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Posts tagged with "music"

A Fresh Spin on Apple Music: Exploring Daft Music’s Liquid Glass Design

Daft Music asks a question that’s been on my mind for a long while: what if Apple Music started over with a new Mac app? As a service, I love Apple Music. I’ve been a subscriber since day one. But I’m less enamored with the Music app, especially on the Mac.

Music on the Mac has a long history dating back nearly 25 years to Apple’s acquisition of SoundJam MP, which became iTunes, an app for organizing your music collection, syncing it to your iPod, and, later, buying music. Over the years, iTunes expanded to encompass TV, movies, books, apps, and even courses, which was too much for one app. So Apple began dismantling iTunes, with the final blow coming in 2019 with the release of macOS Catalina. The update retired iTunes, replacing it with Apple Music and dedicated apps for other types of media.

Music was a significant break from the design of iTunes, but as a long-time user of both iTunes and Music, what didn’t seem to change as much was the app’s underlying code. That’s consistent with reporting at the time that Music was an AppKit app built on the bones of iTunes. The choice to build Music for macOS on top of the iTunes foundation had the advantage of allowing Apple to preserve iTunes features that the Music app lacked on other platforms. However, the decision had a big downside, too. Built on what was already a nearly 20-year-old code base, Music inherited iTunes’ bugs, which have hung around unfixed for years.

I love the simple elegance of Daft Music’s interface.

I love the simple elegance of Daft Music’s interface.

That’s where Daft Music by Dennis Oberhoff comes in. It’s a simple, elegant Apple Music “do-over” that also happens to be the first Mac app I’ve tried that was built from the ground up for Liquid Glass. There’s a lot to cover, so let’s dig in.

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Oasis Just Glitched the Algorithm

Beautiful, poignant story by Steven Zeitchik, writing for The Hollywood Reporter, on the magic of going to an Oasis concert in 2025.

It would have been weird back in Oasis’ heyday to talk about a big stadium-rock show being uniquely “human” — what the hell else could it be? But after decades of music chosen by algorithm, of the spirit of listen-together radio fracturing into a million personalized streams, of social media and the politics that fuel it ordering acts into groups of the allowed and prohibited, of autotuning and overdubbing washing out raw instruments, of our current cultural era’s spell of phone-zombification, of the communal spaces of record stores disbanded as a mainstream notion of gathering, well, it’s not such a given anymore. Thousands of people convening under the sky to hear a few talented fellow humans break their backs with a bunch of instruments, that oldest of entertainment constructs, now also feels like a radical one.

And:

The Gallaghers seemed to be coming just in time, to remind us of what it was like before — to issue a gentle caveat, by the power of positive suggestion, that we should think twice before plunging further into the abyss. To warn that human-made art is fragile and too easily undone — in fact in their case for 16 years it was undone — by its embodiments acting too much like petty, well, humans. And the true feat, the band was saying triumphantly Sunday, is that there is a way to hold it together.

I make no secret of the fact that Oasis are my favorite band of all time which, very simply, defined my teenage years. They’re responsible for some of my most cherished memories with my friends, enjoying music together.

I was lucky enough to be able to see Oasis in London this summer. To be honest with you, we didn’t have great seats. But what I’ll remember from that night won’t necessarily be the view (eh) or the audio quality at Wembley (surprisingly great). I’ll remember the sheer joy of shouting Live Forever with Silvia next to me. I’ll remember doing the Poznan with Jeremy and two guys next to us who just went for it because Liam asked to hug the stranger next to you. I’ll remember the thrill of witnessing Oasis walk back on stage after 16 years with 80,000 other people feeling the same thing as me, right there and then.

This story by Zeitchik hit me not only because it’s Oasis, but because I’ve always believed in the power of music recommendations that come from other humans – not algorithms – who would like you to also enjoy something. And to do so together.

If only for two hours one summer night in a stadium, there’s beauty to losing your voice to music not delivered by an algorithm.

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Longplay for Mac Launches with Powerful AI and Shortcuts Integration

Longplay by Adrian Schönig is an excellent album-oriented music app that integrates with Apple Music. The app started on iOS and iPadOS, then later added support for visionOS. With today’s update, Longplay is available on macOS, too, where it adds unique automation features.

