Front and Center, a Mac Utility from John Siracusa and Lee Fyock→

John Siracusa writes on Hypercritical about the new Mac utility he just released in partnership with Lee Fyock. Following the release of macOS Catalina and its lack of support for 32-bit apps, such as DragThing, Siracusa needed a new solution for restoring a classic Mac OS behavior that he didn’t want to lose.

In classic, when you click on a window that belongs to an application that’s not currently active, all the windows that belong to that application come to the front. In Mac OS X (and macOS), only the window that you clicked comes to the front.
[…]
I tried to get used to it, but I could not.

Front and Center is the name of Siracusa and Fyock’s creation. It’s a tiny app that re-enables the classic behavior mentioned above, while also providing the option of using shift-click to engage the modern default of selecting the clicked window only. With Front and Center, long-time Mac users can have both the classic Mac OS behavior they enjoy, and the benefits of macOS’ modern approach, all at once.

Front and Center is available on the Mac App Store for $2.99.

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Connected, Episode 276: Symbiosis, Osmosis, Whatever→

On this week’s episode of Connected:

The boys kick of 2020 with a lot of follow-up including clarifying what being a Chairman means, a challenge for the Upgradies and a debate about the iPad Air, then conversations about LaunchCuts and Twitter’s iPad app.

You can listen below (and find the show notes here).

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01:39:39

Connected, Episode 276

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LaunchCuts Review: A Better Way to Organize Your Shortcuts with Folders, Advanced Search, and Custom Views

LaunchCuts' shortcuts view.

LaunchCuts’ shortcuts view.

Developed by Adam Tow, LaunchCuts is the latest entry in a series of meta-utilities designed to extend Apple’s Shortcuts app with new functionalities. Unlike Toolbox Pro and Pushcut, however, LaunchCuts is the most peculiar and niche I’ve tested insofar as it doesn’t provide Shortcuts with exclusive actions nor does it come with its own web service to deliver rich push notifications; instead, LaunchCuts’ sole purpose is to offer an alternative view for your shortcut library with folders and powerful search filters. If you have less than 20 shortcuts installed on your iPhone or iPad, you’re likely not going to get much benefit out of LaunchCuts’ advanced organizational tools; but if you’re like me and use hundreds of different shortcuts on a regular basis, and especially if your library has grown out of control over the past few years, you’re going to need the assistance of LaunchCuts to make sense of it all.

Like the aforementioned Shortcuts utilities, LaunchCuts was born of its developer’s frustration with the lack of folders in Shortcuts – a basic feature that is still bafflingly absent from the app in 2020. As I keep pointing out in my iOS reviews, I find Apple’s continuing reliance on a crude, one-level-deep grid for shortcuts perplexing at best – particularly when the app is so very clearly employed by professional users who want to accomplish more on their iPhones and iPads.

LaunchCuts was originally created by Tow as an advanced shortcut that let you tag and organize your shortcuts from within the Shortcuts app itself. I remember playing around with the original version of LaunchCuts and, although technically remarkable, I didn’t find much utility in it since it was limited by the UI constraints of Shortcuts; LaunchCuts was begging to become a fully-fledged app with a custom interface to take advantage of Tow’s original concept. Now that it’s a native app, LaunchCuts can fulfill Tow’s vision for taming cluttered and disorganized Shortcuts libraries in a way that wouldn’t have been possible as a shortcut – all while taking advantage of new features in iOS and iPadOS 13.

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Apple Announces Night Mode Photography Contest

About this time last year, Apple announced its first-ever ‘Shot on iPhone’ photography challenge judged by a panel of professional photographers and Apple employees. Apple is back with a new contest app this year asking users to submit their Night mode photos.

Through January 29th, Apple is taking submissions on Instagram, Twitter, and Weibo. To qualify, post your photos on Instagram or Twitter with the hashtag #ShotoniPhone and #NightmodeChallenge and Weibo using #ShotoniPhone# and #NightmodeChallenge#.

Five winners will be picked by a panel of judges that include:

plus the following Apple executives and employees:

  • Phil Schiller
  • Kaiann Drance
  • Brooks Kraft
  • Jon McCormack
  • Are Duplessis

The five winning photos will be announced on March 4th on the Apple Newsroom. Apple says the images may also be used in digital campaigns, at stores, on billboards, and in photo exhibitions.

Night mode photography was a big part of Federico’s story on iPhone 11 Pro photography called Eternal City, Modern Photography: The iPhone 11 Pro in Rome. Here’s an outtake from that story that Federico submitted for the challenge:

For more on the contest and tips on shooting Night mode photos, check out Apple’s press release.

