Review: Shazam Player Brings Lyrics, Discovery To Your iOS Music Library

Shazam, a popular music recognition software with free and paid apps for the iPhone and iPad, launched today a new application called Shazam Player to provide an alternative to Apple’s own Music app for iOS devices.

Available for free on the App Store, Shazam Player is built atop Apple’s music API for iOS, which enables third-party developers to plug directly into a user’s music library synced with iTunes or iCloud. Shazam Player borrows several functionalities from the standalone Shazam app – such as LyricPlay, artists’ bio and related YouTube videos – and blends them together with songs from the native Music app. Whereas Shazam (free, Encore) forces users to tag songs beforehand and then try the LyricPlay functionality, Shazam Player is meant to serve as a full replacement for Music.app, only with more features that existing Shazam users are likely already accustomed to.

Upon first launch, Shazam Player will ask you to scan the Music library synced on your device. This is required for the app to match your songs with available LyricPlay tracks, whose information is stored on Shazam’s servers. You can read more about Shazam’s support for lyrics in my overview from last week. Once the scanning process is complete (it might take several minutes depending on how many tracks you have synced on your device), you’ll be brought to Player’s main UI, which is heavily resembling of Shazam’s typical interface (that is, it could use some polish here and there) but adds a couple of new design elements and interaction patterns. Read more


World of Goo iOS Download Stats

World of Goo iOS Download Stats

Developers 2D Boy released an iOS version of their popular puzzle game, World of Goo, on the iPad last year. In the first month, they reported over 125,000 sales through the App Store – an impressive number compared to the best 31 day period on WiiWare (68,000 sales) and Steam (97,000 sales). 2D Boy later ported WoG to the iPhone, and made the app universal. Today, the developers have announced one million downloads and published a post detailing the download stats for the app.

  • 69% of downloads and 79% of revenue came from the Universal version.
  • 29% of downloads and 17% of revenue came from the iPhone version.

  • 2% of downloads and 4% of revenue came from the Mac App Store.

The universal version ($4.99) brought a larger chunk of revenue than the iPhone app ($2.99). You’d think iPhones would bring in more sales thanks to their bigger installed base, but more often than not I’m hearing people willing to pay two bucks to get an iPad version “just in case”. Most of the times, of course, it is because they do have an iPad and 2 bucks are well worth the universal download. The Mac, on the other hand, brought only 2% of downloads, but the app is sold at $9.99 there – plus it’s likely that Mac users have already played the old PC/console versions, or bought the iOS app.

Android numbers are noteworthy as well. They’re smaller than iOS when it comes to paid downloads (70,000 copies sold in a month), but impressive in the free demo with over 450,000 downloads. 2D Boy says during the same period last year they sold around 180,000 copies of WoG for iOS. My takeaway after reading this post and Gina Trapani’s Todo.txt sales numbers for iOS and Android – as well as talking to several Android users’ experiences with the Market – is that the App Store still generates much larger numbers of paid downloads (especially when tech coverage and Apple promotions are involved), but Android, too, is growing on that front. I wouldn’t expect Infinity Blade II kind of growth on Android, but 70,000 copies isn’t bad for an indie development studio.

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The Omni Group’s Lion Update Stats

The Omni Group’s Lion Update Stats

The Omni Group has updated its software update statistics document with Lion data:

Because we’re nice folks who want to help the development community, we’ve decided to make the information we gather public (in aggregate form) so that you can also benefit from this knowledge.

Below you’ll find statistical information about all collected configurations to date. The information is provided as-is. We’re not going to tell you exactly how many individual users have submitted the information, nor can we place any guarantee on the accuracy of this information. Remember, this is not a poll of the Mac OS X community at large, just a subset of our customer base.

Looking at the data, you can see how OmniFocus (by far Omni Group’s most popular app) shows a steep Lion usage increase in July (obviously), and a gradual growth throughout January 2012, whereas lesser known apps like OmniWeb have shown an initial decline in user adoption of the latest OS, then stable updates. Surprisingly, OmniOutliner users don’t seem to upgrade to Lion much.

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“Just Like A MacBook”

CES, the tech industry’s largest (and most crowded) trade show, is happening this week. By now, I’m sure you have already seen many of the important announcements, watched a couple of press conferences, and perhaps even read multiple tech blogs to get all the possible news from CES.

Good for you. Unlike previous years, I won’t be bothering skimming through all the headlines this time, because I’m seeing a trend that, at least for me but I believe for others too, is tiresome and deeply annoying.

