Zane Lowe’s Return to Radio

Writing for NME, Al Horner makes a good point about Zane Lowe’s debut on Beats 1:

You’d have been forgiven for thinking the almost violently enthusiastic Zane would return to the air a different DJ - same energy but maybe, now he’s broadcasting to more than 100 countries, a little tamer in his music selection. That fear was put to bed almost instantly: this introductory show, which let’s face it, given the notoriety around Apple, had probably tens of thousands of listeners tuning in to see what all the fuss is about, kicked off with Manchester newcomers Spring King. Who? Exactly. The message was loud and clear: the New Zealander might have moved to Los Angeles to take up a position at the biggest tech firm on God’s green Silicon Valley, but he’s lost none of his commitment to new music, predominantly from the UK, with five of his first 10 songs back in the booth by British artists.

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Apple Conspired with Book Publishers, Appeals Court Confirms

The US Court of Appeals for the Second Circuit today upheld 2-1 the 2013 verdict that found Apple and major publishing companies conspired to fix e-book prices.

As noted by Fortune, Apple’s argument that the Department of Justice was misguided to target Apple when Amazon was dominant didn’t convince the majority:

That argument, however, appears to have carried little sway with Judge Livingston who argued that Apple and the publishers could not rationalize their behavior on the grounds they were challenging Amazon:

“Plainly, competition is not served by permitting a market entrant to eliminate price competition as a condition of entry, and it is cold comfort to consumers that they gained a new ebook retailer at the expense of passing control over all ebook prices to a cartel of book publishers,” Livingston wrote.

There’s no doubt that this is a complicated issue, fraught with many valid but opposing arguments. Ultimately though, I can’t help but agree with the end result and this section was particularly persuasive to me, from page 98 of Judge Livingston’s judgement (courtesy of The Wall Street Journal):

Because of the long‐term threat to competition, the Sherman Act does not authorize horizontal price conspiracies as a form of marketplace vigilantism to eliminate perceived “ruinous competition” or other “competitive evils.” Indeed, the attempt to justify a conspiracy to raise prices “on the basis of the potential threat that competition poses … is nothing less than a frontal assault on the basic policy of the Sherman Act.” And it is particularly ironic that the “terms” that Apple was able to insist upon by organizing a cartel of Publisher Defendants to move against Amazon — namely, the elimination of retail price competition — accomplished the precise opposite of what new entrants to concentrated markets are ordinarily supposed to provide. In short, Apple and the dissent err first in equating a symptom (a single‐retailer market) with a disease (a lack of competition), and then err again by prescribing the disease itself as the cure.

Apple could still appeal the decision to the Supreme Court, but it is not a certainty that the Supreme Court would agree to hear the case. In response to today’s ruling an Apple spokesperson issued this statement to Fortune:

“Apple did not conspire to fix ebook pricing and this ruling does nothing to change the facts. We are disappointed the Court does not recognize the innovation and choice the iBooks Store brought for consumers. While we want to put this behind us, the case is about principles and values. We know we did nothing wrong back in 2010 and are assessing next steps.”

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Migrating from Beats Music to Apple Music

Like many others today, I started the three-month free trial of Apple Music. I’m curious to check out Apple’s streaming service combined with curation, Beats 1, and Connect features, and I’ve been eagerly anticipating this product for quite some time. I’ve been listening to music via streaming services since I found a way to start using Spotify in 2009, so when a big player like Apple enters this market, I pay attention.1

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Trent Reznor on Apple Music

Rolling Stone has published an interview with Trent Reznor on Apple Music, Beats 1, and streaming services for artists and fans. It’s a good one:

I think it’s going to be an interesting experiment. But it’s one that we’re going into uncompromised, and that’s what I’m really proud of. I like that a company that is as successful and big and powerful and wide-reaching as Apple would have the faith in our artistic vision that we collectively have to try something that’s not going out with, “Well, we wish we would have done this,” but, “This is really what we think is the coolest thing we could do is.” And I mean it’s certainly been worth my time taking time off from Nine Inch Nails to focus on trying to make this experience great.

