Posts tagged with "Apple Pencil"
I’m not much of an artist, but I like to take notes, doodle, and create freehand mind maps with the Apple Pencil. With a rich set of paper options and templates to choose from and tools that don’t require a manual to understand, Linea Sketch has become one of my go-to brainstorming tools.
With each update, the app has added functionality that makes it more powerful and flexible without increasing complexity. Version 2.5, which is out today, continues that trend with four new core features, support for Apple Pencil gestures, a new background paper, and other refinements.
Mike Krahulik, writing on the Penny Arcade blog:
The previous Apple Pencil had a little lightning adapter where its eraser would be. This was covered by a tiny plastic cap about the size of a child’s tooth. In order to charge the pencil you removed this cap and plugged the pencil into the lightning port on the bottom of your iPad. This was dumb for a lot of reasons.
For one thing, it meant you could not charge your iPad while the pencil was charging. You also had to try not to lose this tiny little pencil cap. It also was an incredibly fragile connection that always felt like it was about to break. It also looked incredibly stupid. But now! The new Apple Pencil attaches to the side of your iPad thanks to the magic of magnets! This is also how it syncs and charges. I will be honest with you and admit that after using my old iPad for eight solid months every single day, I had no idea how to check the battery level of the pencil. I never knew it was low until it was time to charge the damn thing. Now when you snap your pencil onto the side of the iPad, a little bubble shows you the battery life. Brilliant! The Pencil itself also feels better in my hand and has a touch sensor on it. You can now double tap the pencil with your finger and this functionality can be customized.
The machine feels lightning fast now as well. I can’t believe some of the multitasking I’ve been able to pull off. I sent this pic to Kiko the other night because I was drawing in Clip Studio while I had a show running in a floating window off to the side.
Great reminder that professional work on iPads doesn’t necessarily mean typing or coding. I also discovered Clip Studio through his post, which looks like a powerful, desktop-class manga drawing app that’s already been updated for the 2018 iPad Pros. Make sure to check out Krahulik’s work on Instagram too.
Jony Ive, Apple’s Chief Design Officer, sat for an interview with David Phelan of The Independent to talk about designing Apple products in general and the new iPad Pros, Apple Pencil, and MacBook Air in particular.
On redesigning successful products Ive said:
Because when a product has been highly regarded there is often a desire from people to see it redesigned. I think one of the most important things is that you change something not to make it different but to make it better.
If you are making changes that are in the service of making something better, then you don’t need to convince people to fall in love with it again. Our sense of habit and familiarity with something is so developed, there is always that initial reaction that is more of a comment on something being different rather than necessarily better or worse. In my experience, if we try very hard to make material improvements, people quickly recognise those and make the sort of connection they had before with the product.
Ive also revealed that the original iPad was designed to be used primarily in a portrait orientation, while the new iPad Pros have no orientation:
So, in the new iPad Pro, one of the things we’ve been wanting to get to for a long time is a sense that the product is not oriented in a primary and then, therefore, in a secondary way.
The first iPad had a very clear orientation which was portrait. It had the ability to be used in landscape, I think very well, but it was pretty clear how the product was designed. And I think with the first iPad you had the sense that it was a product made up of distinct and somewhat separate components.
What I think marks the new iPad Pro as particularly special is it doesn’t have an orientation. It has speakers all the way around the perimeter. By getting rid of the Home Button and developing Face ID, the tablet is able to work in all of these different orientations.
On the Apple Pencil, Ive describes how its design abstracts away the underlying technical complexity to focus the user on the task at hand:
I think the way it just snaps onto the side, well, that’s a nice example of a sort of that magical feeling. It’s unexpected, we don’t quite understand how it’s working and even more incomprehensible is the fact that it’s also charging. You can see how that’s aligned with this idea that you can just pick the product up and use it without thought.
Actually, you’re using it with tremendous thought, but it’s based on what you want to be doing rather than wondering if you’re holding the tablet the right way up.
Phelan’s interview is full of many other wonderful insights and tidbits about the products Apple revealed earlier this week in New York and should be read in its entirety.
To help developers take advantage of the latest features of the iPad Pro and Apple Pencil, Apple has posted two new videos to its developer portal. Even if you aren’t a developer though, the videos include interesting insights on some of the unique features of the new iPad Pros.
The videos cover development and design issues that should be considered when adapting apps to the new iPad Pros like using safe area insets to avoid crowding content into the rounded corners or under the home indicator. Another consideration to take into account is that unlike the previous iPads, the 11” iPad Pro doesn’t have a 4:3 aspect ratio, which means apps hard-coded to those dimensions will have areas cut off at the top and bottom.
Also, apps that don’t link against the iOS 12.1 SDK will run in a compatibility mode when multi-tasking, which will add an inset at the top and bottom of the screen for both apps instead of running them fullscreen. Apple says that making sure iPad apps can handle the inset compatibility mode will also help with bringing iOS apps to the Mac in 2019.
