Read more

Apple’s Guy L. “Bud” Tribble Explains Location Tracking at Senate Hearing

At a U.S. Senate hearing this morning entitled “Protecting Mobile Privacy: Your Smartphones, Tablets, Cell Phones and Your Privacy”, Apple’s Vice President of Software Technology Guy L. “Bud” Tribble offered his remarks about Apple’s privacy policy, location tracking system implemented in iOS devices and App Store app control, reiterating many of the points already explained by Apple two weeks ago in the Q&A on Location Data.

As summarized by AppleInsider, Tribble testified before Senate members that Apple doesn’t collect personal information about its users nor does the company share any information with advertisers – rather, the cache file that was discovered by security researchers (which was incorrectly large in size and backed up to a computer during the sync process) is meant to store information about nearby cell towers and WiFi hotspots to enable iPhones and iPads 3G to quickly get signal without having to rely on real-time GPS data all the time. This is a crowd-sourced database that Apple keeps in a small amount on every device as an offline cache – personal data and device identifiers are never sent to Apple, Tribble explained.

Sen. Al Franken also asked both Apple and Google representatives at the hearing whether the two companies could add a fixed privacy policy to their app marketplaces to ensure users always know how their personal data is being treated, and what’s going on behind the scenes of an app. Tribble replied a privacy policy in App Store apps wouldn’t be enough as users are likely to skip that every single time – and that’s why Apple believed that adding actual graphical elements to the user interface would be a better, and more elegant solution to inform users about the usage of Location Services. In iOS, an icon in the status bar indicates when an app is sharing your location; every app must ask a user to share his location through a dialog box; in the Settings, users can revoke location access on app-by-app basis and manage other location preferences as well.

Tribble also went on to explain Apple does random audits on App Store apps and follows the tech press and iOS community to find out which apps are violating the privacy rules:

The Apple executive also detailed how his company conducts random audits on applications to make sure they’re playing by the rules. He admitted that Apple does not audit every single one of its 350,000 iPhone applications, just like it would be impossible for the federal government to audit every single taxpayer. Apple also keeps an eye on blogs and its “active community” of application users for potential violations. If a violation is discovered and the issue cannot be resolved, applications will be removed within 24 hours and the developer will be notified.

In most cases, Tribble said, developers quickly correct the issue, as they want to keep their application available in the App Store.

Tribble was joined today by Google’s Alan Davidson. A video of Senator Franken’s opening statement is embedded after the break. Read more

Apple Patents Detail Web Clip Widgets for iOS, iPad with Extra Connector

According to a series of new patent designs published by Patently Apple, Apple has been experimenting with interesting concepts to let users create web clip widgets on iOS, and have an extra connectivity port on the iPad while in landscape mode.

Web clip widgets were first introduced at the WWDC 2006, and through OS X Dashboard integration they allowed users to grab a portion of a webpage, save it as a widget in the Dashboard, and receive live updates when the original webpage changed. The feature came quite in handy for saving weather-related websites, e-commerce pages or blogs, but didn’t work really well with webpages that required a login system. However, it’s still a cool tech that enables users to visually select elements from a webpage to save locally on their Dashboards. Apple has been playing around with the idea of doing the same with iOS’ Safari, apparently, although neither the iPhone or iPad have support for homescreen widgets or Dashboard. The awarded patent design details the process of creating a web clip widget in Safari, with the possibility to “move, scale and/or rotate” content to adjust it to your needs. The menu appears to pop in as an overlay to the current webpage in Safari, but the patent doesn’t explain how a web clip would later be accessible from the Springboard. Current versions of iOS let users bookmark a website to the homescreen, but that’s still visualized as an icon – not a clip preview. Perhaps we’ll know more with iOS 5 at the upcoming WWDC.

The iPad-related patent is not new to the rumor mill, but it seems to confirm the original iPad was being tested in a version that featured an extra connector while in landscape mode.

Apple has been granted a design patent for what appears to be the original iPad Wi-Fi + 3G model that just happened to have a landscape USB slot as is clearly noted below in patent figures 1 and 6. It’s unknown at this time as to why Apple decided to scrap the secondary Landscape USB slot – when consumers clearly wanted such an option.