​And on curation:

When you hear the word “curation,” which is being thrown about by pretty much everyone, there is a difference between saying, “Here’s a ton of playlists that we’ve done,” and a sense of quality that comes from, say, Amoeba [Records] where I walk in there and look at the staff recommendations. [With Amoeba] I can tell that somebody – a collection of people whose lives revolve around music – spent a lot of time curating that list. And when I walk into the reggae section, which I don’t know that much about but I’m interested in the dub section, I can see that people have curated and presented that stuff in ways that make it a more exciting starting point for me to get into and it weeds out stuff that’s more difficult.

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Apple Releases OS X 10.10.4

Also earlier today, Apple released the latest version of OS X. Andrew Cunningham details a welcome change:

The first change in OS X 10.10.4 is to “networking reliability,” which is likely a reference to the replacement of discoveryd, a new-but-flaky DNS service introduced in Yosemite. It has been replaced with what appears to be mDNSresponder, the service that handled discoveryd’s tasks in previous versions of OS X.

According to Apple, iCloud Photo Library in the Photos app should be more responsive now, too.

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Apple Releases iOS 8.4

Apple's new Music app.

Apple’s new Music app.

Apple has released iOS 8.4 today, bringing a redesigned Music app with Apple Music support, audiobook listening features for iBooks and CarPlay, and iBooks Author textbook support on iPhone.

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Early Impressions of Apple Music from Re/code and Mashable

Apple Music and the Beats 1 radio station launch today in just a few short hours. But Apple yesterday gave Re/code and Mashable an early look at the new service and they’ve just published their first impressions.

Walt Mossberg at Re/code writes:

Apple has built a handsome, robust app and service that goes well beyond just offering a huge catalog of music by providing many ways to discover and group music for a very wide range of tastes and moods.

But it’s also uncharacteristically complicated by Apple standards, with everything from a global terrestrial radio station to numerous suggested playlists for different purposes in different places. And the company offers very little guidance on how to navigate its many features. It will take time to learn it. And that’s not something you’re going to want to do if all you’re looking for is to lean back and listen.

Christina Warren of Mashable also got an advance preview:

It’s hard for me to over-stress how much I like For You. From the very beginning, the recommendations in playlists and albums that the app showed me were dead-on accurate, reflecting my various musical interests.

Straight out, I was given a recommendation of a Taylor Swift love ballad playlist and albums from The Kinks, Sufjan Stevens, Elliot Smith, The Shins, Miguel and Drake. So basically my musical brain.

Jim Dalrymple also got a chance to interview Apple’s Eddy Cue and Jimy Iovine:

Jimmy shocked me a bit when he said, “Radio is massive.” I considered radio to be like magazines—steadily going downhill for the last decade or so. However, Iovine said that 270 million people in America still listen to radio, adding jokingly, “I didn’t think there were that many people that had a radio.”

Cue and Iovine explained that the problem with radio was not the fact that people didn’t like it, but rather that too much advertising and radio station research into what songs were popular was flawed. Songs that weren’t popular right away were pulled, based on research, so you listen to the radio and hear the same songs all the time.

As Cue pointed out, Technology limited the ads, but it also eliminated the DJ, something many people enjoyed.

Update: USA Today also got an early look:

Not all the artists whose music is available for purchase in iTunes are also available for streaming, most notably The Beatles: “There always some folks to come later that we would all like,” Cue says. “Over time I certainly would expect the Beatles to be there.” Of course if you own the Beatles music it can reside next to the on-demand tracks in the library.


Apple Watch and the Killer App Crisis

Smart take by Ken Segall on Apple Watch:

Well, here’s the stark reality: The Apple Watch has no killer app. And it will never have a killer app.

But anyone who hinges the success of the device on the idea of a killer app is living far, far in the past.

If you need any proof, just look at the iPhone. We can all agree it started one of the biggest technology revolutions of our time. So … what’s the killer app?

This is exactly how I look at the iPad, too. I have a feeling Apple Watch will follow the same path – especially after watchOS 2.

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