Victor Luckerson, writing at The Ringer, makes a good point about how Spotify’s algorithmic playlists have turned into the cultural phenomenon that Apple wanted to build around Apple Music:

Spotify is in much the same position right now. With its regularly refreshing playlists, which rearrange artists’ music into a new kind of original content, Spotify has become a beloved musical destination rather than just a tool. It’s an iPod and a radio and a BuzzFeed “Which Drake Album Matches Your Personality?” quiz at the same time. Taylor Swift may have a legion of fans, but Discover Weekly does as well. Those always-updating playlists are now the must-attend musical events that Apple was trying to create around exclusive albums and radio shows.

As I wrote many times here on MacStories, I’d love for Apple to consider more smart playlist features akin to Spotify’s Discover Weekly and Daily Mixes.

This is also interesting:

Netflix used its power as an entertainment destination to nudge its users to watch its own original programming. Now instead of being indebted to Hollywood, the tech company seems to run it. Spotify isn’t there yet, and successfully making the Netflix pivot will be tougher because music isn’t as valuable to investors as video. Its attempts to diversify with original content have so far been nonstarters, and despite persistent rumors, the company hasn’t yet tried to establish its own record label.

Given Jimmy Iovine’s recent comments on music services and original content (“Guess how much original content streaming has: zero!”), I wonder if the future of music may indeed veer towards the current TV streaming model, with albums made exclusively for specific music streaming services (and as a heavy music listener, this possibility scares me).