As bloggers, we’re subject every day to shameless copies and imitations of Apple products. I’m not making this up. Watching CES from the outside these past few years (that is, reading from home) has been an initially ironic, then quickly annoying rush towards having to learn about the latest product from company X that is not an Apple product but looks like one. I swallowed the obvious shift in smartphone design and the hilarious copying of interface elements and tablets. Maybe those weren’t strictly related to CES, but I don’t care, because the underlying problem is the same, with the difference that during CES it’s all there in its shameless glory, rolled up in one week. We hear about these things all year. With CES 2012, I decided to stop paying attention.

Now I won’t rant and say that the tech industry doesn’t innovate. And I won’t even say that I stopped watching CES altogether, because I’ve had my fun with Ballmer and the Tweet Choir. Sony does have some amazing products (including, wait for it, two distinctive tablet designs) and they seem to be at least understanding what the concept of ecosystem is. Microsoft, Ballmer aside, has great taste with WP7 and, it appears, certain parts of Windows 8. Some guys made an awesome touch-based-whatever cooktop that doesn’t waste energy. Thunderbolt is looking more promising every day. The Nokia Lumia 900 is great.

There’s still some innovation going on in this industry, thank God. But the rest is bullshit.

Let’s see what CES offered, shall we? Acer unveiled a cloud-based service that looks somewhat familiar – where by “familiar” I mean look at those slides. The Ultrabooks – God bless Intel, it understands the market’s needs – were in full force at CES. They all look awfully familiar to the MacBook Air, which isn’t an “ultrabook” because Ultrabook is something the industry made up to justify the need for Windows computers that look just like MacBooks. So yeah, it looks like a MacBook but it’s not a MacBook. Get it? HP did a long time ago.

I mean, Sir Jony Ive must be proud. Even Vizio is now, well, being inspired by Jony’s creations and coming out with, again, familiar faces. Cheers to Vizio for being bold enough to announce the whole family.

We even have the computer that copies a purpoted Apple computer that doesn’t exist. They copied the patent.

Then there’s the mobile market. Smartphones and tablets. Man is it difficult to keep up with all those Android phones. Even Samsung, skilled player, must have thought this, as they have created a new category of their own so it’ll be easier to keep up with that. They call it “phablet”. Well okay Samsung, I guess I’ll take a padfone next. Oh wait. I’ll just settle for the UltraTab (No joke, I wouldn’t be surprised to see this coming out later this year). I can’t even count how many iPhone and iPad lookalikes I’ve seen on The Verge and Engadget. And don’t get me wrong, it’s their job to report on these things and I completely understand how you can get excited for the latest Android phone or 7-inch tablet. I, however, have stopped paying attention.

I personally don’t get people that purposefully buy gadgets that “look like insert name here, only to save a few bucks. Problem is, they might not even save those dollars anymore, because “a race to the bottom” has begun and Apple is winning. I blame those prices on the recession. Perhaps corrupted politicians, too.

It’s not all bad though. After all those clones, I look at the Nokia Lumia 900, Windows Phone 7 and OnLive and I’m reminded that there’s still hope. The innovators are out there, and there are some incredible companies working on amazing technologies that don’t make headlines at CES. There are even people who seem to get what I’m thinking here, more or less.

No one is defending the argument that folks like Samsung copy everything that Apple does. Or that Apple doesn’t copy certain trends sometimes. But the amount of shameless copying and blatant efforts of coming up with unoriginal marketing jargon going on at CES are just too much for me.

You can still find innovation. Just make sure you don’t get the Chinese rip-off.



Quick Review: Werdsmith for iOS

In the past couple of weeks, I’ve seen an increasing number of developers implement iCloud’s documents & data storage in iOS and Mac apps. From preference syncing (Consume, Instacast) to actual library storage (Day One), it appears developers are now fully realizing the potential of iCloud as an automatic syncing solution across Apple’s devices (iCloud isn’t without its flaws, many developers say, and I hope the upcoming release of iOS 5.1 will also bring this kind of fixes).

An area that’s been strangely absent from my App Store watch list of iCloud-enabled apps is that of text editors. Wildly popular when it comes to Dropbox sync (just to name a few: Elements, Notesy, Notely, Nebulous Notes), there hasn’t been a full-featured text editor to show up with iCloud sync yet. Instead, what I’m seeing is a trend towards simpler note-taking applications that allow you to jot down quick notes and have them synced on iOS and, sometimes, Mac clients with iCloud support. Such app is Werdsmith from Australian developer Nathan Tesler, free with in-app purchase to unlock more space and available as a universal app for iPhone and iPad (no Mac version yet).

Werdsmith features a very peculiar interface with a wooden tab bar and a creepily awesome ‘mustache banner’ at the top. This banner slides down when your list of ideas and projects is empty, but otherwise it’s got no specific use in the app. Overall, the design of the app is very clean, and reminds me of Wunderlist. There is an annoying bug with scrolling long lists on the iPhone that sometimes requires a complete restart of the app; I hope it’ll be fixed with an update.