Apple credits Steve Jobs and Jonathan Ive (alongside other team members) for the invention. Both the original iPad and the iPad 2 come with a single connector below the device’s Home button, but it was rumored before Apple was planning on adding a second port for better landscape usage.

Financial Times Still Negotiating with Apple Ahead of June 30 Deadline

PaidContent reports the Financial Times is still negotiating with Apple over the implementation of iTunes subscriptions in its iPad app, which was generating 20% of the publication’s subscribers and over 1 million in revenue a few months ago.

With a month to go until publishers must either fall in with Apple’s new in-app purchasing terms or quit iOS in June, The Financial Times is not yet amongst the small early group to have consented to the new rules.

“We’re still in discussions with them,” FT producer management head Mary Beth Christie told paidContent:UK at World E-reading Congress in London on Tuesday morning. “We’ll see where they go. But we are fixed on the idea of holding on to our consumer data.

Like Time Inc., it appears that the Financial Times can’t agree on Apple’s subscription terms unveiled last February, which require publishers to give a 30% cut off every transaction to Apple and allow users to choose whether or not they want to share their personal information with a publisher. In the past months, in fact, the Financial Times stated multiple times that the iPad app could go somewhere else, perhaps on other platforms and tablets, as they couldn’t give up on subscribers’ data to stay in the App Store. Indeed, after a five-month trial period, Apple will begin pulling publishing apps that haven’t implemented subscriptions on June 30.

Apple managed to ink deals with several magazines, newspapers and publishers over the past two weeks, such as Hearst and Conde Nast, which began selling a subscription-based version of The New Yorker yesterday.

Rdio Launches API for Mobile Devices

Music streaming service Rdio, quite popular in the US and Canada but currently unavailable due to regional restrictions in the rest of the world, announced yesterday the release of an API for iOS and Android devices that will allow developers to build apps that are integrated with Rdio’s music and social functionalities. The API – documentation available here and here – will let third-party devs build apps that search “all the artists, songs, albums, playlists, and top charts in Rdio’s catalog of over 8.5 million songs.” On top of that, the API will also bring playlist creation and editing outside of the official Rdio app, as well as the possibility to show a user’s Heavy Rotation, collections or follow other people. For a first release, it sounds like a solid API for iOS and Android.

Attending Google I/O 2011? Take a closer look at our Mobile API on Android devices at Rdio’s Developer Sandbox at Moscone Center in San Francisco. If you won’t be there or want to see the API in action yourself, download the Rdio Music Quiz from the iPhone App store.

While our Mobile API doesn’t yet support our affiliate program, it will soon. So make sure to sign up for it now and start building that incredible mobile app you always wanted to make.

The current API and service terms won’t let developers create paid apps that directly plug into Rdio. Still, with Spotify struggling to launch in the US and an impressive userbase and app selection after a few months, Rdio has the chance to maintain a healthy ecosystem for music streaming apps in the US, and take it from there to Europe. Rdio has big plans for sure, and it’ll be interesting to follow its developments in the next months, especially after Apple will unveil its rumored cloud music service with full labels’ support.

Adobe Finally Releases Its Photoshop Touch SDK iPad Apps

It was supposed to happen last week, but today Adobe finally released its three iPad apps that use the Photoshop Touch SDK. The three apps, including Adobe Eazel, Adobe Nav, Adobe Color Lava, were built be Adobe to demonstrate the potential of the Photoshop SDK for creating powerful companion apps for mobile devices from the iPad and iPhone to Android and BlackBerry. See below for brief descriptions of each of the three apps and if you want more information be sure to check out our original coverage of the apps and the Photoshop Touch SDK. Screenshots are included after the break.

Adobe Color Lava ($2.99) is a simple utility that allows you to mix colors, organize and save palettes and color groups to send to Photoshop wirelessly. Upon sending a palette to Photoshop, you’ll be able to see details on the colors you mixed, and send via email to someone else if you don’t want to share colors with your local Photoshop installation. The colors will appear in the Swatches panel of desktop Photoshop.

