Several weeks ago I mentioned Chris Hannah’s recently-released iOS text transformation utility Text Case in the Club MacStories weekly newsletter. The app has a simple, utilitarian design that uses the big, bold header text popularized by Apple apps like News and Music. Version 1.0 included a long list of built-in text transformations. Some, like URL encoding and decoding, are useful, and others, like ‘Mocking SpongeBob,’ are just for fun. By and large though, the transformations in version 1.0 were geared more towards developers than writers. That’s changed with version 1.2 of the app, which should make it appeal to a wider audience.
The latest update adds Title Case, which can transform headlines according to the style guides for the Associated Press, American Psychology Association, Modern Language Association, or Chicago Manual of Style. The update also adds sentence case and Pascal case.
Today, former Apple engineer Ken Kocienda’s book Creative Selection, which covers his career at Apple and insights about the company’s software design process, was released. As an engineer at Apple, Kocienda worked on several high-profile projects including Safari on the Mac and the touch keyboards on the iPhone and iPad. Much of the publicity surrounding the book focuses on Kocienda’s work on the iPhone. However, there is a treasure trove of interesting anecdotes about other products and people that make Creative Selection an absorbing read for anyone interested in the creative process and Apple.
My task manager is packed with personal and work tasks. I rely on it to keep me on track day-to-day and week-to-week. The reason my task system works though is that it doesn’t include absolutely everything. If I started adding the minute-to-minute minutiae of life, I’d get bogged down in the volume of tasks each day.
For a while now, I’ve been using Apple’s Reminders app to keep track of one-off tasks, little things I might forget to do, errands, and tasks with deadlines. I’ve found that it’s a great way to stay on top of items that don’t have a home in a formal project. For the past couple of weeks though, I’ve largely replaced Reminders with Due, which was updated to version 3.0 today.
Tomorrow, Donut County by developer Ben Esposito will be published by Annapurna Interactive, which also backed the critically-acclaimed Florence. The game, which was announced in 2014, but has been in development since 2012, tells the story of a raccoon named BK, his friend Mira and an assortment of other characters from Donut County who are trapped 999 feet beneath the surface of the Earth. You play by manipulating a hole that grows as you move it across the landscape swallowing objects. If the premise sounds strange, that’s because it is, but it also works through a combination of a clever game mechanic, funny writing, and engaging sound design and artwork.
If you’re unfamiliar with Day One, it’s simply the best journaling app available on Apple platforms. This week version 3 of the iOS app was released, adding great new features while simultaneously fixing some long-standing issues I’ve had with the editor interface. Many of the improvements are exclusive to Day One Premium subscribers, but the editor improvements benefit everyone.
Dark Sky’s signature feature has always been its uncanny ability to predict when it was about to rain. The app has a reputation for working better in the US than other parts of the world, and in my experience, it’s not as good at predicting snowfall, but its ability to keep users from getting caught off guard by a sudden storm has garnered it a lot of fans.
Besides an app, Dark Sky is an API that other weather apps use to deliver their data. That means you can experience many of the benefits of Dark Sky by using other weather apps, which is what I’ve done for some time. Dark Sky was once my weather app of choice, but over time, I moved to other apps that used its API and presented weather data in ways I prefer.
Yesterday, Dark Sky’s app was updated with a redesign that addresses many of the shortcomings of earlier versions. The main Forecast view now features a higher density of information and visual cues that make it easier to understand predicted weather changes at a glance. It’s a marked improvement over previous versions of the app, but the new focus on a vertical timeline comes with drawbacks that won’t be to everyone’s taste.
It’s not often that a game grabs me and won’t let go the way Holedown has. Once I started playing, I couldn’t stop. I have the iOS 12 Screen Time reports to prove it. Even when I’d burned through all of the game’s levels reaching the final endless one, I kept coming back for more. Holedown has very quickly earned a spot as one of my all-time favorite iOS games.
Like most great mobile games, Holedown is simple. The game is a little like Breakout turned upside-down with a dash of pinball added. Each level begins on the surface of a planet. The object is to bore a hole through to the planet’s core by launching balls that bounce off of obstacles that advance up the screen with each turn you take. If the obstacles reach the surface without being cleared, you have to start over and try again with a new procedurally-generated level.
The obstacles moving up the screen are reminiscent of Tetris blocks, but each has a hit count that shows how many more ball collisions are necessary to take it out. Some blocks fall if the blocks supporting them are eliminated, but others have to be cleared regardless of the surrounding blocks.
As you launch balls, they bounce off the blocks and sides of the screen. It doesn’t take long to get the hang of the precise aiming that is done by dragging your finger across the screen. When you’re ready to shoot, lift your finger and the balls go careening across the screen bouncing helter-skelter off everything in their way.
As you play, you collect crystals. Holedown is a one-time, paid-up-front game, so the only way to collect the crystals is to play the game over and over. There is no In-App Purchase. As you collect crystals, they can be exchanged for enhanced gameplay like the ability to fire more balls at the start of each turn, take more shots per level, and more.
As you play, Holedown tracks the depth of your mine, your progress towards the core of the planet, how many balls you can shoot at one time, and how many shots you have left. It’s information that serves the dual purpose of showing where you are in the level and helping you plan your next move.
When you get to the final level, called the Black Hole, there is no core and you can shoot an unlimited number of balls at the obstacles. The only goal left is to see how deep you can mine before the blocks crash to the surface. I finished the other levels of Holedown over the course of a Saturday afternoon, and though I’ve been playing the Black Hole level for over a week now, the challenge of seeing how deep I can dig and the perfectly balanced gameplay have keep me coming back over and over.
