Reflector 4, an app for mirroring iPhones, iPads, and other devices to the Mac, has been updated with a new design, M1 Mac support, and new onscreen device frames. Whether you’re making screencasts, demoing apps for a group, or in a classroom environment, Reflector lets you wirelessly transmit your device’s UI to your Mac and record it too. In addition to mirroring iPhones and iPads, which is what I did in my testing, you can also mirror Android, Windows, and Chromebook devices. Think of it as Apple TV and Chromecast’s mirroring and streaming features all on a Mac, thanks to this one simple menu bar app.
Posts tagged with "iPad"
Greg Godwin, writing at NonProfit Workflows:
There are various apps for the Mac that’ll download YouTube videos, but there’s nothing comparable for the iPad. I discovered that it’s possible to download these videos using the iCab browser if you change the user agent, but I could never get this to work consistently. There is a command-line program you can run called
youtube-dlthat will download videos from YouTube (and other sites). The problem is, the iPad doesn’t ship with a Terminal app like the Mac does, so while I could do this on my Mac, I struggled to find a way to use this command on my iPad.
Greg has written an excellent tutorial on how to install the (recently reinstated)
youtube-dl utility (which I’ve been using to download YouTube videos on my Mac mini for years) and use it on iPad via a-Shell. I followed their tutorial and was able to get
youtube-dl up and running on my iPad Pro – with support for encoding files via
ffmpeg – in literally two minutes. There’s probably less of a need for downloading YouTube videos on iPhone and iPad now that the YouTube app supports native 4K playback on Apple platforms, but I think it’s great to be able to download videos offline for research and archival purposes regardless. I always like to download the best possible version of a video in the WebM format, which plays beautifully at crisp 4K in the free VLC app for iPad.
Side note: I’ve been trying to use this shortcut to pass the URL of the current video from Safari/YouTube to a-Shell via the share sheet. Unless I’m missing something obvious, the a-Shell app launches but doesn’t run my command, which is passed as a ‘Text’ parameter to its Shortcuts action.
Update: Thanks to MacStories reader Jay, I was able to make a-Shell’s Shortcuts action work by switching from single- to double-quotes. I’ve made a shortcut that lets you pass a YouTube URL from either Safari or the YouTube app to a-Shell – which will start downloading it – so you don’t have to type the command (and related options) manually each time. You can find it below and in the MacStories Shortcuts Archive. Also, don’t miss this tip by Greg on navigating a-Shell’s local folder structure.
Ever since its launch in late 2015, the 12.9” iPad Pro has been my primary computer. The combination of a large display – the largest Apple makes for iPads – with software that properly takes advantage of it (see: Split View, multiwindow, multicolumn) makes the 12.9” Pro an ideal blend of laptop-like usability and tablet modularity. If you’re looking for power and flexibility, the 12.9” iPad Pro is the ne plus ultra of the iPad line.
Before the iPad Pro, however, it was the iPad Air 2 that convinced me the iPad could be a suitable replacement for a MacBook. In my review of the iPad Air 2 in early 2015, which I published just a few months before the iPad Pro’s debut, I called the device a “liberating” experience, noting how it struck a balance of high portability and versatility that enabled me to get more work done from more places. In spite of the iPad Pro’s superiority – especially in terms of display size – I’m always going to have a soft spot for the iPad Air as the device where my modern iPad journey began.
For the past few days, I’ve been testing Apple’s latest iPad Air, which comes out this Friday starting at $599 for the 64 GB, Wi-Fi model. While the 10.9” Air won’t replace the 12.9” iPad Pro as my primary machine, I’ve been impressed by this iPad for a different reason: the iPad Air democratizes the notion of “pro iPad”, bringing key features of iPad Pro to more customers, while at the same time looking ahead toward the future of iPad with hardware not seen on the current iPad Pro lineup. The iPad Air sits at the intersection of old iPad Pro features trickling down to the rest of the iPad line and new ones appearing on this model first. This makes the iPad Air a fascinating device to review, as well as a compelling alternative to another iPad of similar dimensions: the 11” iPad Pro.
