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iA Writer 5.5

iA Writer, my favorite text editor for all Apple platforms (which I still use as the central piece of my Markdown collaboration workflow via GitHub), has been updated today to version 5.5 both on Mac and iOS/iPadOS. I’ve been testing this version for quite some time (it’s the update I originally mentioned in my Modular Computer story back in April), and there are some fantastic details worth pointing out.

On iPad, the app can now be fully controlled with the trackpad. Besides obvious support for clicking toolbar buttons and other elements in the app’s UI, trackpad support includes the ability to swipe horizontally with two fingers to show/dismiss the Library sidebar (which I do all the time now) and – my favorite touch – support for clicking a document’s name in the title bar to rename it. I’m so used to these two new pointer features in iA Writer 5.5, I wish more iPad apps adopted them.

Version 5.5 also brings support for highlighting text inside a document by surrounding it with two equal signs – e.g. ==like this==. Highlighted text will turn yellow, and it’s impossible to miss. When I used Scrivener to write one of my iOS reviews years ago, the ability to highlight text in the editor was one of my favorite options to mark specific passages for review; with iA Writer 5.5, I can now highlight text and have a clear visual indication without giving up on the Markdown syntax. Even better: there’s a new ⌘⌥= keyboard shortcut to toggle highlighted text.

Among a variety of other updates (you can read more about them on the developers’ blog), iA Writer 5.5 also comes with a powerful PDF preview (which supports custom templates, so I can export my drafts as PDFs that look like the MacStories website) and the ability to show multiple stats in the editor at once. Thanks to the latter option, I can now see my word and open task count at once while I’m editing a story.

I’ve been using iA Writer as my only text editor for two years now, and I’m continuously impressed by the thoughtfulness and attention to modern iOS/iPadOS technologies that goes into the app. You can get iA Writer 5.5 on the App Store and read more about my writing setup based on iA Writer, Markdown, and file bookmarks here.

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Directive: A Terrific Way to Manage Recurring Maintenance Tasks

When I look back at the apps I’ve used over the last several years, there is an unmistakable ebb and flow between generalized apps that try to do and be everything and those that don’t. The former type has the benefit of reducing the overhead of having to track data in multiple apps by centralizing it. However, the focus of the latter often allows them to fulfill a particular need better than a general-purpose app ever could. Directive, a new app released today by LittleFin on the iPhone, iPad, and Mac, is a perfect example of a thoughtfully-designed, focused utility for managing recurring maintenance tasks.

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Apple Releases Substantial Update to Logic Pro X and Logic Remote

Apple has released a substantial update to Logic Pro X for macOS and the Logic Remote companion app for iOS and iPadOS that is focused on loops, sampling, and beat creation. According to Susan Prescott, Apple’s vice president of Apps Product Marketing:

Logic Pro X 10.5 represents the biggest update to Logic since the launch of Logic Pro X, with powerful new tools that will inspire every artist — from those just getting started with Logic, to those already using it to produce Grammy Award-winning albums.

Finneas O’Connell, Billie Eilish’s producer, says:

Logic Pro X has always been my one and only DAW. The workflow is unmatched, and the built-in sound libraries have been essential to my music from the beginning. Now with the addition of Quick Sampler and Drum Machine Designer, I’m getting back hours I used to spend in the studio building sounds and kits. This lets me spend more time writing new verses and editing 70-take vocals.

Source: Apple

Source: Apple

The update emphasizes non-linear production workflows that rely on loops, samples, and drum machine design, a departure from Logic Pro X’s historically timeline-focused approach.

With the new Live Loops tools, Apple says:

Loops, samples, and recordings can be organized into a new musical grid, where musicians can spontaneously perform and capture different arrangement ideas into the timeline. From there, tracks can be further refined using all of the professional production features in Logic.

Sampler is a backward-compatible, redesigned expansion of existing Logic tools to “edit sophisticated multisampled instruments, using elegant drag-and-drop workflows that automate complex production tasks.”

For beat creation, Logic offers Step Sequencer, Drum Synth, and Drum Machine Designer. Step Sequencer is an editor that Apple describes as inspired by drum machine workflows, Drum Synth is a collection of software-generated beats, and Drum Machine Designer is Logic’s drum kit tool that now integrates with both Quick Sampler and Drum Synth, providing more control over editing kits and integrating with the new Step Sequencer.

Source: Apple.

Source: Apple.

Finally, Apple is updating Logic Remote, the free iOS and iPadOS companion apps to Logic Pro X. The update will allow musicians to browse and add loops, trigger Live Loops, and apply Remix FX to a session.

Logic is available on the Mac App Store for $199.99. Additional information about the update is available on Apple’s dedicated Logic webpage.


Book Track Adds Reading Status, Statistics, Quote Entries, and More

Earlier this year I reviewed Book Track, a new book library manager that debuted across iPhone/iPad and Mac. I noted that the app offered a strong foundation to build upon, but its young age showed in the absence of several valuable features. One such feature, library importing, has been added since then, and today’s 1.2 update introduces a handful of excellent additions as well: reading status, statistics, quote entries, and loan status. This promising app is evolving faster than I had even hoped.

