Federico Viticci

10781 posts on MacStories since April 2009

Federico is the founder and Editor-in-Chief of MacStories, where he writes about Apple with a focus on apps, developers, iPad, and iOS productivity. He founded MacStories in April 2009 and has been writing about Apple since. Federico is also the co-host of AppStories, a weekly podcast exploring the world of apps, Unwind, a fun exploration of media and more, and NPC: Next Portable Console, a show about portable gaming and the handheld revolution.

Ivory for Mastodon Review: Tapbots Reborn

Ivory for Mastodon.

Ivory for Mastodon.

There’s an intangible, permeating quality about Tapbots apps that transcends features and specs: craftsmanship. With Ivory, launching today on the App Store for iPhone and iPad, you can instantly appreciate that level of care and refinement that the Texas-based duo is well known for after more than a decade on the App Store. But there’s something else, too: for the first time in a few years, it feels like Mark and Paul are having fun again.

Ivory is a Mastodon client, and it’s tricky to evaluate it right now because its version 1.0 is launching under extraordinary circumstances.

As we’ve documented on MacStories, Twitter’s idiotic new “leadership” recently decided to unceremoniously and crassly put an end to third-party clients such as Tweetbot with no warning, which forced Tapbots to scramble and figure out a solution on how to discontinue Tweetbot while dealing with subscription renewals while also accelerating the timeline for the launch of Ivory, which they’d been working on for months. I’ve been following the development of Ivory very closely (I’ve been using the app as my main Mastodon client since its first alpha in late November), and I know that the Ivory 1.0 launching today isn’t the debut version Mark and Paul were envisioning. By Tapbots’ own admission, there’s still a lot of work to do on Ivory, but given how the Twitter situation evolved, they had to ship something. There is already a roadmap on Tapbots’ website for Ivory, if you’re curious to know what the developers are planning for the foreseeable future.

As I was saying above, however, there’s something else about Ivory that, in many ways, makes today’s release an important milestone in our community worth documenting and celebrating. Ever since we at MacStories decided to abandon Twitter, we’ve gone all-in on Mastodon and, broadly speaking, we want to embrace the idea of decentralized and federated social media. Over the past few weeks, I’ve seen hundreds of other people I used to follow on Twitter do the same. I believe we’re witnessing the beginning of a new social networking era, and even though Mastodon has been around for a few years, many of us (myself included) are only realizing now that we should have paid attention to this kind of technology years ago.

For the second time since I started MacStories in 2009, I can observe developers imagining what interfaces for reading and posting status updates on the web should look like. New conventions are being created as we speak, and we are, once again, witnessing the rise of a vibrant ecosystem of third-party apps designed for different needs, platforms, and people. Only, this time, there is no single company that controls the fate of all this.

So that’s the something that makes the release of Ivory a special one in the Apple community. More than a reactionary “what if Tweetbot, but for Mastodon” move, Ivory marks a new beginning for Tapbots in a way that Netbot never was. (If you know, you know.) We’re living in new and exciting times for indie apps, and I think that you can feel it when the creator of an app feels the same way. Ivory exudes enthusiasm. Even though it’s not the most feature-rich client I’m testing right now, it’s the one I’m constantly drawn towards. Ivory is going to establish a baseline for quality and polish on iOS and iPadOS; it’s the app future Mastodon clients for iPhone and iPad (and, hopefully soon, Mac) will have to measure up against.

Ivory is the start of a new chapter for one of the most beloved indie studios in our community. So let’s take a look.

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Imagining Apps for an Apple VR Headset

AppStories+ Deeper into the world of apps

AppStories Episode 313 - Imagining Apps for an Apple VR Headset

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40:21

AppStories+ Deeper into the world of apps

This week, Federico and John imagine the kinds of apps that may emerge for an Apple VR headset.

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Hands-On with Apple Music for Windows

Apple Music for Windows.

Apple Music for Windows.

Last week, Apple released native versions of Apple Music, Apple TV, and Apple Devices for Windows. The apps, which are available on the Microsoft Store, are labeled as “previews”, and they’re meant to eventually serve as replacements for iTunes for Windows, which is the only flavor of iTunes Apple still distributes after they transitioned to standalone media apps a few years ago. I suppose the apps are also part of a broader strategy from Apple to establish a stronger presence of their services on Windows, as we saw last year with the launch of Apple Music on Xbox and iCloud Photos on Windows (which joined the existing iCloud configuration panel for Windows devices).

As an Apple Music subscriber and owner of a Windows gaming laptop, I thought it’d be fun to take Apple Music for a spin and see how it compares to Spotify on Windows as well as the existing Apple Music experience for Apple’s platforms, which I know very well and enjoy on a daily basis.

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Read-Later Apps

AppStories+ Deeper into the world of apps

AppStories Episode 312 - Read-Later Apps

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47:50

AppStories+ Deeper into the world of apps

This week, Federico and John look at the history of read-later apps and the many similarities and differences between them and today’s read-later apps, like Matter and Reader, as well as link organizers, such as GoodLinks and Anybox.

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Keeping Up with Twitter…without Twitter

Ever since I moved from Twitter to Mastodon (you can find me here), I’ve felt the need to figure out a way to keep up with people who are still using Twitter and whose tweets I find useful and interesting. Understandably, not everybody is ready or wants to move away from Twitter, but if I’m...


The Vivaldi Web Browser, Top 3 Albums, Whisper AI, and Avatar

Here are the highlights from the Club MacStories Discord this week: skribblenik shared thoughts on the web browser Vivaldi In the Music channel Haphazard kicked off a great discussion of everyone’s favorite three albums of all time In the developer channel, members compared notes about using OpenAI’s Whisper speech to text engine on the Mac...


Gone but Not Forgotten: The Third-Party Apps (Part 2)

AppStories+ Deeper into the world of apps

AppStories Episode 311 - Gone but Not Forgotten: The Third-Party Apps (Part 2)

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45:57

AppStories+ Deeper into the world of apps

This week, Federico and John conclude their ‘Gone but Not Forgotten’ series with more third-party apps, including productivity, communications, and entertainment apps, plus games.

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MKBHD on Apple’s Processing Techniques for iPhone Photos

In his latest video, MKBHD eloquently summarized and explained something that I’ve personally felt for the past few years: pictures taken on modern iPhones often look sort-of washed out and samey, like much of the contrast and highlights from real life were lost somewhere along the way during HDR processing, Deep Fusion, or whatever Apple is calling their photography engine these days. From the video (which I’m embedding below), in the part where Marques notes how the iPhone completely ignored a light source that was pointing at one side of his face:

Look at how they completely removed the shadow from half of my face. I am clearly being lit from a source that’s to the side of me, and that’s part of reality. But in the iPhone’s reality you cannot tell, at least from my face, where the light is coming from. Every once in a while you get weird stuff like this, and it all comes back to the fact that it’s software making choices.

That’s precisely the issue here. The iPhone’s camera hardware is outstanding, but how iOS interprets and remixes the data it gets fed from the camera often leads to results that I find…boring and uninspired unless I manually touch them up with edits and effects. I like how Brendon Bigley put it:

Over time though, it’s become more and more evident that the software side of iOS has been mangling what should be great images taken with a great sensor and superbly crafted lenses. To be clear: The RAW files produced by this system in apps like Halide are stunning. But there’s something lost in translation when it comes to the stock Camera app and the ways in which it handles images from every day use.

Don’t miss the comparison shots between the Pixel 7 Pro and iPhone 14 Pro in MKBHD’s video. As an experiment for the next few weeks, I’m going to try what Brendon suggested and use the Rich Contrast photographic style on my iPhone 14 Pro Max.

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