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Why Rdio Died

Yesterday, music streaming service Rdio announced they’re filing for bankruptcy and that key assets of the company will be acquired by Pandora. Casey Newton has written an obituary for The Verge, with some good points about Rdio’s focus on design:

Miner jokes the design was aimed at “snobby album purists.” Among its subscribers were a small legion of user interface and user experience designers — one reason you see little touches of Rdio everywhere you look. It’s there in the blurred album art that you now see in the background of other streaming music services. It’s there in the translucent panes and gradients that Apple introduced with iOS 7. It’s there in the redesigned app for Pandora, the company that ultimately acquired it. For its part, Pandora says that Becherer and his team will build a new on-demand product for the company using Rdio’s intellectual property. It is expected to launch in late 2016.

Rdio wasn’t the first music streaming service I tried, but it was the first one I loved, and that was because of its tasteful design and focus on albums and discovery. You could tell that the people who made Rdio loved music and the idea of sharing music. They cared. And ultimately, focusing too much on design touches while avoiding basic aspects like growth and marketing spelled the end of the company.

There’s no doubt in my mind – Rdio was the most elegant streaming service. Its social, discovery, and playback features (good queue management, sort by label, heavy rotation among friends, excellent weekly releases – just to name a few) were simply unrivaled. Rdio was great.

I used to write about Rdio a lot, and you can still find all my old posts and screenshots here. I’ll miss Rdio.

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“A Fundamental Point of Interface”

From Tony Chambers’ interview with Jony Ive on the Apple Pencil:

I think there’s a potential to confuse the role of the Pencil with the role of your finger in iOS, and I actually think it’s very clear the Pencil is for making marks, and the finger is a fundamental point of interface for everything within the operating system. And those are two very different activities with two very different goals.

So we are very clear in our own minds that this will absolutely not replace the finger as a point of interface. But it is, and I don’t think anybody would argue, a far better tool than your finger when your focus becomes exclusively making marks. The traditional pencil could have been replaced by a dish of powdered charcoal, which you dipped your finger into to make marks with. And that didn’t happen.

The interview also has some interesting thoughts by Ive on avoiding to model the Pencil after specific physical tools.

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Connected: I’m Holding a Billboard

This week, the guys talk about their iPad Pros and what the device means for the future.

This week’s episode of Connected is a good one: we talked about the iPad Pro, answered some listener questions, and spent some time discussing pricing for pro apps on the iOS App Store. You can listen here.

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New Tricks for Old Dogs

Jason Snell, who’s been a using a Mac for 26 years, has been trying to do as much as possible on an iPad Pro for the past few days. His takeaway is spot on:

That’s sort of how I view the iPad and the Mac today: One is not fundamentally better than the other, but the Mac is the one I know by heart. The Mac is the one on which I’ve built numerous scripts and workflows and shortcuts to make my work manageable. Leaving it isn’t something I can do lightly, and would need to provide large, tangible benefits.

As I argued in today’s Connected, instead of continuing to spend time on discussing what is a “computer” and what’s “better” for other users, perhaps we’d be better served by understanding what works for us.

This “Mac vs. iPad” debate is taking us nowhere. Today – right now – millions of people are using phones, laptops, and tablets as their computers. They couldn’t care less about the traditional idea of a computer. Most of them don’t even call them “computers” anymore. That’s powerful and empowering. It gets rid of the weight of any preconceived notion of how technology should be used. For some, this change is uncomfortable. For others, it’s liberating. And somewhere along this spectrum, there’s the “computer” for each one of us.

As far as Apple devices go, I believe it’d be more interesting (and intellectually motivating) to talk about how OS X and iOS can improve in their individual areas and as part of the iCloud ecosystem. Exploring the present and imagining where we could go next, rather than telling others how they’re supposed to get work done.

Jason’s probably not going to stop using a Mac, and I’m going to keep using an iPad. No one’s right or wrong here.

Use whatever works for you.

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Behind the Scenes of Austin Mann’s iPhone 6s Camera Review

For the past few years, Austin Mann’s iPhone camera reviews have been at the top of my list of articles I want to read whenever a new iPhone is released. This year, Austin went to Switzerland to test the iPhone 6s and 6s Plus, with some impressive results.

