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Posts tagged with "music"

Musicon Lets You Add Albums To Your Home Screen

In the weeks leading to Apple’s WWDC announcements, there was one possible feature of iOS 5 that was making the rounds of the Internet, meeting many people’s expectations for the new OS: the possibility to create shortcuts for anything on a device’s Home screen would have been an interesting option to, say, let users create a WiFi icon to quickly access Network settings without opening the dedicated app. Playing around with the concept of aliases and app-specific shortcuts, the theories surrounding iOS 5 pointed at Apple building such a functionality to reduce the time spent tapping and scrolling around. That, of course, didn’t happen, but it hasn’t stopped third-party developers from releasing their own solutions that take on this idea of “creating Home screen shortcuts”.

Musicon, a new iPhone app by developer Fabian Kreiser, enables you to create Home screen icons for music albums you have synced on your device or, if you’re rocking the latest iCloud features, bought on your computer and automatically pushed to your iPhone. Musicon works like this: it scans your music library (the one from iPod.app, or Music.app if you’re already on iOS 5) and fetches albums and album artworks. If music is playing from the native iOS app, a “Now Playing” button lets you control it – this app isn’t meant to be a music controller on its own, unlike Kreiser’s other iPhone app On Stage. In fact, if you have On Stage (which we reviewed here) installed on your device the app won’t show any advertisement.

Once you’ve found an album you like, select it, and hit the big “Install Webclip” button. The app will already display a preview of the icon that you’ll end up with in the Home screen in the upper section of the screen. As you hit the button, Musicon does its thing to create a shortcut: it takes you to the developer’s website to install a webclip on your device. That’s right, these shortcuts are nothing but links to a webpage that somehow takes you to Musicon after you tap on the icon. Music will start playing in the native iPod app, and Musicon will come in foreground with the playback control UI. Not the most elegant solution if you ask me, but it works and the Home screen icons shine on the Retina Display.

Musicon is free, but I wish I could pay to remove advertising without having to keep On Stage installed. The idea is pretty nice and I can see why some people would want to save a couple of albums for quick access on a daily basis – if you’re one of them, get Musicon here and start creating your own shortcuts.

Apple Paying Record Companies Up To $150 Million For iCloud

According to The New York Post, Apple will hand over between $100 and $150 million in advance payments to the four major record labels as part of its iCloud deal with them. Each of the four, which includes Sony Music, EMI, Warner Music and Universal, were offered between $25 million and $50 million as incentives to get on board with Apple. The exact figures will ultimately depend on how many tracks consumers end up storing on Apple’s iCloud offering.

Yesterday we reported on the expected initial cost of iCloud, which is rumoured, to be free for the first year and $25 a year after that. The New York Post also notes that Apple will take a 30% cut of fees, the music publishers receiving 12% and the rest to going towards record labels and artists.

We also reported yesterday that Apple had finalised its iCloud deals with Universal Music, which was the hold out record company.  The New York Post also notes that the size of the advance payments was the major stumbling block for Google, which had apparently been negotiating with the music companies before launching its cloud music offering last month. The official iCloud announcement will come on Monday at the WWDC keynote.

[Via The New York Post]

 

The Beatles Anthology To Launch As iTunes Exclusive

The Loop reports The Beatles Anthology series will debut exclusively on iTunes on June 14, expanding the existing music catalog of the Fab Four that was released after years of rumors and speculation last November. Apple heavily promoted the launch of The Beatles’ music on iTunes as a day music lovers and iTunes customers would never forget, granting EMI and The Beatles 5 million songs sold in two months. The Loop reports The Beatles have now sold more than 8 million songs and 1.3 million albums on iTunes worldwide.

EMI on Tuesday said the The Beatles’ three remastered Anthology music collections will debut on June 14. Anthology, Vols. 1-3 are available for preorder on iTunes starting today.

The Anthology Box Set comes with all 155 tracks from the three volumes ($79.99) and an exclusive 23-track “Anthology Highlights” collection of standout tracks from each ($12.99).

The Anthology is available for pre-order now, with a special introductory video and a “Meet The Beatles” radio series available for streaming in iTunes, for free. The new sets, Anthology box and streaming material can be viewed on The Beatles’ official iTunes page.

MacStories Product Review: SuperTooth Disco

Bluetooth AD2P has opened up a market of fantastic audio products that allow us to stream high quality stereo audio from our smartphones to speakers, headsets, and to car electronics. SuperTooth is just one of many companies who focus specifically on handsfree, bluetooth accessories for travel that work seamlessly with iPhones (and other smartphones of course). Straying from the tradition of car kits and speakers, SuperTooth has launched into the fray of home and portable audio with the SuperTooth Disco, a 28 Watt RMS Bluetooth AD2P speaker that can blast tunes without the need for an electrical outlet. Our full review past the break!

