Today Adobe released an update to its Creative Cloud app on iPhone and iPad which introduced a set of thousands of fonts that can now be installed on those devices via the new font provider system Apple added in iOS and iPadOS 13. Once installed, fonts from Creative Cloud can be used within any other app that supports custom fonts. The Creative Cloud app is a free download, and all users can download 1,300 fonts in the app for free; users with a Creative Cloud subscription, however, have access to a whopping 17,000 fonts.
Posts tagged with "Adobe"
Last year around the time Adobe began detailing its forthcoming Photoshop for iPad, the company also shared word of another iPad app it was working on, then called Project Gemini. Today in a blog post, Scott Belsky of Adobe announced Adobe Fresco as the official name of the new drawing and painting app, and detailed one of the features that will make the new app special:
The result is Live Brushes, which use the artificial intelligence of Adobe Sensei to recreate the behavior of oils and watercolors in an amazingly lifelike way. When you paint with a watercolor Live Brush, you’ll see the color bloom into adjacent areas of the paper. Use red and yellow next to each other and they’ll naturally blend into orange at the border. You can even recreate painting with water to dilute some colors and encourage tints to mix.
With an oil Live Brush, you can slather on a thick coat of paint and see the ridges and brush strokes that give the painting dimension. And you can mix different oil colors together to create a varied swirl of color that no digital color wheel could ever provide.
Live Brushes can be seen in action in the video embedded below. Adobe’s aim with Fresco is to provide a tool that scales well in serving users who want a simple drawing tool to those who need the power of features like layers, masking, brush creation, and more. While it’s expected that Creative Cloud subscribers will receive full access to Fresco’s full feature set, Adobe seems to be considering its full spectrum of target users when it comes to pricing. In today’s announcement Belsky notes “anyone with the right hardware will be able to draw and paint in Fresco for free.”
No update was given on Fresco’s release date, other than that it remains “later this year.” With iPadOS 13, Fresco, Photoshop, and the iPad app improvements that are hopefully to come alongside Catalyst projects, it’s going to be an exciting end of the year for iPad.
Earlier this week I had the opportunity to sit down with Khoi Vinh, Principal Designer at Adobe who leads its Design Practices group and author of Subtraction.com. Vinh, who was in Chicago to speak at the HOW Design Live conference, talks about how Adobe is using Adobe XD to integrate UX and UI design and prototyping into the product creation process for everyone from freelancers to big companies. He also discusses designers’ role in addressing the problems social media is facing, how artificial intelligence is beginning to play a role in design, and his podcast, Wireframe.
(The following has been condensed and edited for readability.)
Tell me a little bit about what you’re working on at Adobe these days.
Adobe XD is one of the main priorities at Adobe. We’re really passionate about the experience design space; really passionate about how product designers, UX/UI designers, they’re really kind of leading the way for how professional creativity is changing and XD is more than just an app, it’s a platform to help us build what designers need. So we see it as more than just a design app. It’s also prototyping and sharing, and so it’s really meant to help designers, and also the people who work with them, get more value out of the design process and be more productive in general.
Jason Snell, writing for Macworld on the announcement of Photoshop coming to iPad next year:
Adobe’s move to iPad instantly makes everyone who knows, loves, or relies on Photoshop a possible candidate for an iPad Pro. And make no mistake, the iPad Pro is already plenty powerful enough to run Photoshop, and with the Apple Pencil it’s got an input method that will satisfy most graphics pros. Even better, Adobe has said that it will be building in cloud syncing for Photoshop files, so that you’ll be able to seamlessly hand off projects directly from one device to another.
A lot of the criticism of the iPad Pro as a flawed tool for doing real work comes down to software. The hardware is capable—but where’s the software? These arguments have been weak for a while now—I think Microsoft Office for iPad is aces, and Apple’s iWork apps are remarkably capable, too—but with every major app that arrives on the platform, the quieter that criticism has to get. Adobe’s also bringing a simplified version of Premiere, called Premiere Rush, to the iPad. I wonder if Apple’s considering just how Final Cut and Logic might work on the iPad?
As I’ve been arguing for a while now, I believe we’re witnessing a shift in how tech companies – both platform owners and development studios – approach desktop and tablet software. Multiple factors – from better-looking displays and more powerful GPUs to cloud-based file management and subscriptions – are converging to make it possible to have a consistent app experience on every device you have without compromise. In this transition, iPad versions of desktop apps will be treated less like “companion” apps to a “real” desktop one and more like the same app, with the same features, optimized for touch and capable of adapting to the kind of computer it is running on (and adaptivity becomes especially important when you start considering external display output, for instance).
