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Apple Launches Service for Transferring iCloud Photos and Videos to Google Photos→

As reported today by Juli Clover at MacRumors, Apple is now allowing iCloud Photos users to transfer a copy of their data to Google Photos. This joins the growing suite of tools provided on Apple’s Data and Privacy webpage, which also include downloading copies of your data, correcting your data, and deactivating or deleting your account.

As described in a new Apple Support document on this topic, the iCloud Photos transfer process does not delete your photos and videos from iCloud, it just copies a duplicate of the data to Google Photos. Clover notes:

The transfer process takes between three and seven days, with Apple verifying that the request was made by you. To do the transfer, you must have two-factor authentication turned on for your Apple ID account and you must have a Google ‌Photos‌ account with enough storage to complete the transfer.

Further details over at MacRumors.

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Spotify Adding Genre and Mood Filters for Liked Songs→

Fascinating new option announced by Spotify last week, coming soon to the app’s ‘Liked Songs’ default playlist:

Your “Liked Songs” on Spotify are a collection of you—spanning every genre you’ve ever enjoyed and each mood you’ve experienced. Some days, you might be looking to play the entire eclectic mix, while on others, you’re searching for a certain feel.

Starting today, Spotify is rolling out a new way for our listeners to easily sort their “Liked Songs” collection for every mood and moment through new Genre and Mood filters. With this new feature, listeners with at least 30 tracks in their collections will be able to filter their favorite songs by up to 15 personalized mood and genre categories.

Between this, real-time lyrics, the HiFi tier, and the upcoming integration with Siri in iOS 14.5, it seems like I picked a good time to try Spotify for a year.

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The Mortality of Software→

I meant to link this great article by Jason Snell a couple weeks ago:

Every time an app I rely on exposes its mortality, I realize that all the software I rely on is made by people. And some of it is made by a very small group of people, or even largely a single person. And it gives me pause, because whether that person decides to stop development or retires or is hit by the proverbial bus, the result is the same: That tool is probably going to fade away.

A lot of the software I rely on is a couple of decades old. And while those apps have supported the livelihoods of a bunch of talented independent developers, it can’t last forever. When James Thomson decides to move to the Canary Islands and play at the beach all day, what will become of PCalc? When Rich Siegel hangs up his shingle at Bare Bones Software, will BBEdit retire as well? Apps can last as abandonware for a while, but as the 32-bit Mac app apocalypse taught us, incompatibility comes for every abandoned app eventually.

The final segment of this week’s episode of Connected reminded me about the impermanence of software (which is something I covered extensively before) and how, ultimately, the apps we depend upon are made by people, who will eventually stop working on them. As Snell argues, we may not always be prepared for change in our workflows, but that’s exactly what I love about keeping up with new apps and revisiting the way we get our work done.

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Spotify Announces It Will Offer a New CD-Quality, Lossless Streaming Music Tier Later This Year→

At its Stream On event today, Spotify announced that it is adding a new CD-quality lossless tier to its music streaming service later this year. Spotify says the high-resolution streaming is one of its users’ most-requested features and that it is working with speaker manufacturers to ensure there are Spotify Connect devices at launch that take advantage of the new tier.

There are no details on pricing or other aspects of the new service yet, which will be called Spotify HiFi. In a not-so-subtle jab at Apple Music, which has worked closely with Billie Eilish and heavily promoted her music, Spotify coupled today’s announcement with a short video of Eilish and her brother Finneas discussing the importance of high fidelity audio.

It will be interesting to see how Apple Music responds. As competing music streaming services have grown more alike than different, high-resolution audio is being used by several services to try to differentiate themselves from competitors and support higher prices.

Apple has had a ‘Mastered for iTunes’ program since 2013 to ensure that the highest-quality source material is available. However, the music the company streams to Apple Music subscribers is compressed. With the introduction of the HomePod and AirPods Max, high-resolution audio already seemed like a natural next step to expand Apple’s services business. I wouldn’t be surprised if Spotify’s announcement today pushes Apple to announce high-fidelity streaming this year too.

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Apple Updates Its Platform Security User Guide→

Yesterday, Apple updated its Platform Security User Guide to cover new hardware and software features on its platforms. The guide is broken down into hardware security, system security, encryption and data protection, app security, services security, network security, development kit security, and secure device management sections that cover every aspect of Apple’s platforms.

Many of the latest updates to the guide hinge on aspects of Apple silicon as the introduction to the user guide explains:

Apple continues to push the boundaries of what’s possible in security and privacy. This year Apple devices with Apple SoC’s across the product lineup from Apple Watch to iPhone and iPad, and now Mac, utilize custom silicon to power not only efficient computation, but also security. Apple silicon forms the foundation for secure boot, Touch ID and Face ID, and Data Protection, as well as system integrity features never before featured on the Mac including Kernel Integrity Protection, Pointer Authentication Codes, and Fast Permission Restrictions. These integrity features help prevent common attack techniques that target memory, manipulate instructions, and use javascript on the web. They combine to help make sure that even if attacker code somehow executes, the damage it can do is dramatically reduced.

There are new materials spread throughout the guide that add security details about items like the company’s new M1 chips, the boot process of the M1 Macs, the new iOS car key feature, Safari’s password monitoring feature that lets you know when a password you use has been compromised, among many others. To review a full list of what has been added to and changed in the Platform Security User Guide, the guide includes a comprehensive revision history. If you’ve ever wondered about how the security of an Apple platform feature is implemented, the Platform Security User Guide is an excellent place to start your research.

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Austin Carr and Mark Gurman on Tim Cook’s Apple→

Austin Carr and Mark Gurman, writing for Bloomberg, today published a lengthy investigation of Tim Cook’s tenure at Apple. From his earlier years building out Apple’s supply chain under Steve Jobs, to more recent times navigating the Trump presidency and the building antitrust pressure, the article is well researched and very worth a read. Without explicitly taking a stance, Carr and Gurman highlight both positive and negative aspects of Cook’s level-headed approach to piloting the company. I found some of the descriptions of Cook’s early manufacturing moves particularly interesting:

Cook’s global supply chain greatly improved upon the fabrication approaches that Dell and Compaq had developed. The big PC brands often outsourced both manufacturing and significant design decisions, resulting in computers that were cheap but not distinctive. Cook’s innovation was to force Foxconn and others to adapt to the extravagant aesthetic and quality specifications demanded by Jobs and industrial design head Jony Ive. Apple engineers crafted specialized manufacturing equipment and traveled frequently to China, spending long hours not in conference rooms as their PC counterparts did but on production floors hunting for hardware refinements and bottlenecks on the line.

Contract manufacturers worked with all the big electronics companies, but Cook set Apple apart by spending big to buy up next-generation parts years in advance and striking exclusivity deals on key components to ensure Apple would get them ahead of rivals.

The article also focuses on the stark contrast of manufacturing prowess between the U.S. and China, including Chinese manufacturer Foxconn’s ability to spin up brand new facilities in mere months:

[Foxconn founder Terry] Gou always seemed happy to accommodate, often building entire factories to handle whatever minimalist-chic design specs Apple threw at Foxconn. Jon Rubinstein, a senior vice president for hardware engineering during Jobs’s second tour at Apple, recalls almost having a heart attack in 2005 when he went with Gou to see a new factory in Shenzhen for the iPod Nano—a tiny device 80% smaller than Apple’s original MP3 player—only to find an empty field. Within months, though, a large structure and production line were in place. “In the U.S. you couldn’t even get the permits approved in that time frame,” he says.

Check out the full contents over at Bloomberg.

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