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Spotify on the Back Burner as Labels Sign Deals for iCloud

According to an article by Eliot Van Buskirk at Evolver.fm (republished by Gizmodo), US record labels are waiting for Apple’s rumored iCloud music service to launch publicly before closing the remaining deals that are preventing Spotify, a popular music streaming service, from launching in the United States. Several rumors claimed Apple is working on an online interface for iTunes to allow users to upload and stream their music collections from the cloud, with a report from last night suggesting Apple will adopt a system similar to Lala (which they acquired last year) to scan a user’s library and mirror songs to their servers, also offering subscriptions and possibility to get access to higher-quality versions of the same songs.

We heard an interesting theory the other day from a well-connected source: Record labels accustomed to receiving big checks from Apple want to give Steve Jobs and company a crack at offering a music subscription service to Americans before Spotify enters the ring, so they’ve been dragging their feet (i.e. demanding too-high payments) in their negotiations with Spotify, preventing it from launching here until after Apple’s cloud music service does.

Spotify has long been rumored to be getting ready for a US launch, though the European company never managed to ink the final deals with the Universal Music Group and Warner Music group. It was previously reported that Spotify had signed papers with Sony Music and EMI for a US launch, alongside the fact that record labels were demanding the adoption of premium subscriptions only, forcing Spotify to ditch their freemium model if they wanted to launch in the US. On the other hand, Apple is believed to be approaching the final stages of negotiation with Universal Music Group, as EMI, Sony and WMG are already on board for the iCloud announcement at WWDC. Others have also reported Apple will have to finalize deals with music publishers, besides labels, before launching any music service, with negotiations also quickly moving forward on that end.

Evolver’s article reminds of an old rumor that claimed Apple executives (including VP of Internet Services Eddy Cue) were pressuring labels to decline Spotify’s offers to prevent the European company from launching a freemium music service in the US. However, the new theory seems slightly different in the way the labels are willing to wait for Apple’s iCloud to become available before closing deals with Spotify. Spotify currently offers desktop and mobile applications to listen to an online music catalogue thanks to the deals the company has signed with European labels. Apple’s new service is rumored to offer a similar setup, with iOS devices capable of streaming music from the cloud and iTunes for Mac and Windows handling uploads and other functionalities.

iCloud Will Scan iTunes Libraries, “Mirror” Songs Online

In a post detailing the current state of cloud-based music services from Google and Amazon, Businessweek relays some information on Apple’s upcoming iCloud service, rumored to include streaming of iTunes collections to a variety of devices and computers and said to be formally introduced at the WWDC keynote on June 6. Similarly to a rumor posted a few months ago that indicated Apple was working on a solution to let users backup & upload their collections to the cloud directly from the desktop, Businessweek says “three people briefed on the talks” (between Apple and music labels) have suggested Apple will provide a scanning tool that quickly mirrors songs to iCloud’s servers, also offering a way to replace those songs with better-quality versions if quality is not deemed “good enough.”

Armed with licenses from the music labels and publishers, Apple will be able to scan customers’ digital music libraries in iTunes and quickly mirror their collections on its own servers, say three people briefed on the talks. If the sound quality of a particular song on a user’s hard drive isn’t good enough, Apple will be able to replace it with a higher-quality version. Users of the service will then be able to stream, whenever they want, their songs and albums directly to PCs, iPhones, iPads, and perhaps one day even cars.

Businessweek also briefly mentions Apple could use a subscription-based model to give users access to these functionalities and stream songs they purchased or uploaded. Whilst the general consensus among bloggers seems to be that Apple will either allow users to upload entire music collections or listen to songs they don’t own like Spotify enables subscribers to access the company’s online database with a subscription, the technical details on Apple’s iCloud service are still unclear. A patent design suggested Apple could make users sync small bits of music locally and fetch the rest online to avoid buffering between songs; others claimed it will be a simple system revolving around uploads and streaming like Amazon’s Cloud Player; several reports also pointed at Apple building a new service that combines subscriptions, partial uploads and scanning tools to reduce upload times on a user’s end. Businessweek seems to believe the latter option, with a subscription-based payment and a desktop utility that scans iTunes and somehow mirrors everything quickly to the cloud.

Pioneer Introduces AppRadio with Powerful iOS Integration

Initially surfaced last month through some FCC filings and rumored to be the first in-car radio to sport full iOS integration with iPhone apps and iPod out music controls, Pioneer officially announced the AppRadio today, with a dedicated iPhone app already available on the App Store for free. With a 800 x 400 6.1-inch multitouch capacitive display, Bluetooth connectivity and possibility to plug directly into an iPhone or iPod touch 4th gen running Pioneer’s software, the AppRadio will not only get usual access to your music library with album artwork and song information visualized on screen (BMW apparently already does that), it will also be capable of letting you interact with iOS calendars, maps, contacts and photos using the touchscreen device. It seems like Pioneer went all out to enable deep iOS integration, so much that certain applications available on the App Store, like Pandora and Rdio, have already announced AppRadio-specific versions with controls meant for the bigger display. On top of that, the AppRadio features a nice digital clock, an on-screen week calendar, a mic, external GPS antenna and a price tag below $500 when it goes on sale at the end of June.

