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Steve Jobs Archive to Release Digital Book of Materials Drawn from Jobs’ Life on April 11th→

Today, the Steve Jobs Archive said it will publish a digital book called Make Something Wonderful: Steve Jobs in his own words on April 11th. The Archive, an online repository of historical material from Steve Jobs’ life, was announced at the Code Conference last fall.

According to the Archive’s website, the book will include:

A curated collection of Steve’s speeches, interviews and correspondence, Make Something Wonderful offers an unparalleled window into how one of the world’s most creative entrepreneurs approached his life and work. In the pages of this book, Steve shares his perspective on his childhood, on launching and being pushed out of Apple, on his time with Pixar and NeXT, and on his ultimate return to the company that started it all.

Featuring an introduction by Laurene Powell Jobs and edited by Leslie Berlin, this beautiful handbook is designed to inspire readers to make their own “wonderful somethings” that move the world forward.

The title of the book is drawn from a Jobs quote of something he said in 2007 at an internal Apple meeting that’s featured on the Archives’s website:

One of the ways that believe people express their appreciation to the rest of humanity is to make something wonderful and put it out there.

According to an email sent by the Archive to subscribers to its mailing list, the book will include familiar sources as well as photos and quotes that have never been published before.

News of Make Something Wonderful was a great way to start a Saturday morning. I’ve always found Jobs’ musings on art and building things inspiring, so I can’t wait to read this book.

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Kirk McElhearn’s Review of Apple Music Classical→

Kirk McElhearn has been writing about classical music on Apple platforms for nearly 20 years, which makes his Apple Music Classical review on TidBITS a must read for classical listeners.

As McElhearn explains, searching for classical works is more complex than pop music:

You may want to listen to a specific work by a given composer, but also by one of your favorite performers. And, as you can see with the example of the Schubert sonata, work names are not always as simple as Bach’s Goldberg Variations. Metadata is the key to managing classical music.

Although McElhearn discovered some metadata oddities when browsing the Apple Music tracks from his library that showed up in Apple Music Classical, the company seems to have done a good job overall with curating the metadata for its new app.

Also, although the UI and experience of using Apple Music Classical is similar to Apple Music, there are important differences, including:

One useful feature is the ability to search within search results. After you’ve searched for something, pull down on the screen to reveal a search field. You can enter keywords in this field to further narrow your search. You can also access this search field in other lists. For example, go to Browse, tap Instruments, then tap Violin. Tap one of the options—Latest Releases, Popular Artists, or Popular Works—and you’ll see a list of results. Pull down, and you can search within that list.

If you’re just starting out with Apple Music Classical, I recommend reading McElhearn’s entire story, which does a fantastic job covering what works well and what doesn’t. Like a lot of people, though, McElhearn is left wondering why the app is iPhone-only:

The most perplexing thing about the Apple Music Classical app is how completely it is siloed. It’s only available for the iPhone, though you can install it on an iPad and zoom it to 2x. Not only is it not available on the Mac—the iPhone app isn’t even available for M-series Macs—but the enhanced metadata, using work and movement tags, is not visible in Apple Music on the Mac nor in the Apple Music app on the iPhone and iPad. It seems Apple is using two separate databases, which makes no sense. If the metadata is available—and work and movement tags are available on many albums in Apple Music already—why not let the other apps access them?

All this makes the Apple Music Classical app seem like an experiment. It’s quite polished for a 1.0 release, and, despite the issues that I’ve mentioned above that will irritate classical music fans, it’s a generally successful attempt to provide a better way to access classical music. Apple should be praised for paying so much attention to a genre that represents only 2–3% of the overall music market.

The unique needs of classical music listeners have never been well-served by the biggest streaming services. I’m with McElhearn in wondering about the limited roll-out of Apple Music Classical, and there are rough edges that are noticeable even for people who aren’t classical music fans. However, that doesn’t change the fact that Apple Music Classical is a step in the right direction. I hope Apple listens to the feedback from McElhearn and other classical music lovers and continues to improve the app.

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How About a Passwords App, Apple?→

Cabel Sasser thinks Apple should build a standalone password management app, and he’s right. Here’s what Cabel suggests:

In my dumble opinion, Apple should:

  • Break Passwords out into a standalone app, with an actual fully resizable window (!!), and full, proper UI for most of its features
  • Make Passwords a toolbar item in Safari for easy access and to be top-of-mind for the user
  • Stick to a basic feature set, but do that well

I’m not the first to link to Cabel’s post, which isn’t surprising because Apple’s password management tools are excellent from a technical standpoint and sufficiently extensive to justify a dedicated app.