Defining Apple’s Decade→

Benjamin Mayo of 9to5Mac has published an excellent journey down memory lane of Apple’s last decade:

Apple entered the 2010s just as the iPhone began to explode in popularity. The iPhone became the most successful consumer product, ever. Sales surged for another five years and still make up a majority of Apple’s revenues. However, we exit the decade with the iPhone making up a smaller portion of Apple’s business than ever before, as the company diversifies into strong lineups of wearables, tablets and services offerings.

But nothing is a simple straight line. Apple had to graduate through the passing of its founder, juggle relationships with an ever-expanding list of consumer and professional market segments, and adapt to the public attention and scrunity that only comes along as a consequence of being the biggest company in the world. This is a decade in Apple, on one page.

Mayo’s first Apple product was an iMac in 2010, so the timeframe of the decade lines up with his own initial interest in Apple, leading all the way to today, when he’s one of the most prominent Apple reporters. I always enjoy reading Mayo’s perspective on Apple, so it was especially fun getting to hear his personal takes of the biggest moments of the company’s past decade. If you want to spend time basking in the nostalgia of Apple’s last 10 years, Mayo’s story is a great way to do that.

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Apple Details 2019 App Store Stats and Recaps Other Services

Source: Apple.

Source: Apple.

In a press release today, Apple shared App Store revenue numbers for the 2019 holiday season, which set an all-time record for single day sales on New Year’s Day:

Since the App Store launched in 2008, developers have earned over $155 billion, with a quarter of those earnings coming from the past year alone. As a measure of the excitement going into 2020, App Store customers spent a record $1.42 billion between Christmas Eve and New Year’s Eve, a 16 percent increase over last year, and $386 million on New Year’s Day 2020 alone, a 20 percent increase over last year and a new single-day record.

In addition to apps, Apple recapped its other services:

  • Apple Music, which added a time-synced lyrics feature that more than 50% of iOS 13 users have tried
  • TV+, which is available in over 100 countries
  • The TV app, which is available on Apple TV hardware, third-party TVs, and features over 30 channels
  • Apple Arcade
  • Apple News, which the company says has over 100 million monthly active users
  • Podcasts
  • Apple Card
  • Apple Pay
  • iCloud

More than 10 years later, the growth of the App Store is a story that is often overlooked. It’s remarkable to think that holiday sales are still setting records this long after the introduction of the App Store and after the pace of new device sales has slowed.

AppStories, Episode 144 – Getting More Out of Safari for iPadOS→

This week on AppStories, we discuss the sort of sophisticated web apps that can be used with Safari on iPadOS 13 and share a bunch of tips and tricks based on Apple’s latest updates to Safari.

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Desktop-Class Safari for iPad: A Hands-On Look at the Difference the iPadOS Update Makes to Apple’s Browser

For about four years, I’ve sat down at my Mac to produce Club MacStories’ two newsletters using Mailchimp. There’s a lot I like about Mailchimp, but that has never included the company’s web app. Mailchimp relies heavily on dragging and dropping content blocks in a browser window to build an email newsletter, which abstracts away the raw HTML and CSS nicely, but didn’t work well or reliably on iOS.

That finally changed with iPadOS 13, which brought one of the most extensive updates to Safari ever. The result has been that roughly half of the issues of the Club’s newsletters have been produced on my iPad Pro since October. Before iPadOS, that simply wasn’t possible. Whenever I tried to assemble a newsletter on my iPad, I ran into a show-stopping roadblock at some point.

If you’re wondering why this matters, the answer is flexibility and choice. Whether I’m traveling to another city for several days or just sitting in a local coffee shop for a few hours, I know I can rely on a stable mobile data connection on my iPad. I don’t have to worry about whether WiFi will be available for my Mac or fiddle with tethering. I just open my iPad and start working. As a result, I prefer my iPad to my MacBook Pro when I’m away from my desktop Mac.

I also enjoy the freedom of picking the platform I use for a task. Some days that’s my Mac, but just as often it’s my iPad. Sometimes that’s driven by the platform I’m working on at the time, and other days it’s nothing more than the device I feel like using that day. Until iPadOS 13, though, if that day was a Friday and I had a newsletter to produce, nothing else mattered. I had to have a Mac, and if I was traveling for more than a couple of days, that often meant I brought both devices along.

This isn’t a tutorial on how to use Mailchimp on an iPad. Few people need that, and if you’ve built a newsletter in Mailchimp on a Mac, you already know how to do it on the iPad. That’s the whole point. Safari in iPadOS has become a desktop-class browser. There remain differences between it and its desktop sibling, but the gap has been dramatically narrowed and the differences that remain purposefully leverage the distinctions between the Mac and iPad. The result has transformed frustrating experiences with web apps that simply didn’t work before on the iPad into a productive environment for accomplishing tasks that once required a Mac.