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Concepts: Where Ideas Take Shape [Sponsor]

Concepts is a powerful creative ally to help you think, explore, and sketch your ideas. Stretch your mind past the limits on an infinite canvas, using fluid pens and brushes in designer COPIC colors. Used by creative professionals for note-taking, mind mapping, drawing, storyboarding, graphic design, product iteration, and architectural planning, Concepts lets you sketch, communicate and present your ideas with a flexible, customizable workflow.

Built from the ground up for iPad’s touch interface, Concepts combines vector drawing with natural touch gestures to maximize your creativity. Everything you draw can be edited, moved, and reorganized, allowing you to interact with your ideas at a deeper level. Drag and drop images and objects for fast ideating and mood boards, use layers, and grid layouts to organize your work and apply shape guides, measurement, and scale features for more precision drawing.

Concepts comes with a free, built-in presentation mode that lets you connect via AirPlay or cable to a large display for graphic discussion and sharing during events. It works with apps like Zoom or Reflector for instant virtual whiteboarding too. Once final, export and share multiple file types (JPG, PNG, SVG, PDF, DXF, PSD) for flexible work between teams and apps.

The app comes free as a basic sketching tool, with the ability to unlock 200+ libraries of brushes, objects, and services via subscription or one-time purchase. Sketch, explore, and share your ideas infinitely with Concepts.

Download Concepts today for free and give it a try. To learn more about how Concepts can help you explore your ideas, visit concepts.app.

Our thanks to Concepts for sponsoring MacStories this week.


A Shortcuts Wishlist

I wish I could quote a single section of Jordan Merrick’s Shortcuts wishlist, but I can’t because I agree with all of it. If you’re a heavy Shortcuts user, you’ve likely come across at least a couple of the limitations Merrick points out (lack of folders and struggling to navigate long shortcuts).

As we look ahead at WWDC 2020, it’s also a good time to link back to my What’s Still Missing from Shortcuts section from the iOS and iPadOS 13 review. Hopefully, a few items will be checked off this list in iOS 14.

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MacStories Unwind: An Interview with Craig Federighi and Picking an iPad Pro

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This week on MacStories Unwind:

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Club MacStories

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My 11-inch iPad Pro Experiment

If you’re in the market for an iPad Pro, choosing the ideal model size is not easy. It used to be simpler, back when the big option was made bigger by its bezels, and the small option had a significantly smaller display. I’ve used a 12.9-inch iPad Pro as my primary computer for five years, and have been very happy with it, but as the smaller iPad Pro’s display has grown, I’ve become more intrigued by it.

2017’s 10.5-inch iPad Pro was the first smaller model that tempted me. 2016’s 9.7-inch simply wasn’t enough; as an iPad user since 2010, I knew what a 9.7-inch display was like, and it wasn’t suited for my needs as a primary computer. But the screen bump in 2017 was intriguing, so I gave it a test run for a couple weeks. My takeaways: it was a fine device, but Split View was a bit too cramped, and since I mainly used my iPad at home rather than lugging it around regularly, sticking with the larger model made more sense for my needs.

Recently, however, I embarked on another test of the smaller iPad Pro. On the latest episode of Adapt, the iPad-focused podcast I do with Federico, I challenged us both to try doing our work on the 11-inch iPad Pro rather than our usual 12.9-inch setups. In my mind, it was the perfect time to try the smaller size again because a lot has changed since my 2017 experiment.

First, the smaller iPad Pro’s display has gotten larger yet again. The gap between 11 and 12.9 inches is relatively narrow. Also, while the current pandemic has forced me to work from home more than ever, prior to this global crisis I was taking my iPad on the go more regularly. In 2017 I lived in the suburbs of Dallas, whereas now I call Manhattan home, so it’s much easier to just walk out my front door and visit a local coffee shop, park, or some other public space to get work done.

Finally, the concept of the iPad as a modular computer has been another motivator to try the 11-inch model. I normally use my 12.9-inch iPad Pro exclusively in “laptop mode” with a hardware keyboard attached. But lately I’ve been wondering if that approach is too limited, causing me to miss out on the full potential of the device’s versatility. Using my iPad Pro not just as a laptop, but also as a tablet or in a desktop configuration sounds intriguing, and for several reasons I’ll detail later, I think the 11-inch model is better suited to these alternate setups.

My Apple Store haul.

My Apple Store haul.

So a few weeks ago I ordered an 11-inch iPad Pro alongside the Magic Keyboards for both the 11- and 12.9-inch models; I also bought a USB-C Digital AV Multiport Adapter so I could connect my iPads to an external display. All of these purchases made possible a comprehensive comparison of the two iPad Pro sizes, spanning tablet, laptop, and desktop configurations, for the purpose of determining which iPad was best for me. As I mentioned, I was already pretty happy with my 12.9-inch model, so my focus was especially on trying the 11-inch and evaluating its unique strengths.

Here is what I learned from my experiment, and my decision on the iPad I’ll be using moving forward.

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