Holedown also benefits from a strong dose of quirky personality. There’s a little mascot that sits in the corner of the screen smiling and watching you play. If you tap it, the little creature responds with things like ‘eat your vegetables,’ ‘seize the means of production,’ and ‘work, work.’
The music plays a big role in Holedown’s feel too. The catchy electronic soundtrack pairs perfectly with the sound effects, both of which react to events in the game, which adds further life to the gameplay.
Holedown is a perfect example of a well-designed mobile game. Even if you’re deep into a long session, you can quit at any time and pick up where you left off later without losing any progress. Combined with the quirky, fun gameplay, it’s one of the hardest games to put down that I’ve ever played on iOS. If you haven’t tried it yet, Holedown should be at the top of your must-play-games list.
Our Internet-driven society has seen a decline in book reading, though not necessarily a decline in reading altogether. Despite book readers being less common than in past decades, we all do a fair amount of reading each day on our smartphones – reading messages from friends, or tweets, emails, Facebook posts, notifications, articles, and so on.
Personally, I’ve always enjoyed reading books, and I continue to read them regularly – though not as much as I’d like. However, I also read an abundance of emails, tweets, messages, and articles every day. A day may pass with me not reading a book, but that never happens with the likes of email and messages. Part of the reason my Internet-driven reading habits are more consistent than my book reading habits is that I have to read those things to do my job. But there’s another reason too: email and Slack demand my attention each day via push notifications, while books do not. Add to that, emails and messages come in bite-sized quantities, whereas books are much longer, and thus more intimidating.
No stranger to the App Store, Serial Reader has been around for several years, but I recently gave it a try for the first time. The premise of the app is simple: it contains a collection of over 550 classic books that can be delivered to you in bite-size chunks. At a time of your choosing, Serial Reader will send a daily notification informing you that your latest issue of, say, War and Peace, is available to read. Each issue is compiled with an estimated reading time under 20 minutes, though most I’ve seen are around 10 minutes – very easy to digest. We all receive regular interruptions from Internet services that take 10 minutes out of our day at a time, and with Serial Reader you can plan those interruptions in a way that helps you read more books.
By offering up small helpings of a book each day, and delivering that book’s latest “issue” through a notification, Serial Reader fixes key barriers to book reading. While I wish I could use it with my own collection of books, the public domain classics included in the app offer a wealth of quality options.
If you want to read more books, Serial Reader offers a clever, convenient way to do that. And there’s no better time than the present to give the app a try – it just received a big update to version 3.5, with a new multi-column reading mode for iPad, curated book collections, alternate app icons, and a design refresh.
Supertop has released another solid update to its podcast player, Castro. In today’s update, Castro adds file sideloading for Plus subscribers, significantly adding to the app’s utility as general purpose audio player. Subscribers can also pre-select the chapters of a podcast they want to play too.
For plus subscribers, the update adds a ‘Castro’ folder in iCloud Drive. Add an MP3 or AAC file into the ‘Sideloads’ folder, and it shows up in your Castro inbox (or wherever else you designate in settings) ready for playback.
Adding audio to Castro is equally simple on a Mac or iOS device. On a Mac, open the Finder and drag in the audio files you want to add. On iOS, use the Files app to add files to your Sideloads folder from any file provider like Dropbox, Box, or Google Drive.
Once added, audio files show up in your Castro Inbox by default where they can be added to your listening queue like any podcast to which you subscribe. Instead of your Inbox, you can also add sideloaded audio to the front or back of your Queue or Castro’s Archive from the app’s settings.
Sideloading opens up exciting possibilities, especially when combined with other apps. For example, you can add DRM-free audiobooks, audio from lectures or conferences recorded from YouTube or other sources using an app like Audio Hijack, or add downloaded bonus podcast episodes like the AppStories Unplugged episodes that we’ve created for Club MacStories members. Podcasters can also use sideloading as a way to listen to draft episodes before publishing them. With one straightforward feature, Castro has become a far more flexible, general-purpose audio player.
Overcast has a similar feature for subscribers, but it’s web-based and limited to 2 GB of storage. Overall, I prefer Castro’s implementation, which doesn’t require navigating to a website. Though Overcast’s 2 GB limit hasn’t been an issue for me, the lack of a cap in Castro is a definite advantage for anyone who wants access to lots of sideloaded audio.
Sideloading a draft episode of AppStories and deselecting chapters for playback.
The second feature added to Castro is what Supertop calls Chapter Pre-Selection. In Castro, if you tap on the current chapter in a podcast episode, it displays a list of all the chapters so you can skip around inside the episode. With today’s update, Castro adds checkboxes to each chapter. By default, all of the chapters are selected. If there are chapters in the list to which you don’t want to listen, tap the checkmark icon to deselect the chapter, and only the selected chapters will play.
The convenience of selecting chapters in advance is greater than I had imagined. By pre-selecting chapters, I can, for example, head out for a run or walk without having to fiddle with skipping chapters on the go, which means fewer distractions and opportunities to drop my iPhone.
Supertop continues to regularly update Castro with interesting features. If you haven’t tried Castro in a while, it’s worth another look. The app is free to download on the App Store and you can try the Plus features, including sideloading, free for one week, after which they are $2.99 every three months or $8.99 per year.
