It’s been just a little over three months since I switched from Apple Music to Spotify and sprung a surprise on John on Episode 200 of AppStories. So how’s the experiment going? I’ll cut right to the chase: not only am I glad I decided to give Spotify a try for the entire year,...
Spotify Launches New ‘Spotify Mixes’ with Personalized Playlists Based on Artists, Genres, and Decades
Earlier today, Spotify announced their latest feature rollout for both free and premium users: Spotify Mixes. Inspired by the Daily Mix, which the company introduced in 2016, Spotify Mixes are a collection of personalized playlists tailored specifically to each user and available in three main “flavors”: in the updated Made for You hub (which you can find in the Search page), you’ll find Artist Mixes, Genre Mixes, and Decade Mixes.
Here’s how Spotify says these new playlists will work:
Each mix is created with you at the core, based on your listening habits and the artists, genres, and decades you listen to most. They’re rooted in familiarity, meaning that you won’t just hear your favorite artists, but your favorite songs from those artists.
Then, we supplement by adding in songs we think you’ll love, meaning they’ll be filled with the music you have on repeat alongside some fresh picks. So whether you want to jam out to a specific artist or hear more music from another decade, there’s a mix just for you.
According to Spotify, these new mixes will update over time to reflect your listening habits and will present a dynamic collection of playlists from different artists, genres, and decades, including both songs you already know and new ones the service thinks you might like.
I received the new Spotify Mixes this morning and, as you can see in the image above, they provide an eerily accurate representation of my diverse music preferences – from late 90s Placebo and mid 2000s emo punk to modern artists such as Pale Waves and Taylor Swift.
As I’m writing almost on a weekly basis now, I’m impressed with Spotify’s ongoing streak of product launches and understanding of what their users seek in the service. With genre filters, the ability to shuffle liked songs based on mood, and now mixes for decades and artists, Spotify helps me enjoy and rediscover music in any moment of the day; so far, I’m glad I decided to switch from Apple Music for a year.
Apple at Home
JohnThis week, Federico and John scrutinize Apple’s home strategy from its discontinued Airport routers and HomePod to the Apple TV, HomePod mini, HomeKit routers, the Home app, and more, plus ongoing browser and calendar experiments, and the hunt for an elusive keyboard continues.
Trying Firefox as My Default Browser on iPhone and iPad
It all started when I remembered how my friend Myke Hurley always complains about Safari’s tab view on iPhone. As Club MacStories members should know at this point, I’ve spent the past few months exploring a variety of options for read-later apps. I’ve tried so many, and ultimately came away thinking the perfect solution...
Spotify Updating Home Hub with Recently Played Section, Deeper Podcast Integration→
As announced by Spotify last week, the company is rolling out a refreshed home hub in its mobile app featuring a new Recently Played section, an easier way to stream new releases from your favorite artists, and shortcuts to play and resume podcast episodes with one tap:
About a year ago, we reworked the Spotify mobile experience to refresh our Home interface. Since then, Spotify users have been able to access the content they love more quickly and easily—and maybe even discover something new straight from their home screen. But the ease and discovery don’t stop there. This month, we’re announcing a series of updates that will make the Home experience even more personalized for each and every listener.
We’re constantly working on ways to improve our user experience. Through this latest update, we’ll be rolling out several advancements on the mobile Home hub designed to make finding the audio you love easier and more intuitive. These will roll out to users globally on iOS and Android this month.
The redesigned home hub is the latest announcement in a series of recent product updates, including genre and mood filters for liked songs, real-time lyrics, and the upcoming lossless tier.
In my tests with Spotify this year, I’ve been positively impressed by the company’s pace of updates. What I find particularly intriguing in the refreshed home hub design is the integration with podcasts: I was very skeptical of blending music and podcasts in the same app when I switched to Spotify at the end of last year, but the more I use it, the more I understand why podcast listening in Spotify is growing rapidly. There’s something about making both kinds of audio content accessible in one place that works well for removing friction from having to choose what I want to listen to. I’m curious to see how Spotify will balance music and podcast episodes in new home hub (which I don’t have in my Spotify app yet).