Photoshop, as Snell writes, is a first step. If Apple is truly pushing this vision forward, perhaps it’s time they also start treating the iPad as a place for real pro apps, not just companion utilities of macOS apps.
Today we announced Project Gemini—a focused new app focused specifically on drawing and painting. Building on Photoshop’s powerful brush engine, this new app combines powerful Photoshop brushes, precise and scalable vector brushes, and an entirely new category of groundbreaking Live oil and watercolor brushes – you’ve never seen anything like them. In addition, layers, selections, and masks enable the most modern non-destructive drawing and editing workflows.
Most importantly, though, we’ve built Project Gemini with the illustration community.
Kyle Webster, of KyleBrush.com, joined Adobe in 2017 to help build Gemini and act as an ambassador and advocate for the illustration community. Along with Kyle, a group of illustrators with diverse styles and backgrounds have been working closely with us to help Gemini achieve its potential.
According to the announcement post, the genesis of this new app was advancements in hardware that enabled Adobe’s team to build more powerful tools than were previously possible. They highlight “selection and masking tools, combined raster and vector drawing capabilities” as some examples.
I’m not in the target market for this app, but I’m excited to see Adobe continue to rethink how modern iPads can enable more powerful, yet accessible app experiences than before.
If you’d like to join the Gemini beta when it begins, Adobe has a short survey available for interested testers.
Earlier this year Adobe confirmed that it was working on a full-featured version of Photoshop for the iPad, but no real details on the product were given. Today that changed, however, as the app’s official announcement arrived alongside the kickoff of Adobe’s MAX conference.
Photoshop for iPad won’t arrive until some time in 2019, but when it does launch it will differ drastically from Adobe’s current lineup of Photoshop-related iOS apps. Rather than focusing on an individual subset of desktop features, like Adobe’s existing Photoshop Fix, Express, and Mix do, the aim with this forthcoming app is to provide the full desktop Photoshop experience on an iPad.
As part of its iPad efforts, Adobe has brought the same underlying codebase of Photoshop for desktop to iOS, and it has also worked to modernize PSD files for the cloud. These new Cloud PSDs will be the default file format on the new iPad app, offering a seamless file experience across multiple devices. Adobe’s chief product officer, Scott Belsky, told The Verge:
“Cloud PSDs, when we ship Photoshop on the iPad, will also run and automatically show up on your desktop…Suddenly, you’ll have this cloud-powered roundtrip experience akin to a Google Docs experience, where literally the source of truth of your Photoshop creation is in the cloud.”
Cloud PSDs will eliminate the need for importing or exporting files, removing a major friction point that currently stands in the way of working with Adobe’s apps on the iPad. With Creative Cloud’s automatic syncing of all files, you should be able to pick up editing on any device at any time without needing to do a thing.
When manual importing or exporting does make sense to your workflow, those options will still be available in Photoshop for iPad. The app will support file providers like iCloud Drive, Dropbox, and more. Based on the preview version of the app, it appears to support Files.app’s document providers, and I’m hopeful that iOS 11’s drag and drop features will be supported as another option for importing and exporting.
The Verge was granted a week of hands-on time with Photoshop for iPad, and has a great video that demonstrates the app in action. It appears very similar to Photoshop on desktop, with some adaptations made for OS differences like iOS’s lack of a menu bar. There are sure to be touch-optimized improvements offered too though, such as a gesture the video highlights where you can tap with two fingers on the screen to undo.
Though Adobe’s goal is full feature parity between desktop and iPad versions of Photoshop, the 1.0 release of Photoshop on iPad will lack certain features that will be added over time with future updates. That full list of missing features is unavailable at this time, but we’re sure to learn more as the launch approaches.
Photoshop for iPad will be available free to all Creative Cloud subscribers, but there’s no word currently on whether a standalone purchase or iPad-only subscription will be possible. It would be a strong vote of confidence in iPad-first users to make the app available for non-CC subscribers, but based on Adobe’s history that appears unlikely.
Today’s announcement highlights what an exciting time it is to be an iPad user. With new iPad Pro models expected to be announced in the coming weeks, and a reported focus on significant iPad features coming in iOS 13, there’s no time like the present for the full power of Photoshop to make its way to Apple’s tablet.
Bloomberg reports that its sources say that Adobe is working on full versions of its desktop Photoshop app and other Creative Cloud apps for the iPad. Although Adobe has not committed to the October unveiling and 2019 ship date also cited by Bloomberg’s sources, its Chief Product Officer, Scott Belsky did acknowledge that the company is working on a new cross-platform version of Photoshop and other apps. Bloomberg’s sources say Illustrator is one of the other apps being developed for the iPad, which they say will be released sometime after Photoshop.