Five years after the iPad Air 2, I’m intrigued by an iPad Air again. Let me explain why.
Today marks the start of Adobe MAX, Adobe’s annual conference for creative professionals. Every year, MAX is jam-packed with announcements about Adobe’s many products.
If you’ve been following along the past few years, the rise of the company’s mobile apps has been an unmistakable trend at MAX. Adobe has made apps for the iPhone and iPad for years, but with the launch of Photoshop for iPad in late 2019, it became clear that the company intends to play as big a role on the iPhone and iPad as it has for decades on the Mac. Instead of building companion apps for its powerful desktop apps, Adobe seems intent on building apps that let creative professionals move seamlessly from the desktop to the iPad and iPhone and back again.
Given the complexity of Adobe’s desktop apps, building something comparable on the iPad or iPhone is a tall order that takes time. Photoshop for iPad didn’t start out with nearly all the features users rely on when they use the desktop version, but with a monthly release cycle, Adobe has chipped away at the pain points, bringing the two apps closer together over time. The same goes for apps like Lightroom, which photographers rely on for editing images they take. The iPad versions of Adobe’s apps haven’t reached feature parity with the desktop, but the gap is closing, enabling users to work in new ways and in a wider variety of contexts.
This year the announcements at MAX are no different. I’ve tried all of the apps discussed below that Adobe is releasing or updating for the iPad and iPhone this year to one degree or another, including spending the past few weeks using the beta version of Adobe’s latest pro iPad app, Illustrator. My artistic skills don’t do Illustrator justice, but from what I’ve seen from my testing the past few weeks and demos by Adobe, Illustrator is a remarkably powerful vector drawing app that takes a truly innovative approach to the app that should still be familiar to desktop users, but is designed first and foremost around touch interactions. Adobe has also released Fresco for the iPhone and some substantial new features to both Photoshop and Lightroom.
Let’s take a look at what’s coming for the iPad and iPhone at Adobe MAX.
Illustrator for iPad
Illustrator on the iPad is Adobe’s popular desktop vector drawing app reimagined for the iPad and Apple Pencil. The app integrates with Adobe’s Creative Cloud service, allowing users to do their work from any device.
Adobe has created a context-aware interaction model that, coupled with the same touch shortcut UI first seen in Photoshop for iPad with the Apple Pencil, provides a rich and flexible set of tools for illustrators. The breadth and depth of tools and options Adobe offers comes with an initial learning curve. However, Adobe has wisely provided a set of tutorials and ways to learn from others that make it easy to learn the basics, so you can start experimenting on your own.
For the past two weeks, I’ve been using the developer beta of iPadOS 14 on my 2018 12.9” iPad Pro – my main computer and production machine. Although I feel like it’s too early for me to offer a definitive assessment of iPadOS 14, I figured it’d be interesting to share some initial thoughts on the evolution of the iPad platform now that iPadOS 14 is available as a public beta as well. These are just some of the key takeaways and “core themes” I’ve been mulling over since WWDC; I plan to dig deeper into every aspect of iPadOS 14 in my annual iOS and iPadOS review in the fall.
Federico, Stephen, and Myke had a special surprise on this week’s episode of Connected, their podcast about Apple, technology, and general shenanigans. Episode 301, titled We Should Be Developers, features an interview with Apple’s Jenny Chen, who works on the Apple Pencil team, and Stephen Tonna, who works in iPad product marketing.
The interview covers the new Scribble feature in iPadOS 14 and other Apple Pencil enhancements, the philosophy behind iPad app design, including the new sidebars and dropdown menus of iPadOS 14, and also how the iPad’s versatility of input methods needs to be kept in mind by app developers.
There are a ton of great insights into how Apple’s team thinks about the iPad and approaches its evolution. If you’re an iPad user, you won’t want to miss it.
I suspect I’m not alone in saying that 2020 has been a big year for personal media consumption. The absence of normal social events has meant more time for reading, watching shows and movies, and other forms of relaxation.