The Pleasures of Conversing via Voice Text→
Fun story by Rachel Syme, writing for The New Yorker last week, on rediscovering the simple pleasure of sending audio messages (voice texts) to friends during the pandemic:
Voice texts (also called audio messages), by contrast, are text messages with a pulse, phone calls with none of the pressure; they are fizzy zaps of connection that demand little of the recipient except that she listen and enjoy before they’re gone. They are not a new feature—on iPhones, they launched as part of the iOS8 update, way back in 2014 (and users of WhatsApp have long communicated with a similar service). But voice texting has gained obvious new appeal during the past year of isolation. At the site nofilter, the reporter Kate Lindsay wrote that she had been prepared to dismiss voice texting as “a Gen Z (or, rather, z-lennial) fad. Then the pandemic hit, and before I knew it all my text message conversations were replaced with disappearing audio snippets.”
Audio messages have been the default communication method among my friends and family for the past several years (primarily via WhatsApp; no one I know here in Italy uses iMessage’s voice text UI since it’s, frankly, quite clunky). During the pandemic and through our various stages of lockdown, however, I’ve also rediscovered the joy of sending audio messages, which strike a nice balance between the immediacy of a text and the additional context of a phone call.
Imagining the Perfect Read-It-Later App
AppStories Episode 210 - Imagining the Perfect Read-It-Later App
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This week, Federico and John, who are always on the lookout for new ways to read and process the stories they find, discuss the features and approaches they’d like to see in the ideal read-it-later app.
Automating Markdown with Taio, Part 2
In this week’s installment of the Shortcuts Corner, I’m continuing to explore the automation possibilities offered by Taio, the all-in-one text editor and clipboard manager that comes with a built-in action editor. Last week, I shared the first actions I created for the app’s editor to speed up various tasks related to Markdown writing...
First Impressions: Kensington’s StudioDock Aims to Turn Your iPad Pro into an Expandable Desktop Workstation
Nearly a year ago in the middle of the first wave of the COVID-19 pandemic here in Italy, I published an article that would turn out to feel obsolete in less than a month: in my Modular Computer story, I detailed my experiments with various accessories for the iPad Pro and how the device was capable of filling different roles in my computing life thanks to the Smart Keyboard Folio, an external 4K monitor, Apple’s Magic Trackpad, and a set of kickstands. About a month later, my laptop setup for the iPad Pro was upended by the arrival of Apple’s Magic Keyboard; as a result of the Magic Keyboard’s floating design and integrated keyboard/trackpad approach, I’ve preferred using my iPad Pro in laptop mode more often, even when I’m sitting at my desk.
A year later, Italy is going through the so-called “third-wave” of the pandemic (with a terribly mismanaged vaccine rollout and, for whatever reason, a different government) and I’ve spent the past 24 hours testing Kensington’s long-anticipated StudioDock, a $400 docking station1 that aims to turn the iPad Pro into a desktop workstation with support for display rotation, expansion via USB-C, USB-A, and SD card slots, and integrated Qi charging for iPhone and AirPods. And just like last year, I find myself torn between appreciating the potential of this product and concerned about its timing given rumors of an impending iPad Pro refresh just around the corner.
A day of usage2 isn’t enough time to evaluate this kind of product and its long-term impact on an iPad user’s daily workflow. I feel particularly uncomfortable giving MacStories readers any sort of buying advice here because of the price tag (again, $400 for the StudioDock version I tested) and the short amount of time I was able to spend with the accessory. For these reasons, I’ll try my best to focus on what the StudioDock is, what I like about it in the context of modularity and converting the iPad Pro into something it’s not (or, at least, something Apple probably didn’t anticipate), and a few features it’s missing.