If you aren’t familiar with Longplay, be sure to check out my reviews of version 2.0 for iOS and iPadOS and the app’s debut on the Vision Pro. I love the app’s album art-forward design, collection and queuing systems for navigating and organizing large music libraries, and many other ways to sort, filter, and rediscover your favorite albums. Here’s how Adrian describes Longplay in a post introducing the Mac version:

It filters out the albums where you only have a handful of tracks, and focusses on those complete or nearly complete albums in your library instead. It analyses your album stats to help you rediscover forgotten favourites and explore your library in different ways. You can organise your albums into collections, including smart ones. And you can go deep with automation support.

With the introduction of Longplay for Mac, the app is now available everywhere, with feature parity across all versions. Plus, Longplay syncs across all devices, so your Collections and Smart Collections are available on every platform.

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Hands-On with Sound Therapy on Apple Music

I’ve always been envious of people who can listen to music while they work. For whatever reason, music-listening activates a part of my brain that pulls me away from the task at hand. My mind really wants to focus on the lyrics, the style, the mix – all distractions from whatever it is I’m currently trying to do. It just doesn’t work for me.

But under the right circumstances and with the right kind of music, you can create an environment that is conducive to focus. At least, that’s the idea behind Apple’s recent collaboration with Universal Music Group. It’s called Sound Therapy, a research-based collection of songs meant to promote not only focus, but also relaxation and even healthy sleep.

The effort comes out of UMG’s Sollos venture, a group of scientists and music professionals focused on the relationship between music and wellness. Founded in 2023, the London-based incubator has used its findings to put together a library of music that, as Apple says, “harnesses the power of sound waves, psychoacoustics, and cognitive science to help listeners relax or focus the mind.”

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MusicHarbor’s Latest Update Creates a Richer Music Experience with News and More

Marcos Tanaka kicked off his App Store career with a real banger when he released MusicHarbor, an app for following the work of your favorite music artists on the iPhone, iPad, and Mac. We awarded MusicHarbor App of the Year in 2020, and since then, it has been steadily updated, making it my go-to app for catching up on my favorite bands. Today, MusicHarbor’s latest update, version 5.0, takes the app even further with new news, top chart, time capsule, and list features.

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Apple Courts DJs with New DJ with Apple Music Program

Source: Apple.

Source: Apple.

Apple has announced a partnership with DJ software and hardware platforms to integrate Apple Music’s catalog into their offerings.

The new program, called DJ with Apple Music, expands on an integration that was already in place for Algoriddim’s djay Pro app adding AlphaThetaSerato, and inMusic’s Engine DJ, Denon DJNumark, and RANE DJ.

In an emailed press release, Apple Music’s Stephen Campbell, Global Head of Dance, Electronic & DJ Mixes said:

Apple Music is committed to supporting DJs. With this latest integration, we’re taking that commitment even further—seamlessly connecting Apple Music with the industry’s leading DJ software and hardware. This innovation brings the full power of Apple Music into the creative workflow, making it easier than ever for DJs to access, play, and discover music in real time.

Starting today, you can visit a dedicated DJ with Apple Music in the Music app on all platforms. There, you’ll find curated playlists picked for DJs by the Apple Music editorial team and links to pages dedicated to each of the participants in the program.

To check out the available playlists and other materials you can follow this link.


Metallica Is Coming to the Apple Vision Pro

Apple revealed a new Immersive Video title for the Vision Pro. As announced at SXSW today, Vision Pro users will be treated to a live performance of three Metallica songs: “Whiplash,” “One,” and “Enter Sandman” on March 14th.

According to Metallica’s press release:

This project marks a new foray into immersive technology, using ultra-high-resolution 180-degree video and Spatial Audio to give fans unprecedented access from vantage points as close up as the Snake Pit to wide-angle views. It brings the live show to a whole new level, and to achieve this, Apple built a custom stage plot featuring 14 Apple Immersive Video cameras using a mix of stabilized cameras, cable-suspended cameras, and remote-controlled camera dolly systems that moved around the stage.