At the end of last year I wrote about how I was using Sofa, a media list app, to track the TV and films I’d watched in 2019. I’ve used the same approach throughout 2020, and it continues to work well for me. The only change is that I’ve been testing a big update to Sofa for the last few weeks that’s available now. Previously exclusive to the iPhone, Sofa now offers a rich iPad experience complete with Split View, Slide Over, and multiwindowing, keyboard shortcuts, and mouse and trackpad support. Additionally, today’s update adds a robust theming system to the app and seamless iCloud syncing. It’s a strong step forward for the app, making it more versatile than ever before.
It’s been an eventful decade for the iPad. But what’s next?
This week’s iPad at 10 celebration has centered primarily on the past. We’ve explored the device’s influence in accessibility and education, heard developers’ stories, outlined some of the most impactful apps from the decade, considered one of the most overlooked iPad models, and more. But as the week closes out, we turn our attention from the past and present to what lies ahead.
For the longest time, the iPhone’s shadow loomed large over the iPad. The iPad Pro began to change that, iPadOS solidified that shift, and now the device is forging its own path as a modular computer.
There’s never been a more exciting time to use the iPad. Yet as far as the device has come, we remain optimistic that its best days are still ahead.
Before wrapping up this anniversary week, we have to consider the future of the iPad.
When I started my iPad-only journey in 2012, I was stuck in a hospital bed and couldn’t use my Mac. It’s a story I’ve told many times before: I had to figure out a way to get work done without a Mac, and I realized the iPad – despite its limited ecosystem of apps and lackluster OS at the time – granted me the computing freedom I sought. At a time when I couldn’t use a desk or connect to a Wi-Fi network, a tablet I could hold in my hands and use to comunicate with remote colleagues over a cellular connection was all I needed. Over time, however, that state of necessity became a choice: for a few years now, I’ve preferred working on my iPad Pro and iPadOS (née iOS) in lieu of my Mac mini, even when I’m home and have access to my desk and macOS workstation.
The more I think about it, the more I come to this conclusion: the iPad, unlike other computers running a “traditional” desktop OS, possesses the unique quality of being multiple things at once. Hold an iPad in your hands, and you can use it as a classic tablet; pair it with a keyboard cover, and it takes on a laptop form; place it on a desk and connect it to a variety of external accessories, and you’ve got a desktop workstation revolving around a single slab of glass. This multiplicity of states isn’t an afterthought, nor is it the byproduct of happenstance: it was a deliberate design decision on Apple’s part based on the principle of modularity.
In looking back at the past decade of iPad and, more specifically, the past two years of the current iPad Pro line, I believe different factors contributed to making the iPad Pro Apple’s first modular computer – a device whose shape and function can optionally be determined by the extra hardware paired with it.
The original iPad Pro showed how Apple was willing to go beyond the old “just a tablet” connotation with the Apple Pencil and Smart Keyboard. Three years later, the company followed up on the iPad Pro’s original vision with a switch to USB-C which, as a result, opened the iPad to a wider ecosystem of external accessories and potential configurations. At the same time, even without considerable software enhancements by Apple, the creativity of third-party developers allowed iPad apps to embrace external displays and new file management functionalities. And lastly, just a few weeks ago, Apple unveiled iPadOS’ native cursor mode, finally putting an end to the debate about whether the iPad would ever support the desktop PC’s classic input method.
The intersection of these evolutionary paths is the modern iPad Pro, a device that fills many roles in my professional and personal life. Ever since I purchased the 2018 iPad Pro1, I’ve been regularly optimizing my setup at home and on the go to take advantage of the device’s versatility. I’ve tested dozens of different keyboards, purchased more USB-C hubs than I care to admit, and tried to minimize overhead by designing a system that lets me use the same external display and keyboard with two different computers – the Mac mini and iPad Pro.
At the end of this fun, eye-opening process, I’ve ended up with a computer that is greater than the sum of its parts. By virtue of its modular nature, I find my custom iPad Pro setup superior to a traditional laptop, and more flexible than a regular desktop workstation.
So how exactly did I transform the iPad Pro into this new kind of modular computer? Let’s dig in.