In Werdsmith you can save ‘ideas’ and turn the most complex ones into ‘projects’. Werdsmith is aimed at writers, so a project will basically consist of a single note with a title and a goal – the latter being a minimum word count for your next essay, journal entry or blog post. You can save ideas as quick notes and leave them in your inbox, or you can make one a project and start writing against that word count. A percentage will indicate how far you’ve gone into completing your project, and when you’re done you can tap on ‘Finish’ to archive it.

Werdsmith is really simple, perhaps a little too simple for my tastes. You can’t export notes in any format (only email sharing, and that’s it), there is no support for Markdown formatting (a must-have these days) and you can’t tag, search, or move notes around. Keep in mind, though, that Werdsmith isn’t meant to be a text editor – rather, I see it as an iCloud-based scratchpad for writers, and it’s pretty decent at that. Werdsmith works fairly well if you’re up to accept its nature of simple utility; I’d like to see, however, the iCloud syncing engine rewritten to be more like Day One, as it’s not really immediate in this 1.1 version.

Even if you’re accustomed to more powerful solutions, you should take Werdsmith for a spin – it’s free and it works with iCloud. You can download Werdsmith here.


Adobe Releases Lightroom 4 Beta, Carousel To Become “Adobe Revel”

Released as a free update on labs.adobe.com, Lightroom 4 beta is the next major version of Adobe’s solution for photographers and professionals aimed at making it easy to import, adjust and catalogue photos on the desktop. Whilst Adobe obviously recommends to work with backups and advises against running beta software on a main computer, Lightroom 4 appears to be fairly stable to provide a good indication of features to come once the app goes public.

The Lightroom team is proud to introduce the fourth major version of the product designed for and by photographers. It was 6 years ago today when we introduced the very first public beta of Lightroom at MacWorld on January 9, 2006. (Yes, it was Mac only, smaller in footprint than most raw files and didn’t have a crop tool!) Since 2006 we’ve been hard at work improving an application that’s intended to be as easy to use as it is powerful. This release builds on the fundamental performance architecture and image quality improvements in Lightroom 3 to provide a truly complete workflow solution.

Adobe says Lightroom 4 focuses on image quality and output options. The app now features additional tools to get the most out of highlights and shadows while preserving image quality – Adobe calls this functionality “Highlight and shadow recovery” and goes alongside white balance brush to adjust white balance in specific sections of an image. Long release notes with technical details on image adjustments, supported file formats, known issues and minimum system requirements are available on Adobe’s official blog post.

Alongside image refinements and extended, robust video support for organizing, editing and sharing videos on Flickr and Facebook (again, make sure to check out Adobe’s blog for the full details on video adjustments), Lightroom 4.0 beta features photo book creation with over 180 page design layouts, drag & drop support with layout guides, background graphics and integration with the Blurb book printing service. Adobe says photo books have grown in the popularity in the last couple of years, and I have no doubt this is a good move on Adobe’s side (assuming the service is impeccable) at the light of Apple’s moderate success with iPhoto photo books. Lightroom photo books can also be exported to PDF; in this beta, Blurb books are limited to 160 pages.

Similarly to iPhoto, Lightroom 4.0 now allows users to organize and browse photos by location. Thanks to a new Google Maps module (which obviously requires an Internet connection), Lightroom 4.0 will determine a a photo’s location if the camera that created the file supports GPS coordinates; otherwise, users can manually drop photos onto a location and create saved locations for future usage.

Lightroom’s release notes also reveal Adobe is planning on adding significant functionality to Adobe Carousel (my review) and changing its name to Adobe Revel. Lightroom 4 will feature an Adobe Revel export option, and I expect Revel to gain much needed fixes and improvements that I mentioned in my original review of the subscription-based service.

Adobe plans to change the name of Adobe Carousel to Adobe Revel. We originally chose the name Adobe Carousel because it was descriptive of core functionality in the product, in that photographs were viewed in a circular manner, like a carousel. However, we now plan to offer additional photography solutions on this platform, including but not limited to the ‘carousel’ feature. Our rapidly expanding charter for this new platform requires a name that is less narrowly descriptive of the current product features.