For its part, Apple released a trailer for the video on YouTube:

along with an interview by Zane Lowe with Metallica’s Lars Ulrich:

Today’s Metallica news follows the recent Immersive Video announcements of VIP: Yankee Stadium and Bono: Stories of Surrender. It’s great to see new content coming to the Vision Pro, especially live concerts and sports, which are a perfect matches for the format.


From a Turntable to an iPad Home Dashboard: My First Experience with Vinyl

This month, amidst the increasingly chaotic rumblings of the world in the news, I found myself looking for a new distraction. Since Civilization VII wasn’t out just yet, my eyes quickly turned to the vinyl record player that my partner and I had been storing in its cardboard box for months without ever taking the time to set it up. It’s not even ours; we’ve been keeping it safe, along with a sizable vinyl collection, for a close friend who unfortunately doesn’t have enough space for it in their current home.

This turntable is definitely not fancy – it’s even quite affordable compared to similar models – but it looks pretty, and our friend gracefully gave us permission to set it up for ourselves in the living room. While I’m sure they only pitied my desperate need for a new distraction, I took them up on this offer and opened the turntable’s box for the first time.

At the risk of sounding like a total youngster, I must disclose that until three weeks ago, I had never interacted with vinyl before. All I had were some presumptuous preconceptions. ”Doesn’t music sound worse on vinyl? Also, why should I bother with large, fragile music discs and a whole record player when I already have Apple Music in my pocket with lossless audio and Dolby Atmos?”

Still, I was not only intrigued, but also motivated to solve the main problem that setting up this record player posed: how can I make it work when our audio gear at home consists only of a handful of HomePod minis, one pair of wired headphones, and several pairs of Bluetooth headphones? While some turntables ship with built-in Bluetooth connectivity, ours can only output audio over USB or RCA with the help of a sound amplifier, and it definitely can’t broadcast audio to AirPlay devices like our HomePod minis.

Allow me to spoil the ending of this story for you: in the end, unboxing this turntable escalated into a legitimately awesome tech upgrade to our living room. It’s now equipped with a docked 11“ iPad Pro that acts as a shared dashboard for controlling our HomeKit devices, performing everyday tasks like consulting the weather and setting up timers, and of course, broadcasting our vinyls to any HomePod mini or Bluetooth device in the apartment. This setup is amazing, and it works perfectly; however, getting there was a tedious process that drastically reinforced my long-standing frustrations with Apple’s self-imposed software limitations.

Let me tell you how it all went.

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Sotheby’s Is Auctioning Custom iPods from the Late Karl Lagerfeld’s Massive Collection

Behold, the BlingPod. Source: [Sotheby's](https://www.sothebys.com/en/buy/auction/2025/karl-karl-lagerfelds-estate-v-le-studio-pf2553/a-set-comprising-an-ipod-classic-apple-and-a-micro)

Behold, the BlingPod. Source: Sotheby’s

Sotheby’s is auctioning the estate of renowned designer Karl Lagerfeld. The auction house, which is auctioning the estate’s assets in multiple lots, includes several collections of classic iPods and custom iPods, like the ultra-blinged-out one above. The estate’s collection also includes these first-generation iPod Nanos that Parker Ortolani posted on Mastodon:

Source: [Sotheby's](https://www.sothebys.com/en/buy/auction/2025/karl-karl-lagerfelds-estate-v-le-studio-pf2553)

Source: Sotheby’s

Compared to Lagerfeld’s full collection, though, Sotheby’s selection is a drop in the bucket. It’s estimated that the designer owned over 500 iPods when he passed away. According to graphic novelist Warren Ellis’s website:

Lagerfeld famously had an “iPod nanny” to digitise his collection for the iPods and to add new music to new devices. This is how he ended up with over 300 of them – he treated them like cassette tapes.

Source: [Sotheby's](https://www.sothebys.com/en/buy/auction/2025/karl-karl-lagerfelds-estate-v-le-studio-pf2553).

Source: Sotheby’s.

I’m impressed with Lagerfeld’s commitment to the iPod long after all but the Touch was discontinued. There’s a lot to be said for single-purpose devices like the iPod. I’d love to see Apple bring the iPod back one day, even if it were just a limited run. But if they do, I hope they get weird with it and take inspiration from some of these great custom iPods from Lagerfeld’s collection.

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