Belsky, noting that newer versions of Apple’s iPad Pro line are now capable of running Photoshop, told Bloomberg:
“My aspiration is to get these on the market as soon as possible,” Belsky said in an interview. “There’s a lot required to take a product as sophisticated and powerful as Photoshop and make that work on a modern device like the iPad. We need to bring our products into this cloud-first collaborative era.”
The addition of Photoshop and other Creative Suite apps to the iPad would be a significant step forward for the tablet’s push into the pro user market. Currently, only Microsoft’s Surface line of tablets is capable of running a fully-functional version of Adobe’s pro apps, making it the default choice for creative professionals who want to use Creative Suite on a tablet.
Adobe announced today that it has set the end-of-life date for Flash, its popular technology for displaying animations and other multimedia on the web.
Adobe is planning to end-of-life Flash. Specifically, we will stop updating and distributing the Flash Player at the end of 2020 and encourage content creators to migrate any existing Flash content to these new open formats.
Apple has a long and storied history with Adobe and, more pointedly, Flash. When the first iPhone launched ten years ago, one of the chief controversies at the time surrounded the fact that Safari on iPhone OS did not support Flash, and Steve Jobs made it clear that it would not support Flash.
This stance grew into more of a sticking point for prospective consumers in 2010 when Apple’s new tablet, the iPad, did not support Flash either. Sparked by the newly revised controversy, Jobs laid out his thoughts on the issue in a piece simply titled “Thoughts on Flash.” His closing words predicted the technology could not survive in an increasingly mobile-first landscape.
Flash was created during the PC era – for PCs and mice…New open standards created in the mobile era, such as HTML5, will win on mobile devices (and PCs too). Perhaps Adobe should focus more on creating great HTML5 tools for the future, and less on criticizing Apple for leaving the past behind.
Yesterday, Google announced that its Chrome browser will begin blocking Flash that runs in the background of webpages in September and make HTML5 the ‘default Chrome experience’ in December. According to Google:
Today, more than 90% of Flash on the web loads behind the scenes to support things like page analytics. This kind of Flash slows you down, and starting this September, Chrome 53 will begin to block it. HTML5 is much lighter and faster, and publishers are switching over to speed up page loading and save you more battery life. You’ll see an improvement in responsiveness and efficiency for many sites.
In December, Chrome 55 will make HTML5 the default experience, except for sites which only support Flash.
It has been more than six years since Steve Jobs penned an open letter titled ‘Thoughts on Flash,’ in which he concluded:
Flash was created during the PC era – for PCs and mice. Flash is a successful business for Adobe, and we can understand why they want to push it beyond PCs. But the mobile era is about low power devices, touch interfaces and open web standards – all areas where Flash falls short.
The avalanche of media outlets offering their content for Apple’s mobile devices demonstrates that Flash is no longer necessary to watch video or consume any kind of web content. And the 250,000 apps on Apple’s App Store proves that Flash isn’t necessary for tens of thousands of developers to create graphically rich applications, including games.
New open standards created in the mobile era, such as HTML5, will win on mobile devices (and PCs too). Perhaps Adobe should focus more on creating great HTML5 tools for the future, and less on criticizing Apple for leaving the past behind.
Jobs’ open letter was controversial when it was published. In 2010, Flash was everywhere, serving much of the video on the web and acting as a platform for online gaming. HTML5 was making headway, but it was the clear underdog.
Adobe’s initial response to Jobs came from none other than Kevin Lynch, who was the CTO of Adobe in 2010, but is now a Vice President of Technology at Apple, leading the development of watchOS. Lynch announced that Adobe was shifting its focus away from the iPhone and iPad in favor of implementing Flash on Android and other mobile platforms.
Flash never got a firm foothold in the mobile world. Roughly eighteen months after Jobs’ open letter, Adobe abandoned Flash for mobile and began to embrace HTML5. Since then, HTML5 has been incorporated into many of Adobe’s products and Adobe has actively participated in its development. The decline of Flash on PCs has been slower, but is likely to accelerate given Chrome’s browser market share, which, according to NetMarketShare, exceeds 50%.
Chrome is notoriously hard on laptops’ battery life. In what struck me as a significant understatement, Google says that:
Aside from [being prompted to enable Flash on Flash-only sites], the only change you’ll notice is a safer and more power-efficient browsing experience.
In a consumer PC market dominated by laptops, better battery life and safety may be the ‘only’ benefits users will notice, but they are nonetheless significant.