I don’t know that I’ve ever used a web app that I prefer to something native to the Mac or iOS, but the reality of contemporary computing is that many people rely on a collection of web apps in their work and personal lives. The changes to Safari in iPadOS are an acknowledgement of that reality. The experience isn’t perfect, but the latest iteration of Safari is a major step forward that eliminates hurdles that make the difference between getting work done and not.

If you’ve run into roadblocks with web apps in the past, it’s worth revisiting them in the wake of iPadOS 13. For me, the updates to Safari in iPadOS have been a tipping point in the way I work that has opened up new options I didn’t have before. I suspect the same is true for others who are looking for the same sort of workflow flexibility, which is why I want to share my experience and thoughts on producing the Club MacStories newsletters using Mailchimp on my iPad Pro.

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Brydge Announces Pro+ Keyboard with Trackpad for the iPad Pro and a Standalone Trackpad

(Source: Brydge)

(Source: Brydge)

Today Brydge announced the Pro+ keyboard for the iPad Pro, which incorporates a trackpad. The keyboard was first revealed in connection with a lawsuit filed by Brydge against another keyboard maker that Brydge says violated a patent on the company’s keyboard hinge. Although Brydge’s official announcement doesn’t disclose when it will begin taking pre-orders, the company says it will be soon. Brydge also says that the first 500 pre-orders will be shipped in late February, with the remaining pre-orders shipping in late March.

With iPadOS 13, Apple added accessibility support for pointing devices like mice and trackpads. Pointing devices can be connected via USB or Bluetooth using iPadOS’s Assistive Touch Accessibility feature, which permits navigation of the OS’s UI. Although the experience of using a pointing device with an iPad Pro partly resembles using one with a Mac, it’s also different and more limited. As Federico explained in his iOS and iPadOS 13 review:

The first and most important difference between iPadOS and macOS is that UIKit is still designed and optimized for touch input. When you enable mouse support in iPadOS, you’ll notice that the system won’t react to the hover state of the pointer: if you hover over a button in a toolbar, you won’t see a tooltip; if you wait with the cursor over the edge of a document, you won’t see a scroll bar; in Safari, hovering over drop down menus of a webpage will not automatically expand and collapse them.

I’ve used iPadOS 13 with a Logitech MX Master Mouse 3S and agree with Federico’s assessment that if you go into mouse or trackpad use on iPadOS expecting precisely the same sort of experience as a Mac, you’re likely to be disappointed. Still, the feature opens up exciting possibilities beyond the accessibility needs it addresses, such as the ability to assign shortcuts to button presses.

(Source: Brydge)

(Source: Brydge)

Brydge’s new keyboard closely resembles past models but adds a trackpad to the center of the wrist rest. The keyboard comes in two sizes to accommodate the 11-inch and 12.9-inch iPad Pro models, connects via Bluetooth 4.1, has three levels of backlighting, 3-month battery life, and is space gray. With the trackpad, Brydge says users will also be able to open the dock with a two-finger tap on the trackpad and trigger App Exposé with a three-finger tap. Users will also be able to tap the bottom left or right-hand corners of their iPad Pro’s screen to return to the Home screen.

The 11-inch model of the Pro+ will cost $199.99, and the 12.9-inch version will be $229.99. If you are interested in ordering the Pro+, Brydge encourages registering on its website to receive an alert by email when pre-orders begin.

The Brydge trackpad. (Source: Brydge)

The Brydge trackpad. (Source: Brydge)

Separately, Brydge announced a standalone trackpad, which should appeal to existing Brydge keyboard owners who want to add a complementary trackpad without purchasing the Pro+. Brydge hasn’t disclosed much about the standalone version of its trackpad, although the company says it is coming soon, will be glass with a ‘Multi-Touch Engine,’ connect using Bluetooth 4.1, and will have a 3-month per charge battery life.

It will be interesting to see how Brydge’s Pro+ keyboard and standalone trackpad do with users. Off-the-shelf pointing device support was an important addition to iPadOS 13 for people who need the feature for accessibility reasons. I’ve experimented with the feature on several occasions, but until it’s more refined, I have a hard time seeing myself using a pointing device with my iPad Pro regularly. As a result, I’m not that interested in the Brydge Pro+, but I’ll withhold my final judgment on that score until I’ve seen reviews by people who have used production models of the device and tried one myself. I also wouldn’t be surprised if iPadOS 14 strengthens mouse and trackpad support, making the Pro+ an even more attractive option later this year.