The Apple Pencil has a set of default double-tap settings that we covered in our iPad overview, but developers have the option to customize the double tap action in their apps. Apple also encourages developers not to hide functionality behind the gesture or turn custom actions on by default.
The videos cover the iPad Pro’s new USB-C connector too. The iPad Pro supports HDR 4K up to 60Hz and external displays up to 5K as well as USB audio devices, Ethernet, and MIDI. The iPad Pro can also send simultaneous USB-C outputs, which permits uses like connecting a DSLR Camera and 5K display to the iPad Pro at the same time.
The new videos are available as part of Apple’s Tech Talk series.
Today during its keynote event in Brooklyn, Apple took the wraps off the most radical change to iPad hardware since the first iPad Pro launched in late 2015. The new 12.9-inch and 11-inch iPad Pro models represent the iPad’s ‘iPhone X moment,’ bringing drastic changes to Apple’s tablet platform aimed at making the iPad an even more valuable tool for creation and productivity. While many of these iPad Pro changes are directly inspired by Apple’s iPhone efforts over the last 12 months, some represent new innovations entirely.
“The new iPad Pro is a huge step forward for powerful, creative, mobile computing; it has an all-new thinner design, speeds through projects with the super-fast A12X Bionic chip and unlocks with a glance using Face ID in any orientation — while you’re sitting or standing, with iPad Pro on your desk or lap, with the new Smart Keyboard Folio and new Apple Pencil,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “There has never been a mobile device anything like the new iPad Pro; it has a gorgeous edge-to-edge Liquid Retina display that curves into the corners, breakthrough performance that outperforms most laptops, Face ID, support for the new Smart Keyboard Folio and new Apple Pencil, advanced new cameras and sensors for the best AR experiences ever in any device, a high-speed USB-C connector, louder speakers, faster wireless and more, all packed into a thinner device that has all-day battery life and is 25 percent smaller in volume.”
Today we announced Project Gemini—a focused new app focused specifically on drawing and painting. Building on Photoshop’s powerful brush engine, this new app combines powerful Photoshop brushes, precise and scalable vector brushes, and an entirely new category of groundbreaking Live oil and watercolor brushes – you’ve never seen anything like them. In addition, layers, selections, and masks enable the most modern non-destructive drawing and editing workflows.
Most importantly, though, we’ve built Project Gemini with the illustration community.
Kyle Webster, of KyleBrush.com, joined Adobe in 2017 to help build Gemini and act as an ambassador and advocate for the illustration community. Along with Kyle, a group of illustrators with diverse styles and backgrounds have been working closely with us to help Gemini achieve its potential.
According to the announcement post, the genesis of this new app was advancements in hardware that enabled Adobe’s team to build more powerful tools than were previously possible. They highlight “selection and masking tools, combined raster and vector drawing capabilities” as some examples.
I’m not in the target market for this app, but I’m excited to see Adobe continue to rethink how modern iPads can enable more powerful, yet accessible app experiences than before.
If you’d like to join the Gemini beta when it begins, Adobe has a short survey available for interested testers.
Serenity Caldwell, writing on iMore:
To me, the 2018 base-model 9.7-inch iPad is a special beast: It hits a line drive right through the company’s fabled intersection of technology and liberal arts — and at the right price point. The iPad Pro did it first, but at a cost unattainable for all but the tinkerers and serious artists, and without iOS 11’s crucial multitasking features. At $329, the iPad offers a low-end tablet experience unlike any other on the market. Add an extra $99 for Apple Pencil, and Apple has created the best device for all-purpose education, period.
But it’s easy to make that claim, and a whole other thing to explain why I believe it so whole-heartedly. As a result, I decided to try and prove it: Starting with a blank page in Procreate, I created an entire iPad review video by just using my 2018 iPad, Apple Pencil, and third-party apps. My Mac came into play only once — when I uploaded my video to YouTube.
I know what you’re thinking – the new iPad is “boring” compared to the iPad Pro and you don’t need to watch another video about it. But trust me, you’ll want to watch Serenity’s review because it’s unlike anything you’ve seen for a new iPad. Only Serenity could put this together – including the music, which she composed in GarageBand; everything was drawn, assembled, and edited on a “boring” 2018 iPad. You can watch the video below and read Serenity’s technical notes here.
Today, The Iconfactory released a major update to its iPad sketching app, Linea. Version 2.0, which has been renamed Linea Sketch, takes what was already one of my favorite Apple Pencil-enabled drawing apps and has extended it with new features that make it more powerful than ever before. Most importantly though, the new features don’t come at the expense of the app’s usability.
When I reviewed Linea 1.0 last year, I was struck by how approachable yet capable the app was. That’s still the case, but The Iconfactory has added several new features that should make it appeal to an even broader audience.