In a world of ever-increasing video game complexity, some games stand out as being ones that can captivate despite high-def graphics and intense gameplay. It’s certainly not easy, of course, and the ones that try have their work cut out for them.
After becoming addicted to Thumb.Run over the past week, the speedy racing game has caught my eye as a fulfillment of what’s mentioned above.
People talk about how an Apple product such as the iPhone having a halo effect on customers. If you buy an iPhone and like it, the theory goes, you’re more inclined to buy another Apple device, like a MacBook. This theory has certainly proven true in my experience – since buying my first iPhone (my first Apple product) in 2007, I’ve bought numerous other Apple products and subscribed to numerous Apple services in the subsequent years. Put another way, I was entrenched in the Apple ecosystem long before I started covering the company for a living.
Recently, a different kind of halo effect has settled on me. I’ve been using an iPad Pro for the past several weeks, and absolutely love it. Like Federico, the iPad is my computer of choice because of my deep familiarity with iOS and the ways in which working from a touchscreen device makes computing more easily accessible.1 Coming from my old iPad Air 1, iPad Pro has intensified my affinity for the iPad and iOS in general. It has impressed not merely by its technical or software merits, but by one seemingly obvious thing: its screen.
Cade Metz published a Dropbox profile for Wired, detailing how the company migrated to their own storage infrastructure:
Cowling and crew started work on the Magic Pocket software in the summer of 2013 and spent about six months building the initial code. But this was a comparatively small step. Once the system was built, they had to make sure it worked. They had to get it onto thousands of machines inside multiple data centers. They had to tailor the software to their new hardware. And, yes, they had to get all that data off of Amazon.
The whole process took two years. A project like this, needless to say, is a technical challenge. But it’s also a logistical challenge. Moving that much data across the Internet is one thing. Moving that many machines into data centers is another. And they had to do both, as Dropbox continued to serve hundreds of millions of people. “It’s like a moving car,” says Dan Williams, a former Facebook network engineer who oversaw much of the physical expansion, “and you want to be able to change a tire while still driving.” In other words, while making all these changes, Dropbox couldn’t very well shut itself down. It couldn’t tell the hundreds of millions of users who relied on Dropbox that their files were temporarily unavailable. Ironically, one of the best measures of success for this massive undertaking would be that users wouldn’t notice it had happened at all.
People who are really serious about cloud storage should make their own hardware and software, I guess.
HBO’s Last Week Tonight with John Oliver tackled the Apple-FBI fight over encryption in this week’s episode and did a phenomenal job. As always, Oliver uses humour as a tool to help illuminate the absurdity of various propositions, whilst also keeping people engaged when the topic is dry or complicated. As a result, this 17 minute video is perfect for anyone, even if you haven’t been paying much attention to this encryption debate so far.
You can watch the video on YouTube, but be warned it is NSFW. For those of you in countries where the video is geo-blocked (ugh), you should also be able to view it on the Last Week Tonight Facebook page.
Be sure to stick around to the end as there’s a brilliant satirical Apple advert that you really have to see.
When it launched in October with support for streaming and chapters, Overcast 2’s patronage model was positioned as a way to directly support the app without the promise of anything exclusive in return. With Overcast 2.5, launching today on the App Store, Marco Arment is introducing the first features available only to Overcast patrons: a dark theme, and the ability to upload audio files to Overcast’s cloud.
There was a time when I would download just about any photo editing app and give it a try. But like many things, I found that having too many tools led to paralysis of choice. I would want to edit a photo, but I couldn’t decide which app had just the right filters I was looking for.
These days I use the built-in Photos app for most of my photo editing, but I keep a handful of other apps around, and periodically add one or two to the mix on a trial basis. Not many of those trial photos apps stick, but recently I’ve been trying Black by Peter Stojanowski, which features ten attractive black and white filters based on classic film types and a few manual controls, and it’s stuck with me.
It can be easy to lose track of how technology changes lives. Apple takes great care to make products that are accessible, leading by example, and encouraging third-party developers to embrace accessibility, both at WWDC, and by maintaining APIs that make it easy to do so.
But the technical details are impersonal and abstract, which is why it is good to reflect on the real impact Apple’s efforts have on individuals. James Rath, a 20-year-old filmmaker who was born legally blind, made a short film about what the accessibility features across all of Apple’s products have meant to him since he and his family made an impromptu visit to an Apple Store in 2009:
Billings Pro is a time-tracking & invoicing app for the Mac, iPad, iPhone & Apple Watch. It’s great for freelancers and small businesses such as consultants, lawyers, designers, or photographers who need an easy way to keep track of time spent on client work and a fast way to produce professional-looking invoices.
Billings Pro syncs all your devices across all your team members, so you can track time for a project while out on your iPhone while a team member tracks time on their Mac at the office. It supports 3D Touch, making it quick and easy for you to start a new timer or jump to a recent one, and includes a handy widget that lets you manage your Billings Pro timers within Notification Center. Easily add comments to your slips so you remember all the details of the work you did during that time.
After the work is done, Billings Pro makes it really quick and simple to invoice – whether you’re creating the invoice from your Mac, iPhone, or iPad. You just select the time slips, pick an invoice template, and send. You can also add expenses or bill by flat rate. Comments jotted down on your time slips can be added to the invoice so your client has a clear understanding of the work you did – which means you get paid faster, with fewer questions.
Read about other Mac users using Billings Pro here or experience Billings Pro for yourself with a free 30 day trial.
Our thanks to Marketcircle for sponsoring MacStories this week.
James Vincent, writing for The Verge on Philips’ new set of Hue bulbs:
Are you a light connoisseur? Can you tell the difference between “cool daylight” and “warm white”? If so, Philips has just announced what could be your next favorite lightbulb: the Philips Hue white ambiance. The company promises that the white ambiance delivers “every shade of white light” from color temperatures of 6,500 k to 2,200k. And by hooking up the bulbs to the new Philips’ Hue app, you can use the “Routines” feature, which shifts the color temperature of the bulb as the day progresses, supposedly leading to better sleep.
Sounds like a good companion for the upcoming Night Shift in iOS 9.3. I’ve already been dimming my Hue lights manually after Night Shift turns on, so I should probably upgrade to these bulbs in my living room. They’ll be available in the US this Spring.