Today, he posted a behind the scenes video that is possibly even more fascinating than the photos themselves as you can see how everything was made and, more importantly, where. Pretty amazing to see what Austin and his team go through to make their reviews possible. The video is 17 minutes long, but worth watching until the end.

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iPad 2015 Display Technology Shoot-Out

In their annual iPad display technology shoot-out, the experts at DisplayMate have compared the new displays of the iPad mini 4 and iPad Pro to 2014’s iPad Air 2. The result surprised me:

The nicest surprise this year is the tremendous improvement in the display quality and performance of the iPad mini 4 after the poor showings of previous minis – the mini 4 is now very impressive and breaks many Tablet display performance records. The iPad Pro has also made a strong entrance and first appearance.

If you’re into this kind of technical overview, you may want to save a couple of hours to dive deep into this. Incredible research.

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Working with an iPad from the Camino De Santiago

In late August, web developer Thaddeus Hunt and his wife decided to hike the Camino De Santiago in the Fall. Early on, Thaddeus chose to only bring an iPad Air 2 running iOS 9 to get his freelance work done while on the Camino. Back in August, he concluded Part 1 of his series with:

My hardware needs have been met, I will be traveling super light, and connectivity is no longer a concern… but quality web development is only as good as the tools you have at your disposal.

I mentioned above, that in my pre-prep there was very little that I could not accomplish with my current iPad and keyboard setup. But hardware has only been half of the equation. In truth, the software is where all the magic has been happening. Luckily, the iOS dev community has created some beautiful, highly capable tools that will help me accomplish my day-to-day.

Three months later, he has returned from the Camino with the results. Thaddeus assembled a solid setup of hardware and software, and I find his final thought to be a refrain among users who try to replicate their OS X setups on iOS:

As a freelance web developer with paying clients, I obviously found this setup to be a more than capable replacement for my 13 inch MacBook Pro while traveling. Depending on what you do for a living, your mileage will vary. I definitely recommend giving it a shot though. For the portability of the hardware and the singular focus of the software alone, it’s worth your time I think. You may be surprised at just how much you can get done.

You can read all the entries in the series here.

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Shooting and Directing Live Music Exclusively with iOS

Fascinating work by Brian King, who shot, directed, and live streamed a Jukebox the Ghost show using iOS devices:

Leading up to the show, I made a lot of disclaimers to the band and their label. This was my first time really using Switcher Studio Pro, and the odds of everything falling apart seemed high. To my surprise, all of the iPads, phones, battery and wifi connection managed to get through the whole night without melting, crashing, or otherwise falling apart. The only adjustment I had to make during the set was re-seating the Olloclip on Jesse’s drum-cam. At the end of the night, getting access to full quality video recordings from each of the stage-cameras was no problem. Overall, the stability of the software and iOS was better than I could have expected.

And his takeaway:

As a professional in broadcasting, this development really excites me. Big gigs are not going to throw away Steadicams & Zoom lenses for iOS devices and iPhone broadcasts are not going to cannibalize the market for large-scale professional shows. Instead, smaller live acts broadcasting more shows with Switcher Studio is going to create a demand for more live content, foster more widespread exposure to the acts and build audiences that see the value in seeing high quality live streams more often. Just look at what happened to prerecorded video shooting and editing in the past decade—accessible software and hardware is a huge deal.

As a live music fan and iOS user, what Brian has accomplished with iPhones and iPads seems amazing. Make sure to check out his post for photos and details on the setup.

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Just Press Record Adds 3D Touch Actions

I first covered Just Press Record in September. Primarily positioned as the missing voice recorder for Apple Watch with fast performance thanks to watchOS 2, the app is also a capable voice recording utility for iPhone that makes it easy to save files to iCloud Drive.

The latest 1.2 update to Just Press Record has added 3D Touch support with a shortcut to start a new recording from the Home screen (also available in Apple’s app), plus peek and pop actions to preview the contents of each folder. The latter is useful because Just Press Record organizes recordings in subfolders in your iCloud account, which means you can view the contents of each folder (presumably containing renamed files) with a stronger press in the app.

I’ve been using Just Press Record regularly on my iPhone for the past two months, and I’ve recommended it to friends who also find it superior to the default Voice Memos app. Version 1.2 is available on the App Store.

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