The problem is that Apple’s password tools are too hard to find and use, sprinkled across Settings, Safari, and app login APIs. As a result, you have features that are perfectly aligned with Apple’s privacy mission but a UI that isn’t. That’s too bad because, regardless of their technical excellence, Apple’s password tools are ultimately only as good as they are discoverable, and a separate app would go a long way toward encouraging more users to follow better password practices.

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AppStories, Episode 322 – A Classic Pick 2→

This week on AppStories, we each pick two apps we’ve been enjoying recently and explain why.

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On AppStories+, I dive into VR and explore whether AI can convincingly replace me or Federico as hosts of the show.

We deliver AppStories+ to subscribers with bonus content, ad-free, and at a high bitrate early every week.

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Using ‘Phone Link’ Between iOS and Windows for iPhone Notifications and iMessage→

I enjoyed this explanation by The Verge’s Tom Warren on how Microsoft’s Phone Link app – which has long allowed Android users to connect their smartphones to a Windows PC – has been updated to support iOS notifications and sending texts via iMessage. From the story:

The setup process between iPhone and PC is simple. Phone Link prompts you to scan a QR code from your iPhone to link it to Windows, which automatically opens a lightweight App Clip version of Phone Link on iOS to complete the Bluetooth pairing. Once paired, you have to take some important steps to enable contact sharing over Bluetooth, enable “show notifications,” and allow system notifications to be shared to your PC over Bluetooth. These settings are all available in the Bluetooth options for the device you paired to your iPhone.

And:

Microsoft’s Phone Link works by sending messages over Bluetooth to contacts. Apple’s iOS then intercepts these messages and forces them to be sent over iMessage, much like how it will always automatically detect when you’re sending a message to an iPhone and immediately switch it to blue bubbles and not the green ones sent via regular SMS. Phone Link intercepts the messages you receive through Bluetooth notifications and then shows these in the client on Windows.

I got access to the updated version of Phone Link on my PC today, and this integration is pretty wild and it actually works, albeit with several limitations.

First, the setup process is entirely based on an App Clip by Microsoft, which is the first time I’ve seen and used an App Clip in real life. Essentially, my understanding is that this works similarly to how an iPhone can pair with an old-school Bluetooth car system: the iPhone and PC pair via Bluetooth, and you can then provide the PC with access to your notifications and contacts from iOS’ Bluetooth settings. This is the same UI I have for my KIA Sportage’s system, which uses regular Bluetooth to pair with my iPhone and can also display contacts and missed calls.

The setup process based on an App Clip.

The setup process based on an App Clip.

The difference between my car and Phone Link, of course, is that with Phone Link you can type text messages from a PC and they will be sent as iMessages on iOS. This bit of dark magic comes with a lot of trade-offs (check out Warren’s full story for the details on this), but it works for individual contacts. I’ve been able to start a conversation with John, reply to his messages from Windows notifications, and even send him URLs1, and they were all correctly “intercepted” by iOS and sent over as iMessages. I’ve also been impressed by the ability to clear notifications from a PC and have them go away on iOS’ Lock Screen immediately.

The Phone Link app paired with my iPhone.

The Phone Link app paired with my iPhone.

This was then sent as an iMessage.

This was then sent as an iMessage.

The limitations of Phone Link for iPhone users mean you’ll always have to fall back to the actual iOS device for something – whether it’s posting in an iMessage group or sending a photo or acting on notifications – but for quick messages, glancing at notifications, and clearing them, I think this integration is more than good enough.

  1. Fun fact: raw URLs sent from Windows are delivered as rich links from iMessage, but the card’s preview doesn’t load by default on the recipient’s device. ↩︎
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AppStories, Episode 321 – Revisiting RSS→

This week on AppStories, we revisit RSS to talk about how syncing services and apps have changed and share how our use of RSS has evolved.

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On AppStories+, I am dipping my toe into co-working but wonders if I’m more into the idea of it than it is useful.

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The Mac and iPad Pro Are on a Collision Course→

Jason Snell, in an excellent column for Macworld:

Sometimes I look back at all the effort Apple has made with the iPad Pro and wonder if it was worth it. All the additions of Mac-ish features have added complexity that’s probably lost on most users of iPadOS, and the power users for whom they were intended are probably well aware of all the ways they don’t really match up the Mac features they’re duplicating.