Adobe Eazel ($4.99) is perhaps the most innovative app of the initial rollout, as it features some interesting multitouch controls and menu choices I haven’t seen in any other iPad app before. Eazel is a drawing app, but instead of placing controls for brush sizes, colors, or opacity in dedicated toolbars, Adobe decided to develop a “five-finger touch UI” that takes a bit of learning, but it’s actually pretty clever once you get used to it. Basically, controls are placed above each finger, through a series of overlays that you can interact with using your fingertips after selecting an item. Sounds more complex than it really is, at least after some practice. When you’re done painting, you can send your creation to Photoshop and keep editing or refining there.

Last, Adobe Nav ($1.99) is the app we believe will be most successful among Photoshop users, as it drives the application’s UI remotely and allows you to see open documents on the iPad’s screen. Most of Photoshop’s tools and palettes are displayed on the iPad’s screen as bigger buttons meant for touch interactions, enabling you to select and modify the controls that you see on the desktop. There’s no doubt Nav will be tested by many as a complete replacement for Photoshop’s on-screen controls, which may get a little obtrusive on smaller portable computers. Alternatively, you can also browse open documents in Nav and instantly change the file you’re working with in Photoshop for Mac or Windows.

Adobe’s new iPad apps are available for download on the company’s App Store developer page. Check out the official promo videos and screenshots after the break.
Read more

Mobile Devices Claim Largest Share Of Digital Game Downloads

Digital game downloads have been on the rise in recent years and according to the latest NPD report, a large portion of that increase can be attributed to mobile devices which count for nearly half of all video game downloads. The report, which focused solely on full game downloads (not micro-transactions, add-ons or previously purchased games), notes that even those who owned a console would generally download more games to their mobile devices.

Following mobile devices were personal computers as the second most common platform for downloading games, no doubt driven primarily by Steam, then consoles and finally portable gaming devices (Nintendo DS, Sony PSP). Obviously it should be pointed out that, typically, a full game download for a mobile device is priced far lower than a game for consoles and even computers. Nonetheless, Anita Frazier notes in the report “Mobile gaming represents one of the fastest growing segments of the digital games market, and potential for future growth remains strong.”

Interestingly, of those that have purchased a mobile game in the past three months, a surprising 60% said they still spend the same amount on console or portable gaming device games. The report also revealed that if a game was available in physical and digital form at the same time, at the same price, 75% would buy a physical copy because they liked to own a “real” copy – the remaining 25% mainly cited convenience as their reason.

[Via TUAW]

Zynga Hires Key Contributors Behind cocos2d for iPhone

After the acquisition of Wonderland Software late in April, gaming giant Zynga (you might remember these folks for Farmville, among other things) announced they hired key contributors of the cocos2d for iPhone framework Ricardo Quesada and Rolando Abarca. The two developers will join Zynga’s team while still maintaining cocos2d for iPhone community and official website – which the company did not acquire. Cocos2d for iPhone, a framework for creating “2D games, demos, and other graphical/interactive applications” used by hundreds of developers including Atari, ngmoco and Zynga itself, is an open-source project that currently supports the iPhone, iPod touch, iPad and Mac. Quesada and Abarca will continue supporting and contributing to cocos2d for iPhone; the “talent acquisition” from Zynga is clearly aimed at enhancing the company’s portfolio in the development field, which ranges from 2D and 3D games to advanced HTML and social experiences. Zynga has a pretty rich catalog of mobile games, too.

Zynga has long been an advocate of the open source community and we are excited to have Ricardo and Rolando continue to support and contribute to cocos2d for iPhone while in their new roles at Zynga. Games and applications will continue to operate on cocos2d for iPhone as they always have. Zynga did not acquire the community site, cocos2d-iphone.org, which will continue to be managed separately by Ricardo along with the other cocos2d for iPhone administrators. We look forward to advancing the cocos2d for iPhone open source project alongside the cocos2d for iPhone developer community.

At this point, we can’t tell how Zynga will use the talent of cocos2d for iPhone’s contributors to enrich their gaming experiences with complex physics engines and integration with other third-party graphic libraries. What’s for sure is that Zynga doesn’t have a problem in opening its wallet to purchase assets and other smaller companies, considering today’s talent and partial asset acquisition is the 13th one in the last 12 months.