Leading up to the show, I made a lot of disclaimers to the band and their label. This was my first time really using Switcher Studio Pro, and the odds of everything falling apart seemed high. To my surprise, all of the iPads, phones, battery and wifi connection managed to get through the whole night without melting, crashing, or otherwise falling apart. The only adjustment I had to make during the set was re-seating the Olloclip on Jesse’s drum-cam. At the end of the night, getting access to full quality video recordings from each of the stage-cameras was no problem. Overall, the stability of the software and iOS was better than I could have expected.
And his takeaway:
As a professional in broadcasting, this development really excites me. Big gigs are not going to throw away Steadicams & Zoom lenses for iOS devices and iPhone broadcasts are not going to cannibalize the market for large-scale professional shows. Instead, smaller live acts broadcasting more shows with Switcher Studio is going to create a demand for more live content, foster more widespread exposure to the acts and build audiences that see the value in seeing high quality live streams more often. Just look at what happened to prerecorded video shooting and editing in the past decade—accessible software and hardware is a huge deal.
As a live music fan and iOS user, what Brian has accomplished with iPhones and iPads seems amazing. Make sure to check out his post for photos and details on the setup.