I want to see what happens when the walls come down. Today’s iPad Pro is powered by the same chip that’s in the MacBook Air. Would it be such a cataclysm if I could simply reboot that iPad into macOS or run macOS inside a virtual machine?

Likewise, what if the Mac had a touchscreen and Apple Pencil support and came in shapes that weren’t the traditional laptop? What if the Mac began to offer the ergonomic flexibility that iPadOS is so good at? What if I ripped the keyboard off a MacBook and had the option to switch to a touch-based mode that was essentially iPadOS?

I love this story, which I recommend reading in its entirety, because it feels as if Jason stared directly into my soul and wrote about something I’ve been feeling for the past several months.

From my perspective, Stage Manager’s failure to reinvent multitasking and iPadOS’ perennial lack of pro features (Jason mentions a proper audio subsystem in his story, and I agree; I wrote this four years ago, and nothing has improved) were the final straw that convinced me to start looking elsewhere for a convertible computer in my life. I could buy a MacBook Air, but I don’t want to be stuck with a laptop that doesn’t have a touchscreen and whose keyboard you can’t detach.

I fear that I’m going to have to wait a couple of years for the Apple computer I want to exist, and I’m not sure anymore that iPadOS can evolve in meaningful ways in the meantime.

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The New York Times Declares that Voice Assistants Have Lost the ‘AI Race’→

Brian Chen, Nico Grant, and Karen Weise of The New York Times set out to explain why voice assistants like Siri, Alexa, and Google Assistant seem primitive by comparison to ChatGPT. According to ex-Apple, Amazon, and Google engineers and employees, the difference is grounded in the approach the companies took with their assistants:

The assistants and the chatbots are based on different flavors of A.I. Chatbots are powered by what are known as large language models, which are systems trained to recognize and generate text based on enormous data sets scraped off the web. They can then suggest words to complete a sentence.

In contrast, Siri, Alexa and Google Assistant are essentially what are known as command-and-control systems. These can understand a finite list of questions and requests like “What’s the weather in New York City?” or “Turn on the bedroom lights.” If a user asks the virtual assistant to do something that is not in its code, the bot simply says it can’t help.

In the case of Siri, former Apple engineer John Burkey said the company’s assistant was designed as a monolithic database that took weeks to update with new capabilities. Burkey left Apple in 2016 after less than two years at the company according to his LinkedIn bio. According to other unnamed Apple sources, the company has been testing AI based on large language models in the years since Burkey’s departure:

At Apple’s headquarters last month, the company held its annual A.I. summit, an internal event for employees to learn about its large language model and other A.I. tools, two people who were briefed on the program said. Many engineers, including members of the Siri team, have been testing language-generating concepts every week, the people said.

It’s not surprising that sources have told The New York Times that Apple is researching the latest advances in artificial intelligence. All you have to do is visit the company’s Machine Learning Research website to see that. But to declare a winner in ‘the AI race’ based on the architecture of where voice assistants started compared to today’s chatbots is a bit facile. Voice assistants may be primitive by comparison to chatbots, but it’s far too early to count Apple, Google, or Amazon out or declare the race over, for that matter.

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David Smith’s Widgetsmith reaches 100 Million App Store Downloads→

Source: [david-smith.org](https://www.david-smith.org).

Source: david-smith.org.

100 million of anything is a lot, and 100 million downloads on the App Store are rare. Rarer still, and perhaps unprecedented, is 100 million downloads of an app made by one person.

When it comes to apps, I can’t think of a single app made by an indie developer that has reached the milestone that David Smith did today with Widgetsmith. The app, which was released in September 2020 alongside iOS 13, lets users create personalized Home Screen widgets using photos, text, weather data, and more. Since its release, the array of customization options has continued to expand, and last fall, Lock Screen widgets were added to the mix. Most recently, Widgetsmith was updated with gradient backgrounds.

The latest update of Widgetsmith adds gradient backgrounds.

The latest update of Widgetsmith adds gradient backgrounds.

It’s been remarkable to watch Widgetsmith take the app world by storm. Thinking back to the summer of 2020 when Federico and I were testing Widgetsmith, I remember liking it, but I know neither of us had the slightest inkling that it would go viral the way it did not long after its release. Congratulations, Dave. Widgetsmith’s success is well-deserved.

Don’t miss Dave’s post on his website about Widgetsmith’s milestone. Also, the latest gradient background update to the app is available now as a free update on the App Store.

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