On this week’s episode of AppStories, we talk about the Apple Watch apps we use and how our use of the Watch has changed as the product has evolved.
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AppStories, Episode 33 – What’s on Our Apple Watches?→
Canvas, Episode 49: Long-Form Editors – Honorable Mentions→
In this episode, we wrap up our look at long-form editors with a look at the honourable mentions for other interesting apps on iOS.
In the final episode of our long-form writing mini-series on Canvas, we take a look at Editorial, 1Writer, Pages, and more. You can listen here.
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In Search of the Perfect Writing Font→
The folks at iA have been looking for new font to use in their iA Writer app (version 5.0 for iOS was launched just a couple of weeks ago), and they settled on the idea of a duospace font:
This year, again, we set out exploring our own writing font. We started from scratch, moved from proportional to monospace to three spaces (50% for i and j) and ended up with duospace for MWmw. Progressively, we came to realize that the right question is how to make a proportional font look like a monospace, but how many exceptions you allow until you lose the benefits of a sturdy monospace.
With Latin characters you need to free the m’s from their obsolete mechanical straight jacket. What about the w’s then? And if you give room to lower case letters, what about their parents? The M and the w look alright in mono, no? They almost look better, even… Well, not next to a free m. In Cyrillic, there are a couple of characters more that need breathing room. If you give 150% to the letters w, W, m, and M, you get a text image that has almost all benefits of a monospace font, but the text flows nicely. And born was the duospace concept.
Duospace is a notion familiar from Asian fonts where there are single and double width characters. Our candidate is a bit different. It offers single and four 1.5 width characters.
I’ve always loved the thought and care that goes into iA Writer’s typography. In fact, I like iA Writer’s approach so much, I bought the Nitti family last year and have been using it as my writing font in Ulysses since. Standard Nitti looks terrific in Ulysses, but the new iA Writer Duospace (which is based off the recently released IBM Plex) is gorgeous as well. I mean, just take a look at this.
I’m going to experiment with iA Writer Duospace as my writing font in Ulysses for a few weeks. Installing custom fonts in Ulysses for iOS is easy: go to the GitHub page, download each one, and open them in Ulysses (with the share sheet) to install them. Alternatively, I recommend using AnyFont to make custom fonts available system-wide in any native font picker for iOS.
Dual Lens Switching on iPhone X→
Dan Provost of Studio Neat (makers of the excellent Glif) ran some tests to analyze the low-light performance of the iPhone X’s telephoto lens:
Last year, when the iPhone 7 Plus was released, Glenn Fleishman wrote a terrific piece for Macworld about how the dual lens camera system works. In short, when you zoom-in to 2X, the camera does not always switch to the telephoto lens. In some cases (typically in low light scenarios), you will be presented with a cropped image from the wide angle lens instead. This was sacrilege to camera nerds, but Apple would argue that if the cropped image looks better in those low light situations, then that is the correct approach.
Results are impressive:
As you can see, the iPhone X required very little light before it decided to use the telephoto lens. The iPhone 7 Plus required quite a bit more. I used the app Light Meter to measure the light at each interval, which I denote in the video. The app measures the lux, which is a measure of illuminance equal to one lumen per square meter. (I measured from both devices and averaged the results, as the readings were slightly different. I wouldn’t expect an app to function as well as a true light meter, but this probably gets us in the ball park).
Make sure to check out the video to see the lens switching in action. The difference between the iPhone 7 Plus and the X is substantial when it comes to the amount of light required for the system to pick the telephoto lens.
Connected, Episode 169: Really Regular Nightstand→
Stephen is struggling with a lot of things and makes a task management confession, but Federico broke his iPhone X, so it all comes out in the wash. Oh, and Myke is gone, so don’t tell him he was right about the HomePod being delayed.
On this week’s Connected, Stephen and I talk about the iMac Pro, task managers and smart speakers (again), and my broken iPhone X. You can listen here.
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What Face ID Means for Accessibility→
Steven Aquino on the accessibility implications of Face ID on the iPhone X:
The way Apple has built Face ID, hardware- and software-wise, into iOS quite literally makes using iPhone a “hands-free” experience in many regards. And that’s without discrete accessibility features like Switch Control or AssistiveTouch. That makes a significant difference to users, myself included, whose physical limitations make even the most mundane tasks (e.g., unlocking one’s device) tricky. As with so many accessibility-related topics, the little things that are taken for granted are always the thin
The combination of Face ID with Raise to Wake (or, arguably, the simplicity of Tap to Wake) truly sounds like a remarkable improvement accessibility-wise, perhaps in a way that we didn’t foresee when we started speculating on Apple abandoning Touch ID. Hands-free unlocking is one of my favorite aspects of the iPhone X experience so far.
AppStories, Episode 32 – Apps and Good Intentions→
On this week’s episode of AppStories, we consider why some apps sit unused in ‘folders of good intentions’ on our iOS and macOS devices.
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Following Spotify Playlist Curators Around New York’s Live Music Scene→
In an otherwise boring conversation about some press release or another, a Spotify PR person mentioned to me that an artist who had a big hit on the platform’s Fresh Finds playlist was discovered when one of the curators just happened to see them play a show in Bushwick. I was as surprised as anyone really can be by an email from corporate PR.
Fresh Finds is one of Spotify’s prized products, a weekly playlist crafted from a combination of two different data inputs: it identifies new, possibly interesting music with natural language processing algorithms that crawl hundreds of music blogs, then puts those songs up against the listening patterns of users their data designates “trendsetters.” What’s going to a show in Bushwick have to do with it? I had visions of a bunch of suits using their business cards to get into cool shows for no reason other than to feel like Vinyl-era record execs for a night. It seemed extremely redundant, and more than a little like posturing. Why bother?
“It’s basically their job,” I was told. Okay but, excuse me, how is that a playlist curator’s job? To find out, I asked if I could tag along with on a few of them on their nights out. I did not expect the answer to be yes, mostly because I thought it should be obvious that my intention was to point out how weird the whole thing was.
But the answer was yes. So, for three weeks, I went with Spotify playlist curators to live performances in Chinatown, Bushwick, and an infamous club on the Lower East Side. I got dozens of half-answers to the question: Why are you here?
Fascinating story by Kaitlyn Tiffany for The Verge on how Spotify is sending curators to live music shows – a process that, according to the company, informs the platform’s tastemakers on what later ends up in popular playlists. As she argues, it’s easy to imagine how Spotify may be planning a lot more behind the scenes.
“A Path That Leads to Failure”→
Jony Ive, talking about the removal of the Home button on the iPhone X in an interview with TIME:
How does Apple decide when it’s time to move on? It’s not a decision to get rid of an existing technology as much as it’s a willingness to accept that what’s familiar isn’t always what’s best. “I actually think the path of holding onto features that have been effective, the path of holding onto those whatever the cost, is a path that leads to failure,” says Ive. “And in the short term, it’s the path the feels less risky and it’s the path that feels more secure.”
As someone else put it 7 years ago – “sometimes you just have to pick the things that look like they’re going to be the right horses to ride going forward”.