From the press release:

Pioneer is rethinking connectivity by tapping into the power of the smartphone, while simultaneously providing a solution that safely merges the consumer’s connected lifestyle into the vehicle,” said Ted Cardenas, director of marketing for the car electronics division of Pioneer Electronics (USA) Inc. “AppRadio fully embraces the iPhone, which has become the window to our mobile connectivity and provides a comprehensive and safer way to use apps in the car.

There’s more: the AppRadio recognizes multitouch gestures like swipes, pinch and zoom, and the companion iPhone app will alert you of new AppRadio-compatible 3rd party apps as they’re released. iOS 4.2 or later will be required for the AppRadio to work with an iPhone or iPod touch. [via Engadget]

Apple Faces Licensing Challenges With Music Publishers

In just a matter of weeks, Apple is expected to reveal their cloud-music service at WWDC. With rumors suggesting Apple is actively co-operating with the music publishers, CNet today published an interesting article that highlighted the potential stumbling blocks that Apple faces in tying up a deal. There are four major record companies and it is widely believed Apple has finalised agreements with three of them: EMI Music, Warner Music and Sony Music, furthermore, Universal, the current holdout may reach an agreement with Apple this week. Yet this is only half the battle, as CNet points out, because Apple still needs publishing rights – the big labels only own the recording rights, not the publishing rights.

For the publishing rights, Apple must negotiate with the large music publishers individually. With only two weeks till WWDC it really doesn’t leave Apple with much time at all to sort this out. But what are publishing rights? As CNet explains, when Apple sells a song, such as the Beatles “Twist and Shout”, it must pay both EMI and Apple Records (representing the Beatles) for the sound recording. However it then has to pay the publishing company that represents the writers of the song and words (in this example it is the company representing Phil Medley and Bert Russel). However if Apple then wants to sell a cover version of the song, such as The Isley Brothers version, it again has to pay Medley and Russell again.

The complication with this is that whilst there is a set rate for those licenses in terms of CDs and digital downloads – there is no precedent or guidance for a cloud-based music service that Apple is reportedly developing. As CNet suggests, there is very little money that separates Apple and the publishers on this issue, but it will nonetheless be the sticky point of negotiations. What muddies the water even more is that because Apple has inked deals with 3 the labels already, they “have soaked up most of the money that Apple is prepared to pay” – leaving little for deals with the publishers.

A source from the recorded-music side said that the labels who have licensed Apple have negotiated only what their songs are worth and if Apple is unwilling to pay the publishers’ price, the publishers don’t have to provide licensing. The source suggested that this is a negotiating ploy and that Apple is trying to pit the labels and publishers against each other.

[Via CNet]

Apple Also Negotiating with Music Publishers for Cloud Service

Following last night’s report on Apple signing a deal with the third music label, Sony, over the launch of the rumored iTunes cloud service after inking similar agreements with EMI and Warner Music Group, Peter Kafka at All Things Digital reports negotiations won’t be over once Apple also signs Universal, the biggest music label in the United States; whilst Apple is clearly in advantage when compared to Google and Amazon thanks to its music deals, the company still has to finalize agreements with music publishers, which own different rights on songs and albums than labels. As Kafka explains, publishers are different entities, usually shared within the same label but still residing in separate buildings, that own rights to the songs’ compositions, as opposed to the labels who own rights to the recordings. Once music is distributed either physically or online, both get paid with different fees and terms; once example is the Beatles music catalogue, with recordings owned by EMI and compositions by publisher Sony/ATV.

Kafka claims Apple simply started negotiating with the labels first, and deals with publishers are currently being worked on ahead of a rumored WWDC launch.

While Apple came to terms with Warner Music and EMI Music weeks ago, and has now struck a deal with Sony Music, industry sources tell me the company doesn’t have agreements with labels’ associated publishing companies — Warner/Chappell, EMI Music Publishing and Sony/ATV. The deal Apple is about to sign with Universal, also won’t include publishing, I’m told.

Music industry sources I talk to think Apple wants to launch, or at least announce, the cloud service at its developers’ conference in early June. And if the hang-up is truly just about money, then that still gives dealmakers time to hammer things out. But remember that this is the music business, and simple things always take longer than they should.

As reported several times in the past few weeks, Apple’s upcoming cloud-based music service is rumored to offer both uploads of a user’s music collection and access to songs not previously purchased, but available for streaming through a subscription system.