Other features of Lightroom 4.0 include:

  • Publish Collections can now include rendered video publishing
  • Enhanced output model for saving/storing settings applied in Web, Slideshow, Print and Book. Efforts are now clearly visible in Collections panel.
  • New Zoom ratios (1:8 and 1:16)
  • Noise reduction adjustment is always displayed regardless of zoom level
  • Collapse the tether toolbar down to the shutter button by Option or Alt clicking the close button
  • Module picker can be customized via right-click option
  • Filter and search images by a saved or unsaved metadata property
  • Additional Metadata controls on export
  • Disk burning now available on Windows 64-bit systems
  • Stacking is now possible in collections
  • Flash galleries are now color managed

Lightroom 4 for Mac and Windows can be downloaded here. Check out a video after the break and Adobe’s YouTube channel for more information on the beta. [via setteBIT]

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MacHash Apple News Aggregator Gets iOS 5 Twitter Support, Podcasts

I’ve been a huge fan of MacHash since I started using the service last year. With a straightforward web interface that aggregates the latest Apple headlines from websites like ours, MacRumors, TUAW, Macgasm, AppStorm, iMore and many others and an iOS client that offers more customization options alongside an in-app browser, MacHash has become my go-to place to stay on the top of the latest Apple news and commentary from the community. I’ve already covered MacHash for iPhone and iPad in Episode 5 of App Journal.

An update to MacHash for iOS released last night (version 3.2) brings a variety of bug fixes and technical improvements, as well as support for native Twitter sharing on iOS 5 and a podcast directory. The latter option is something I’ve been looking forward to since it was teased with the 3.0 update: in the Site Browser, MacHash now lists a series of Apple-themed podcasts and allows you to listen directly within the app without using a separate podcast app such as Instacast or Downcast. You won’t find podcast features as deep as the ones from Instacast our review, but you’ll still be able to run audio in the background and listen without having to keep MacHash open.

Currently, MacHash comes with the following podcasts:

  • AppAdvice Daily
  • AppSlappy
  • For Mac Eyes Only
  • iMore iPhone Live
  • iWake With AppAdvice
  • Macworld Podcast
  • Simply Apple
  • The Touch Arcade Show
  • TUAW Talkcast

I expect the selection of podcasts available inside the app to grow in the next weeks; in this version, audio functionalities are pretty limited, but I like the fact that Apple news and podcasts coexist within the same application.

Aside from MacHash, the same developers (MobileInfocenter) have also released an update to Tech News Tube last night, reaching version 3.2 and adding podcast support and bug fixes. Tech News Tube is a more tech-oriented version of MacHash, aggregating general tech news from Engadget, The Verge, paidContent, Techmeme, ReadWriteWeb, and many more. The app is very similar to MacHash both in terms of design and functionality, so make sure to check it out if you’ve been looking for a much broader news aggregator with an iOS app.

You can find MacHash and Tech News Tube for free on the App Store.


Day One 1.5 for iOS: Now With iCloud Sync

Earlier this year, I started using Day One. Not just another text editor with Mac and iOS versions and support for Markdown formatting, Day One is at the same time a flexible and focused solution to archive your thoughts, memories, experiences into a well-built interface that keeps everything in sync across Macs and iOS devices. A fresh take on the old paper journal, Day One takes advantage of modern technologies such as local reminders to tell you when it’s time to write your journal; on the iPhone and iPad, the app supports different font sizes and Markdown, so you’ll be able to write nicely formatted documents that you can easily export to HTML. On the Mac, Day One comes with a standalone menubar application that makes it incredibly fun and quick to jot down thoughts whenever you want.

Day One’s 1.5 update for iOS, released today on the App Store, brings a more powerful Dropbox sync for iPhones and iPads (Day One can store its database in Dropbox, and it allows you to export notes on the Mac via File>Export) and the long-awaited iCloud sync, which I’ve been able to test on my iPhone 4S and iPad 2 (Day One 1.5 for Mac isn’t live yet, but it’s been submitted to the Mac App Store).

I came from an old installation of Day One with a Dropbox database synced to my iPhone and iPad. As I upgraded to version 1.5 and launched the app on both devices, I was asked to disable Dropbox sync if I wanted to use iCloud. I disabled Dropbox, and waited a few minutes for the initial iCloud background sync to finish (it had to pull at least 50 entries to begin with).

Once iCloud is up and running in Day One, it is extremely reliable, fast, and invisible. Unlike Dropbox, it’s not manual sync you have to initiate or automatically perform upon launch and quit – it’s push technology that constantly sends changes back and forth between devices. As an example, I started writing a new entry on my iPhone and it showed up after a few seconds on my iPad, which was running Day One. The main list of notes on the left basically refreshes to accomodate a new note – no manual sync needed. For the same reason, notes are pushed with iCloud as you write them – typos included.

Day One 1.5 clearly fits in a much bigger picture with the Mac client constantly receiving changes from the cloud, but this doesn’t mean you can’t enjoy Day One 1.5 for iOS now. In fact, I often find myself writing my journal on iOS devices rather than the Mac, so iCloud support (with this kind of invisible push technology) is more than welcome.

Day One for iOS is $1.99 on the App Store.